Showing posts with label Telegraph. Show all posts
Showing posts with label Telegraph. Show all posts

Saturday, September 2, 2017


Random Fuzzy
  
These were from the HFPA press con last Aug. 25  which is why many of the quotes are exactly the same.  There should be a few more similar reports coming from other foreign publications.  It should be easy to just assemble her actual quotes and ignore the rest.

I don't enjoy being single. It’s not something I wanted. There are no upsides, there’s nothing nice about it.  It’s just hard.

She is already publicly stating she didn't want to file.  The separation was forced on them, she didn't agree with it and its been very difficult for both of them.

In other words, she doesn't enjoy being apart from Brad and she never wanted to be separated from him. 

This is the prelude to telling their story.

The "events that led to the filing" and that forced them to live apart.

That they've spent the last, "hardest" year healing from.

"It’s just been the hardest time, and we’re just kind of coming up for air. [This house] is a big jump forward for us, and we’re all trying to do our best to heal our family.”

That story should follow.


*****

She was asked about Miraval's wine and she responded that Miraval will "for sure" continue its wine production and "A new wine will soon be on the market. "  (red?)  She was not asked about the lighting design.  😀


*****


They had previously said:

GQStyle
"Well, there's a lot to tell them because there's understanding the future, there's understanding the immediate moment and why we're at this point, and then it brings up a lot of issues from the past that we haven't talked about. So our focus is that everyone comes out stronger and better people—there is no other outcome."

BBC
 "We will be stronger when we come out of this because that's what we're determined to do as a family."  "My focus is finding this way through. And as I said we are and forever will be a family.  I am coping with finding a way through to make sure that this somehow makes us stronger and closer.”

This may be Angelina's personal contribution to that effort:

Now I need to rediscover a little bit of some of the feeling of the old me, actually. I think we lose our way a bit and we get overwhelmed.
But maybe now that my kids are growing up I am starting to realise that my own sense of play has been put on hold for a while. And maybe them hitting their teens is going to bring out a little more fun in mom.

*****

She again declined to be drawn into any discussion of VF's account of the auditions.

I have explained it and you can look it up.  It was a mischaracterisation and it didn’t happen in any way that wasn’t absolutely with the thought of what was best for the child and the family.

Previously with Screen International:

Jolie says she regards the matter as closed, but stresses that guardians and parents were present at all times during child auditions, and all parties knew the process involved make-believe.

-- Fussy


Tz


PHOTO: Magnus Sundholm for the HFPA 
BLICK reporter Dierk Sindermann with Angelina Jolie at the interview in Los Angeles 
HFPA
Dierk Sindermann

Die Fans machten sich Sorgen um Angelina Jolie, weil Bilder von ihrer Kambodscha-Reise sie erschreckend mager zeigten. Beim Interview zu ihrem neuen Film «Der weite Weg der Hoffnung» (First They Killed My Father) sitzt mir aber eine Angelina Jolie gegenüber, die alle Sorgen zerstreut.
Durch das beige Bottega Venetta-Kleid zeichnen sich Kurven ab und das Lächeln ist strahlend wie eh und je. Ja, sie wird ernst, ihre Stimme rau und es treten sogar Tränen in ihre Augen, wenn die Fragen ins Private gehen. Wie bei dieser:
Was gefällt Ihnen daran, Single zu sein? Und was gefällt Ihnen nicht?
Angelina Jolie: Mir gefällt nichts daran. Es ist nicht etwas, was ich wollte.
Gibt es eine gute Seite?
Nein. Tut mir leid, aber es gibt nichts Gutes. Es ist nur schwer.
Woher nehmen Sie die Zeit als alleinerziehende Mutter, nebenher auch noch Filme zu drehen?
Im letzten Jahr war das unmöglich. Ich musste und wollte mich ausschliesslich um meine Kinder kümmern. Jetzt fange ich wieder an, die richtige Balance zwischen Heimleben und Beruf zu finden. Jede Mutter weiss, wie schwierig das ist. Und ich tu mich damit besonders schwer. Ich liebe es, Mama zu sein. Was zu kurz kommt ist Zeit für mich selbst zu finden.
Sie haben verraten, dass Sie nach Ihrer doppelten Mastektomie in die Wechseljahre gekommen sind. Belastet Sie das psychisch?
Das lasse ich nicht zu. Ich bin so glücklich, keinen Krebs zu haben. Trotzdem haben die frühen Wechseljahre natürlich negative Auswirkungen auf meinen Körper. Besonders weil ich nach dem schweren letzten Jahr emotionell angeschlagen bin und auch mich noch mit anderen gesundheitlichen Probleme herumschlagen muss.
Was tun Sie für Ihre Gesundheit?
Wachsam sein. Alles was in mir vorgeht beobachten. Das Wichtigste ist, dass ich viel lache und glücklich bin, weil das den Stress abbaut. Lachen, lieben, leben – das ist mein tägliches Motto. Ich weiss, ich klinge wie ein Spruch auf einer Postkarte, aber es stimmt.
Sie sind sehr offen mit Ihrer Krankheit umgegangen und haben so viel von Ihrer Privatssphäre geopfert.
Nichts wäre für mich schlimmer, wenn man sein Leben in Schweigen lebt und weiss, dass man anderen Frauen in derselben Situation helfen könnte – einfach indem man den Mund aufmacht. Wenn ich mich abends mit dem guten Gewissen, alles Menschenmögliche getan zu haben, ins Bett legen kann, dann ist dieses Gefühl jedes Opfer wert.
Wie sind die Kinder mit den schwierigen Umständen in der letzten Zeit klargekommen?
Sie sind aussergewöhnlich. Es hat mich unheimlich bewegt, wie sehr sie einander geholfen haben. Besonders die grossen Brüder waren für die kleineren Kids da und haben mich damit sehr unterstützt. Es ist beruhigend, dass meine Kinder so eng zusammenhalten und füreinander sorgen. Das zu wissen, gibt mir inneren Frieden. Denn der Tag kommt, wenn ich nicht mehr da bin.
Unterstützen die Kids auch Sie?
Ja! Sie kochen. Ich nehme zwar gerade Kochunterricht, aber es ist etwas, worin ich nie sehr gut sein werde. Mir fehlt einfach die Geduld dazu, hinter dem Herd zu stehen. Ich versuche aber mein Bestes. Zum Glück sind meine Kinder fähiger als ich und springen oft ein. Wir machen dann eine Party in der Küche.
Aber irgendetwas müssen Sie doch gut kochen können.
Nichts Bestimmtes. Wenn ich mich an ein Rezept halten muss, geht das meistens völlig daneben. Ich war noch nie gut darin, Regeln zu folgen. Manchmal kommt versehentlich was erstaunlich Leckeres dabei raus, wenn ich einfach wild drauflos koche.
Ihr Weingut Miraval in Frankreich produziert sehr gute Weine. Werden Sie das auch in Zukunft weiter betreiben?
Auf jeden Fall. Demnächst kommt ein neuer Wein von uns auf den Markt. Das Miraval Gut ist etwas besonders Schönes für unsere Familie. Wir haben eine tiefe Verbindung damit. Ich hoffe, das bleibt auch weiterhin so.
Wenn Sie reisen Sie eigentlich selbst?
Ich kann es noch, aber ich hatte schon länger keine Zeit mehr dazu. Dafür fliegen alle meine Boys grade. Sie nehmen Flugunterricht. Sogar Knox. Ich muss ihm allerdings helfen, weil er noch nicht an die Pedale rankommt. Die Kids fliegen so viel, dass ich sie am Wochenende kaum noch zu Gesicht bekomme.
Was ist für Sie die grösste Herausforderung bei der Kindererziehung?
Meine Kinder machen zu lassen, ohne einzugreifen. Ich neige dazu, Dinge zu übernehmen.
Was ist das Wichtigste, was Sie den Kids mit auf den Weg geben können?
 Ich versuche alles, dass sie glücklich sind und einen positiven Ausblick haben. Ich will, dass sie unbeschwert lachen können, aber auch, dass sie für sich einen bestimmten Sinn im Leben entdecken. Sie sollen einen Pfad finden und einen Drive entwickeln. Natürlich werden sie besonders als Teenager durch schwierige Situationen gehen und es wird Komplikationen geben. Ich hoffe nur, dass keiner von ihnen so schlimm und schwierig ist wie ich als Teenager (lacht). Bislang ist das nicht der Fall.
Der neue Film ist eine Familienangelegenheit. Ihr 16-jähriger Sohn Maddox taucht im Abspann als Executive Producer auf.
Ja da stimmt. Mad kommt ja aus Kambodscha und er kannte Loung, das Mädchen, um das der Film geht, persönlich. Er war sein ganzes Leben lang mit ihrer Story vertraut. Und den Titel Produzent hat sich Mad verdient. Er musste tägliche Recherchen machen und mir beim Schneiden helfen. Es war für mich sehr wichtig, die Perspektive eines Kinds zu haben, weil die oft einen andere ist als die eines Erwachsenen.
Wie schwierig ist es als Regisseurin, mit Kindern vor der Kamera zu arbeiten?
Man darf junge Darsteller nicht puschen wie man es mit Älteren tut. Bei dem kleinen Mädchen, das die Hauptrolle spielt, hatte ich gar keine grossen schauspielerischen Leistungen erwartet. Man kann viele Dinge durch guten Filmschnitt erzeugen. Am Ende hat mich aber völlig überrascht, was sie geleistet hat. Es war unglaublich. Als ich sie am Ende fragte, ob sie nun Schauspielerin werden will, sagte sie: «Nein. Regisseurin.» Was für ein kluges Girl (lacht).
Was würden Sie in Zukunft gerne tun, was Sie bislang noch nicht getan haben?
Ich denke darüber nach, ein Buch zu schreiben. Über die Geschichte von sexueller Gewalt gegen Frauen und wie wir in Zukunft damit umgehen. Aber wer weiss, vielleicht schreib ich auch was anderes. Vielleicht ein Kochbuch (lacht).
Wo sehen Sie sich in 10 Jahren?
Ich hoffe, dann immer noch gesund zu sein und weiterhin meine kreative Ader befriedigen zu können. In 10 Jahren werden alle Kinder aus dem Haus sein. Ich habe keine Ahnung, was ich dann mache. Vielleicht gibt es dann ja schon Enkelkinder, um die ich mich kümmern kann.
Publiziert am 03.09.2017 | Aktualisiert um 02:19 Uhr


google and microsoft translate

«There is nothing good about being single»
Angelina Jolie speaks exclusively about separation
LOS ANGELES USA 
The fans were worried about Angelina Jolie because pictures of her Cambodia trip showed her frighteningly thin. In the interview for her new film "The Way of Hope" (First They Killed My Father), however, I am facing an Angelina Jolie, who distracts all worries.
The beige Bottega Venetta dress has curves and the smile is as bright as ever. Yes, she becomes serious, her voice rough and even tears come into her eyes when the questions go into private. As with this:
What do you like about being a single? And what do you dislike?
Angelina Jolie: I don't like it. It's not something I wanted.
Is there a good side?
No. I'm sorry, but there's nothing good. It's hard.
Where do you find the time as a single mother, and also shoot films?
Last year it was impossible. I needed and wanted to look after my children. Now I am starting again to find the right balance between home life and work. Well I think every mother knows that it’s hard. I always ask myself that question and I am not very good at it. I am told often that I should try to find more time for myself, but I do love being a mom.
You have revealed that you came to the menopause after your double mastectomy. Do you burden that psychically?
I will not allow that. I am so happy not to have cancer. Nevertheless, the early menopause has a negative impact on my body. Especially because I am after the heavy last year emotionally beaten and I also still have to deal with other health problems.
What do you do for your health?
Be vigilant. Everything that is going on in my mind. The most important thing is that I am laughing a lot and happy, because that relieves the stress. Laugh, love, live - this is my daily motto. I know I sound like a saying on a postcard, but it's true.
They are very open with your illness and have sacrificed so much of your privacy.
Nothing would be worse for me if you lived your life in silence and know that you could help other women in the same situation - just open your mouth. In the evening, when I have been able to go to bed with a good conscience to do all that is human, this feeling is worth every sacrifice.
How have the children come to terms with the difficult circumstances in the past?
They are exceptional. It moved me uncanny how much they helped each other. Especially the big brothers were there for the smaller kids and supported me very much. It is reassuring that my children are so close together and caring for each other. Knowing this gives me inner peace. For the day comes when I am no longer there.
Do the kids support you too?
Yes! They cook. I'm just taking cooking lessons, but it's something I'll never be very good at. I simply lack the patience to stand behind the hearth. But I'm trying my best. Luckily, my children are more capable than I am and often jump in. We then make a party in the kitchen.
But somehow you must be able to cook well.
Nothing special. If I have to stick to a recipe, it usually goes completely wrong. I've never been good at following rules. Sometimes accidentally something amazing comes out when I just cook wild drauflos.
Your vineyard Miraval in France produces very good wines. Will you continue to do this in the future?
Absolutely! A new wine will soon be on the market. The Miraval good is something particularly beautiful for our family. We have a deep connection with it. I hope this remains the case.
If you are traveling you actually?
I can still do it, but I have not had time for it. All of my boys are flying. They take flight lessons. Even Knox. I have to help him, however, because he is not yet on the pedals. The kids fly so much that I can barely see them on the weekend.
What is the greatest challenge for children?
To let my children do without interfering. I tend to take things over.
What is the most important thing you can give the kids along?
 I try everything they are happy and have a positive outlook.
 I want them to be able to laugh without complaining, but also to discover for themselves a certain sense in life. You should find a path and develop a drive. Of course they will go through difficult situations particularly as teenagers and there will be complications. I just hope that none of them is as bad and difficult as I am as a teenager (laughs). So far this is not the case.
The new film is a family affair. Her 16-year-old son, Maddox, appears as executive producer in the credits.
Yes, that's right. Mad comes from Cambodia and he knew Loung, the girl, about the movie, personally. He was familiar with her story all his life. And the title producer has earned Mad. He had to do daily research and help me with cutting. It was very important for me to have a child's perspective because it is often different from that of an adult.
How difficult is it as a director to work with children in front of the camera?
You can not push young actors like you do with older people. With the little girl, who plays the leading role, I had not expected any great actorial performances. You can create many things through good movie editing. In the end, however, I was completely surprised at what she did. It was amazing. When I finally asked her if she wanted to become an actress, she said, "No. Director. "What a clever girl (laughs).
What would you like to do in the future, which you have not yet done?
I think about writing a book. On the history of sexual violence against women and how we deal with it in the future. But who knows, maybe I write something else. Maybe a cookbook (laughs).
Where do you look in 10 years?
I hope to be healthy and continue to satisfy my creative needs. In 10 years, all children will be out of the house. I have no idea what I'm doing. Maybe there are already grandchildren, which I can take care of.
Published on 03.09.2017 | Updated at 02:19 h



news.com.au

Angelina Jolie opens up about her divorce from Brad Pitt and a tough few years

“I DON’T enjoy being single. It’s not something I wanted,” an emotional Angelina Jolie tells news.com.au.
“There are no upsides, there’s nothing nice about it.” Her eyes fill with tears. “It’s just hard.”
The Oscar-winning movie star is in Los Angeles to promote her third directorial effort, a Netflix film, First They Killed My Father. She hasn’t talked to the press since her split with Brad Pitt last year (she filed for divorce last September).
As any parent knows, the effects of divorce are often hardest on the kids. Now a single mum, Jolie, 42, says of their six children: “They have been amazing. They have been there for each other [to the extent that] I have never seen. It’s been so moving to see how much they have helped each other, stood together, the big brothers helping the little kids and all of them helping me.” She smiles.
“They have really come into their own during this time. They are finding themselves and their voices.”
Jolie looks fashionable, as always, and her makeup is flawless. She is friendly but there is a distinct air of fragility about her. And no wonder. She has certainly endured a lot in the past few years.
In 2013, she underwent a preventive double mastectomy after it was revealed she carried the BRCA1 gene, which gave her an estimated 87 per cent risk of breast cancer and 50 per cent of ovarian cancer. (Jolie lost her mother, grandmother, and aunt to cancer). Two years later she went under the knife again, this time to remove her ovaries and fallopian tubes after a cancer scare. This caused her to begin menopause.
I asked her about the recent story in Vanity Fair in which she described herself as feeling “even more of a woman” after menopause. She explains, “I wanted other women to know that you can go through menopause and you can go through a mastectomy and still feel very much like a woman.”
Admirably, Jolie retains a positive outlook. “With so much in life, you have to focus on how much worse it could be. And I am so happy I don’t have cancer, and I am so happy that I had the surgeries which will hopefully prevent me from getting cancer. If I get it, it will be delayed a few years and chemo will be delayed a few years, and the exchange for that peace of mind is quite good,” she says.
“Just living every day and even if you’re going through chemo, you have to find the ability to live and love and laugh. It may sound like a postcard, but it’s true.”
With her multi-pronged career and hectic life as a single mum, how does she make time for herself?
“Well I think every mother knows that it’s hard. I always ask myself that question and I am not very good at it. I am told often that I should try to find more time for myself, but I do love being a mom.”
What’s it like being boss of such a brood?
She laughs. “Listen, when you have six kids, you realise you are the boss of nothing.”
Her film, First They Killed My Father, is based on the 2000 nonfiction book by Loung Ung, a Cambodian author and survivor of the genocide perpetrated by the Khmer Rouge during its barbaric reign.
It is the country to which Jolie felt a strong connection when shooting Tomb Raider. It is also the birthplace of her eldest child, Maddox, 16, who serves as executive producer on the film.
Though it would be an understatement to describe the film as emotionally gruelling, Jolie hopes it will act as a cautionary tale for the residents of Cambodia.
“Seventy per cent of Cambodians are under 30, and so they will be the future of the country. And if they watch this film and they don’t want that to be repeated, and if they want to learn from it and move forward, then they will be the ones to take the country forward.”
Despite her personal trials and tribulations, she has retained her adventurous spirit, notably her penchant for piloting. She lightens up. “I still fly. Actually my boys are all flying. They are all taking lessons, even Knox (aged 9). He likes it, but you have to help him with the pedals.
“Actually, they are flying this weekend. They are flying so much that there is no space for mom!”
Jolie recently shelled out US$24.5 million for a mansion in the Los Feliz district of Los Angeles.
“I’ve started cooking lessons. I’m not sure how good I am at it,” she admits. “But cooking is one of those things when you are settled in your life and you [can] take that time, [when] you can enjoy food and cooking. Somehow I am very impatient and I am a little bit erratic, so it’s very hard to stand in the kitchen, but I am really trying. I’ve learned with the kids that if I cook, they all hang out. They just love it, but they often take over and tell me that they can do it better.” She smiles.
“So then I had a thought that maybe it’s a genius thing for a woman to say, ‘I can’t cook,’ because now all my children can cook really well. I joke that I did it on purpose.”
And her best recipe? “I can’t follow a recipe. I am not one of those people. I don’t like to follow the rules, so I am a little bad at that.”
It seems there are two Angelina Jolies. The “wild” one from 20 years ago (when she was first introduced to me as “Jon Voight’s daughter” before our interview for the 1997 movie, Playing by Heart), to the one the world has got to know as filmmaker and humanitarian.
“Well, there’s probably 12 of us,” she jokes. “Now I need to rediscover a little bit of some of the feeling of the old me, actually. I think we lose our way a bit and we get overwhelmed. I’ve had a lot happen in my life, from certain people passing to health issues to raising the children. It’s been a very good time to absorb a lot and develop a lot and grow.”
What would like she to see in her future? She pauses. “When I think about where I was ten years ago, I wouldn’t have thought I’d be where I am now with regard to my family life, my marriage, my career,” she says.
“But now, I think I’m at an age where you just want to be healthy.”



telegraph

Angelina Jolie interview: 'I don't enjoy being single, it's not something I wanted'

John Hiscock
3 September 2017 • 12:01 AM

If she didn’t have a movie to promote it is highly unlikely Angelina Jolie would be sitting in a Beverly Hills hotel suite talking - albeit reluctantly - about her life since separating and filing for divorce from Brad Pitt last September.
But she is a show business veteran and the movie she co-wrote, produced and directed, the Cambodian-set drama First They Killed My Father, needs publicity. So she is submitting to a long weekend of interviews while admitting: “This is the first time I have done this for a long time. It’s not easy. I am a little shy this time, because I am not as strong inside as I have been in the past.” The last 12 months have clearly taken its toll on the 42-year-old actress, who is looking pale and gaunt.
“It’s been difficult,” she acknowledges. “I don’t enjoy being single. It’s not something I wanted. There’s nothing nice about it. It’s just hard. Sometimes maybe it appears I am pulling it all together, but really I am just trying to get through my days. Emotionally it’s been a very difficult year and I have had some other health issues. So my health is something I have to monitor.”
Four years ago she caused a worldwide stir by announcing she had undergone a preventative double mastectomy after learning she had an 87 per cent risk of developing breast cancer. Her mother had breast cancer and died of ovarian cancer in 2007 at the age of 56 while her grandmother also died of ovarian cancer aged 45. Two years later she had her ovaries removed and last year, in addition to hypertension, she developed Bell’s palsy, causing one side of her face to droop. Acupuncture helped her recover.
“So much in life you just focus on how much worse it could be,” she says. “And I am so happy I don’t have cancer, and that if I do get it, it will be delayed for a few years. The exchange for that peace of mind is quite good. I feel sometimes that my body has taken a hit, but I try to laugh as much as possible.
“We tend to get so stressed that our children feel our stress when they need to feel our joy. Even if you are going through chemo, you need to find the ability to love and laugh.” She pauses and smiles. “It may sound like a postcard, but it’s true.”
Her children - Maddox, 16; Pax, 13; Zahara, 12; Shiloh, 11; and the nine-year-old twins Knox and Vivienne - feature prominently in her conversation and she is negotiating custody arrangements while she settles her divorce. All six were with her in Cambodia for the four months she spent filming First They Killed My Father, which is based on Loung Ung’s 2000 memoir of the Khmer Rouge genocide, in which Ung’s parents and two of her siblings perished along with an estimated two million Cambodians.
Jolie has been a Cambodian citizen for a decade and owns a house near the Thai border, so the time they spent there was of special significance to her and Maddox, whom she adopted there when he was three months old.
“I had met Loung and I asked her how she would feel, as a Cambodian orphan, if I adopted a Cambodian orphan. She was very supportive. Had she not been my life would have been very different.
“So she has known Mad his whole life and Mad has known of Loung’s story his whole life, and I told him, ‘One day, son, you will be ready and you will tell me it’s time to go deeply into your country. But I need your help and you have to work and you have to be there every day and you can’t say no and that you are tired.’ And one day he said, ‘I am ready.’
“I really wanted Maddox to learn about Cambodian history, so I felt that this movie was a journey that we could take. And he went really deeply into the research and into the edit. And having somebody younger there to say, ‘you are losing my attention,’ or ‘that is too complicated,’ was really helpful.”
The film is a family affair: Maddox is credited as an executive producer, Pax did some photography stills and the other four were on set every day and became playmates of the child actors.
“Seventy per cent percent of Cambodians are under 30,” says Jolie. “And if they watch this film and they don’t want what happened to be repeated, then they will be the ones to take the country forward.”
She talks swiftly and quietly with mainly good humour. The only time she becomes testy is when I ask her about the controversy that surrounded her casting methods for the movie. In a Vanity Fair interview, she implied that her casting directors had played a game in which they offered money to the impoverished youngsters money and then pretended to take it away from them, awarding roles to the children who looked the most upset. The audition attracted criticism and Jolie’s lawyers asked for a correction but Vanity Fair stood by their story.
“I have explained it and you can look it up,” she says sharply. “It was a mischaracterisation and it didn’t happen in any way that wasn’t absolutely with the thought of what was best for the child and the family.”
First They Killed My Father is the fourth movie Jolie has directed following In The Land of Blood and Honey, Unbroken and By the Sea. Right now, though, she has no immediate plans either for acting or directing. Instead, she and the children recently moved into a $24.5 million (£19million) mansion once owned by Cecil B de Mille and settling in is currently her priority.
“I am going to cooking classes!” she says. “I am not sure how good I am at it. Cooking is one of those things you do when you are settled in your life and you can take the time. But somehow I am just very impatient and I am a little bit erratic, so it’s very hard to stand in the kitchen.
“But I am getting into it now. I am really trying, because I feel like if I cook, the kids can all hang out. Although they often take over and tell me that they can do it better.” She laughs.
“The children have been amazing,” she adds. “It’s been so moving to see how much they have helped each other and how much they have helped me. They have really come into their own and they are finding themselves and their voices. I know that they will have each other for life and it gives me great peace to know the day I pass away that they will take care of each other.”
Since finishing the movie she has visited London as a guest lecturer at the London School of Economics, talking to students about her experiences as a UN special envoy.
“Part of the reason I wanted to teach was that I wanted to learn, too,” she says. “I really wanted to hear from the generation coming up what questions they have and what their goals are..”
If and when she returns to filmmaking the chances are it will be as a director rather than an actor. “When you are an actor you’re not able to sculpt the final story,” she says. “But to be able to oversee everything, even the music that goes into the edit, feels very different.”
Jolie’s earlier years as wild child have been well documented. She has talked freely in the past about dabbling with drugs and self mutilation, and during her marriage to Billy Bob Thornton (she was also briefly married to Brit actor Jonny Lee Miller), she and Thornton wore each other’s dried blood in pendants around their necks and bragged about their wild sex.
She met Pitt in 2004 on the set of Mr. and Mrs. Smith and has devoted the past 15 years of her life to motherhood. But her life has changed dramatically during the past year and now she is thinking about changing with it.
“I think now I need to rediscover a little bit of the old me,” she says. “I think we lose our way a bit. I have had a lot happen in my life, from certain people passing to health issues to raising the children.
“And it’s been a very good time to absorb and develop and grow. But maybe now that my kids are growing up I am starting to realise that my own sense of play has been put on hold for a while. And maybe them hitting their teens is going to bring out a little more fun in mom.” She laughs. “So maybe I am going back. It may be time.”


Thanks for all of the above to Felicity

Friday, November 27, 2015





There was a time when Brad Pitt, like most people, would enter a hotel through the front door, but that hasn’t happened for the best part of 20 years. 'I’m usually carted up the ass end,’ as he puts it. And so it is that here, as everywhere else, he has been denied the pleasures of a hotel lobby thronged with the svelte and the affluent – for this is a very swanky hotel indeed – and too the pleasures of taking a stroll on a sunny autumn morning unmolested, lending his fourth-floor room, luxurious as it is, a curious air of confinement.

It is an air somewhat exaggerated by the fact that, in his downbeat sweatshirt and tracksuit trousers, the Kangol cap pulled down low over his forehead, the straggly half-beard, Pitt looks less like you expect him to look and more like a man attempting to disguise himself as his own minder.

In fact, Pitt’s minder is outside in the corridor, an imposing presence, standing quietly beside the gaggle of clipboard-wielding publicists. He is perhaps less a precautionary measure for Pitt – who with his muscled 6ft frame appears perfectly capable of looking after himself – than for his wife, Angelina Jolie, who is in an adjacent room being interrogated by a handful of European journalists.Being the most recognised show-business couple in the world has its own perils and disadvantages.

Pitt walks over to turn off the air conditioning and reaches for two bottles of water. He is a courteous man, his manner attentive and earnest. Very earnest. He is in London for discussions about his latest project as a producer, 'a satire about the war in Afghanistan’ (he does not elaborate), but mostly to talk about his role in By the Sea, a new film written by, directed by and co-starring Jolie.

By the Sea is not quite the film that one might have expected from Jolie – whose two projects so far as a director, In the Land of Blood and Honey (set against the backdrop of the Bosnian War) and Unbroken (about the American runner and airman Louis Zamperini), take place in war zones – and Pitt, a versatile actor, but one who has most recently been seen fighting zombies in World War Z and as the hard-bitten commander of a Sherman tank in Fury.

A study in the three ages of marriage, set in the 1970s, it tells the story of a middle-aged American couple who arrive in a secluded holiday resort in France. Roland (Pitt) is a novelist suffering from writer’s block, in search of inspiration for his next book; Vanessa (Jolie) is a former dancer carrying the burden of a past trauma, which it would be giving away too much to reveal.

While she sinks deeper into a well of depression – listlessly turning the pages of Vogue and staring out to sea – his growing frustration leads to long drinking bouts at the local boîte, where the elderly proprietor is mourning the loss of his wife after a long and happy marriage (a beautifully understated performance by the French actor Niels Arestrup).

The disintegration of Roland and Vanessa’s marriage is thrown into even sharper relief when a honeymooning couple move into the next room in their hotel. The two couples strike up an uneasy friendship, which takes an unsettling turn when Vanessa discovers a peephole through which to observe the young honeymooners.

The mood is studied and languorous. It is a film in which everything, not least the two stars, is beautiful: the distressed splendour of the hotel, the lingering shots of sunlight playing on the ocean, the immaculate Citroën DS convertible in which they arrive at the hotel, the numerous pieces of luggage they are seen carrying into their room (more, it seems, than could feasibly fit in the boot of the Citroën, but necessary to accommodate Vanessa’s endlessly changing wardrobe). Half of the film is in French, with subtitles.

'It’s very subtle and European in its cadence, and its palette,’ Pitt says. 'Which is really surprising, because neither one of us is well versed in that. There are no explosions, no earth-shifting events, no big, shocking tales. The whole movie takes place in a cafe, a hotel room and a car. That’s it. I mean, it doesn’t get much more sparse. It’s very quiet, but elegant – it’s such an elegant film.

'It’s really about a couple,’ he continues, 'who are in that stage in life that the old fairy-tale books don’t explain – when the romance has dulled, the banality of the everyday has become the constant and, as all people do in their life, they’re facing grief.’

A middle-aged husband and wife, playing a middle-aged husband and wife at a critical moment in their marriage – it does not take long for Pitt to make the leap, as if he has not only been anticipating the discussion but can’t wait for it.

'Certainly the attrition rate of Hollywood couples looms large.’ He swigs from his bottle of water. 'And I’m surprised how much our history – Angie’s and mine – means to me. That we have this story together. That we know each other. That we watch each other getting older, through amazing moments, joys, pains.’

He repeats the phrase with a sense almost of wonderment in his voice. 'That we know each other. It means so much to me. 'I don’t know. I’m just surprised, because you hear people talking about the old ball and chain, and people trying to recapture youth, as if that’s the impulse – but it’s not the impulse, it’s not the impulse at all.’

But isn’t that what you enter into a relationship expecting – or at the very least hoping for? 'It is. But again, there are no books to tell you what year 12 is supposed to be like, and year 14 and year 23 – no guidebooks. What I’m saying is, I’m surprised how much it means to me, how much value I place in it. I’d equate it to having kids.

Everyone talks about the joy of having kids – blah, blah, blah. But I never knew how much I could love something until I looked in the faces of my children.’ Pitt, 51, and Jolie, 40, are parents to six children, three biological – Shiloh, nine, and seven-year-old twins Knox and Vivienne – and three who are adopted: Maddox, 14, Pax, 11, and Zahara, 10.

It is a family unit that he describes as 'a lot of love, a lot of fighting, a lot of refereeing; a lot of teeth-brushing and spilling… Chaos, total chaos. But so much fun.’

It was always his dream to have a big family, he says. At college he had a friend with whom he would sometimes stay who had five brothers and two sisters. 'It was absolute mayhem on the weekends, and so much fun. His mom would be making breakfast for everyone, throwing eggs and pancakes around, and I thought, that’s the way I want to do it.’

He laughs. 'Listen, Angie and I were aiming for a dozen, but we crapped out after six.’ His own upbringing, he says, was 'never that raucous’. Pitt has a younger brother and sister. He grew up in Springfield, Missouri, where his father ran a trucking company – a Baptist upbringing, 'with all the Christian guilt about what you can and cannot, should and shouldn’t do’. (He now describes himself as an atheist.)

His father was 'very, very tough’, but not, he says, in the 'father knows best’ way. 'He could be a softie. But one thing my folks always stressed was being capable, doing things for yourself. He was really big on integrity – and that informed a lot of what [we] try to do now.’

Is Pitt the disciplinarian in the family? 'I am with the boys.’ He smiles. 'Girls do no wrong so I don’t have to be. I feel like my job is to show ’em around, help them find what they want to do with their life, put as many things in front of them, and pull them back when they get out of line, so they know who they are.’

The peripatetic nature of Pitt and Jolie’s lives – working on location (he as an actor; she as a director, having cut back on acting), her travels on behalf of the United Nations High Commissioner for Refugees and her own Preventing Sexual Violence Initiative – means the family is frequently on the move; the children are homeschooled.

It must be hard, I suggest, to impress on them what constitutes a normal life. 'Well, our life is their normal. Because we’re migratory workers in a sense, they have this wonderful thing where they get to be students of the world. They have memories of being in Vietnam, or that time in Paris, or over in Calgary. The downside is friends, sleepovers, team sports – these have been the challenges that we’ve had to work out.

'We do those things, but we really have to go out of our way. And Mom is a matador about it all – she’s fantastic. We get their friends to us a lot. And then when we set up in one place for any length of time I get on the team sports, because I really want them to have that understanding of being on the team.’

He and Jolie do their best to 'hopscotch’ projects, as he puts it, so that only one of them is away at any given time, while the other looks after the children.

For years, he says, they had talked about working together – 'but we weren’t going to do a Mr & Mrs Smith Two [a follow-up to the film on which they first met, in 2004, when Pitt was still married to Jennifer Aniston]. Done that – although there were some funny ideas for a sequel.’

What they wanted, he says, was a 'Cassavetes, John and Gen experience’ – a reference to the actor and director John Cassavetes, who, with his actress wife Gena Rowlands, made a series of intense chamber pieces in the 1970s including A Woman Under the Influence and Opening Night.'We wanted to have that kind of autonomy, of making something together that was small and intimate, and at the same time make it a family affair where our kids could be running around on set.’

Ostensibly set in France, By the Sea was filmed on the island of Gozo, off Malta, where the production took over a secluded cove, renting houses on the hill above to accommodate Pitt, Jolie and the family. Their eldest son, Maddox, worked as a produc-tion assistant. 'It was just that experience we were looking for.’

The 'John and Gen experience’ worked in reverse, with Jolie directing her husband for the first time – a process that Jolie has described as 'challenging’, but that elicits a paean of praise from Pitt. 'I’ve worked with some really great directors, and I’m really choosy about them, because they’re telling the story at the end of the day. I need to know I’m in good hands, and I trust Angie with my life. I love her instincts. She’s ferocious with a story and she’s really decisive at her post – in command.

'And the second thing would be, she’s my wife. There’s no dividing line when the camera’s rolling or when it’s not. We’re having the same conversation when we’re making breakfast, when we’re setting the shot, when we’re in the scene or out of the scene. Of course we have our own shorthand: I know immediately if she thought a take smelled. But it’s the same as any good director I’ve worked with in that it’s a matter of trust. I know I’m in good hands. Just don’t be late.’ He laughs. 'She hates it when you’re late.’

It was Anthony Hopkins, with whom he starred in Legends of the Fall in 1994, who described Pitt as 'a character actor in a matinee idol’s body’ – 'and it was the greatest compliment I ever received’, Pitt says.

His earlier roles in such films as Thelma & Louise and Interview with the Vampire emphasised the matinee idol – or at least the beefcake charmer. He would later complain of feeling 'used and completely misunderstood and misread’. But he was able to parlay his box-office appeal into more diverse, thoughtful and complex roles in such films as Fight Club, Babel and The Curious Case of Benjamin Button, as well as flexing his muscle with his production company, Plan B, which has a mandate to 'get difficult material that might otherwise not get made to the screen’, and which has been responsible for films including Selma, 12 Years a Slave and The Tree of Life.

The most valuable word in an actor’s vocabulary, he says, is 'no’. 'I tell all the young guys, don’t make choices because somebody else is telling you it’s good from a career-maintenance perspective.’ A lot of actors alternate between one for the studio (and the bank) and one for their artistic integrity. 'But I don’t see it that way. I see ’em all for me. Because if I’m interested in a script, I trust that others will be interested in it too.’

Pitt has confessed to a period in the late 1990s when he suffered from a certain slacker lassitude, spending more time than was good for him 'smoking things I shouldn’t have been’. It was a period he snapped out of, rediscovering his passion for architecture and design, which had been ignited while he was a student at the University of Missouri, when, 'looking for a lazy two-point credit to get out of French’, he came upon the work of Frank Lloyd Wright.

It is an interest that has in recent years led to him studying computer-led design at the offices of Frank Gehry and, in the wake of Hurricane Katrina, founding the Make It Right foundation to design and provide low-cost housing for those who had lost their homes. The foundation recently installed the 109th family into one of its New Orleans homes, and has expanded to take on other projects elsewhere in America, building 280 homes so far.

Pitt is not personally involved in designing the homes, but he designs furniture – 'to me it’s a little building’ – a pastime that he talks about with almost the same passion, but not quite, as his family life. When I ask how his relationship with Jolie changed him there is a long exhalation, as if to say, where to begin?

'I think you can see it in my work,’ he says at last. 'I was a pretty good actor before, but definitely hit and miss. I think I became a really good actor. I’m sure a lot of that has to do with age and wisdom too. But I see an absolute shift from the day I started my family. 'And I think it’s because family – and certainly kids and a stable relationship – is something bigger than yourself. They need you to sit down with them, be there for them when they wake up in the middle of the night.’

He emphasises this. 'They need you. So I think that made me less tense about things, less stressed. And very clear that if I’m going to be doing something that’s going to take me away from my family, it better be something that I believe in, and that they’re going to see and be proud of their dad.

'And also I’m more efficient with it, because it’s taking me away from them. I don’t f— about. I get in there, I get the job done, and I go home.’ He shakes his head. 'You know, nowadays I really can’t wait to get home. More than at any time in my life, I’ve got purpose – real purpose. It feels like I’ve found my place.’

By the Sea is out on December 11







Thursday, March 28, 2013

bits



























Telegraph

It's time to take Angelina Jolie seriously

Angelina Jolie's latest humanitarian mission has been a trip with British Foreign Secretary, William Hague, to the Congo to try and end rape in warzones. However, many still find it hard to take her seriously. But why, asks Katy Brand, in this week's Paper Tiger column.

8:00AM GMT 29 Mar 2013

Angelina Jolie seems to be very confusing to some people. On the one hand she is the quintessential Tinsel Town creation - mother to a Mia Farrow style adopted ‘rainbow family’, partner to Brad Pitt, daughter to bona fide movie star Jon Voight. She has two showbiz marriages behind her, and apparently another to look forward to, if indeed it hasn’t happened already. She has played the media like a Stradivarius her entire working life, indulging in extraordinary behaviours such as wearing a vial of her former spouse’s blood around her neck, offering up the most photogenic heroin addiction it is reasonable to expect, entwining herself in a somewhat provocative manner around her own brother, and talking at length about her bi-sexuality. Oh yes, and she’s an Oscar-winning actress.
 
Angelina, the Hollywood actress, with lover Brad Pitt

But these days, she has all but entirely reinvented herself as a global humanitarian campaigner, visiting some of the world’s most hostile and crisis-hit environments to raise awareness, whilst also giving significant amounts of her own money to charity. She has even bought a vast swathe of the Cambodian rainforest in order to protect it from unscrupulous developers. Of course, this is not an option available to most of us, but I’m not sure why that means it should be met with cynicism – just because the charitable giving you or I might make is more modest, it doesn’t negate the fact that others use their considerable resources for good.
Nobody is so rude about Bill and Melinda Gates attempting to eradicate malaria from West Africa (a task they seem to be succeeding at), but perhaps this is because they are not quite so physically blessed as Jolie. We are still suspicious of beauty, associating pulchritude with manipulation and deceit in a most Shakespearean manner.
For many still find it hard to take her seriously in her most laudable endeavours, with raised eyebrows and curled lips accompanying every foreign aid trip she makes. Why is this? Because she’s beautiful? Because her life is so privileged we can see nothing but insincerity in her altruism? Because Sting has basically ruined it for all celebrities by preaching his message of environmentalism between flights in private jets to his many luxury homes? This doesn’t seem fair.
Jolie’s latest mission to the Congo with William Hague (literally the only member of the current Tory administration who could carry this off without looking like a smug bastard) is perhaps her boldest yet. Listening to young boys and girls talk openly about the brutality practised against them, she has caused the spotlight to fall once again on the problem of sexual violence, a problem with does not even seem to be diminishing in some areas, let alone stopping.

 
William Hague and Angelina visit the Congo

Rape and sexual assault is part of every day life for these people, and it doesn’t end there. Dealing with the issue of female genital mutilation is not easy, and the latest statistics in this country, let alone anywhere else, make any normal person feel sick to the stomach. Jolie has pointed out with an incredibly personal perspective how her own adopted daughter Zahara would probably have been a victim if she had grown up in her birth country of Ethiopia.

The Telegraph’s Cathy Newman has been with Jolie and Hague, and has reported back in some detail about the atrocities they have had described to them, which I would encourage anyone to read. One harrowing story in particular details a five-year old girl’s rape ordeal at the hands of a government soldier right next to a police station. It doesn’t get much worse than that, and although change will not be fast, at least it is in the news – the stories are being heard - and that is down to Jolie’s presence.

People with a startling lack of intelligence and understanding of the real world like to offer poorly-thought through observations of celebrity campaigning, usually running along the lines of ‘why should we bother about this so-called famous person (I’ve never even HEARD of her), when there are so many people working all year round without any press coverage at all’.



Well, the point of a celebrity visit is to get people talking about an issue, to highlight the very thing the workers on the ground campaign for – if each unknown volunteer was put on the front cover of a national newspaper every day, the newspaper would not sell any copies, that’s the bottom line and if we don’t like it, we only have ourselves to blame.

We buy more papers when there are celebrities in them – the rich and famous are under no illusions about this, and although there are some who make the cause they promote seem a little ridiculous by a random, short-lived association, Jolie has been campaigning on a small number of issues for over a decade now – no-one should doubt her commitment.

A high profile is a privilege and a responsibility, however one may come to have it – it can do some good, it should do some good, as Samantha Cameron seems finally to be grasping. Whenever Angelina Jolie makes a visit, there will of course be a load of coverage about what she is wearing and the precise provenance of her engagement ring, but in amongst all that, we will also take a moment to look directly into the faces of those who are trying to live their lives in the worst possible circumstances, and that is all that matters.


Friday, September 7, 2012

bits

News |

Tabloid: Brangelina vacationed in Lapland

Hollywood power couple Angelina Jolie and Brad Pitt have vacationed in Finnish Lapland twice, reports the tabloid Ilta-Sanomat on Friday.

Brad Pitt ja Angelina Jolie.
Brad Pitt and Angelina Jolie. Image: Jens Kaläne / EPA
The Pitt-Jolies' most recent visit was last winter, when they stayed in Rovaniemi with their children.
“They’ve visited Lapland with their kids and thoroughly enjoyed it. They told me about it themselves,” Marjukka "Maucca" Kärki told the tabloid, though she declined to further comment on the stars' trips to Finland.
Kärki runs an international equestrian consultancy service, which has plugged her into a Hollywood celebrity crowd.


The Telegraph (UK)

Brad Pitt and Angelina Jolie could marry in 'amazing' Britain

Brad Pitt says he and Angelina Jolie are coming under pressure from their children to hold their wedding, which could take place in Britain. 


It is the most eagerly anticipated wedding in showbusiness and it could take place in this country. Brad Pitt, who is engaged to Angelina Jolie, tells Mandrake that he might hold the marriage ceremony in Britain.
“We are going to do it,” the Hollywood star says at a screening of his forthcoming film Killing Them Softly, at the Mayfair Hotel. “We haven’t set a date yet, though. We are getting a lot of pressure from our kids.”
Asked if the couple might hold the wedding here, the 48-year-old American replies: “We could do. It has been such an amazing summer here, with all your events – the Jubilee and the Olympics. I’ve watched everything.”
The couple have three biological children: Shiloh, six, and the four-year-old twins, Knox and Vivienne. They also have three children whom they adopted from Cambodia, Vietnam and Ethiopia: Maddox, 11, Pax, nine, and Zahara, seven.
They are currently living in a house in Richmond upon Thames while Jolie, 37, shoots the film Maleficent. Jolie previously owned a house in Buckinghamshire and sent Maddox to school in this country.
The first of Jolie’s two marriages was to the British actor Jonny Lee Miller. At their small civil ceremony in 1996, attended by Lee Miller’s best friend Jude Law, Jolie wore black rubber trousers and a white T-shirt with his name written across the back in her own blood. “You can sacrifice a little to make it really special,” she explained.




Angelina's fake twitter account was suspended . About bloody time. Jolie Twitter Account



The Sun


The Sun - Bizarre with Gordon Smart
Edited by Gordon Smart

Brad and Angelina’s naff nicknames


Pet names ... Angelina Jolie and Brad Pitt

BRAD Pitt and Angelina Jolie may have built their reputations by starring in gritty movies.

But deep down they’re just a pair of soppy lovebirds.
The Hollywood power couple refer to each other by affectionate nicknames.
Brad calls Ange “Kitty”, while she came up with the less-than-rugged pet name “Miffy” for him.
A source said: “Brad and Angelina are very lovey-dovey towards each other and don’t care who sees.”
The couple use their nicknames to secretly check into hotels.
But both will now have to think of some new ones.
Miffy will be delighted with that.


 

Monday, February 27, 2012

Oscar Videos 2















Oscars 2012: Angelina Jolie, Gwyneth Paltrow and Jennifer Lopez show how red carpet glamour is done

The Oscar red carpet is the biggest fashion runway in the world - and the stars did not disappoint as Hollywood's A-list shone in designer gowns.

27 February 2012

Angelina Jolie rocked the Oscars carpet. Turning up fashionably late she posed fearlessly in a thigh-high cut Versace velvet dress.




















http://www.mtv.com/videos/movies/743865/whats-angelina-jolies-most-memorable-oscar-moment.jhtml#id=1679808







Friday, February 3, 2012

More recent interviews - promos



 

Angelina Jolie takes her mission to Missourians



BY    JOE WILLIAMS > Post-Dispatch Film Critic > joewilliams@post-dispatch.com > 314-340-8344 |Posted: Friday, February 3, 2012 12:49 am

There are 70,000 Bosnian immigrants in the St Louis area, mostly in working-class enclaves on the south side. While few of their neighbors understand the circumstances that brought these refugees to America, they've got an ally in Hollywood: Angelina Jolie.
For her directorial debut, "In the Land of Blood and Honey," the actress and human-rights advocate has used a fictional romance to dramatize the ethnic cleansing of Sarajevo during the Bosnian War of the early '90s. It's an unflinching film that provoked strong reactions when it premiered on the coasts in December. The local Wehrenberg chain opens today at its Ronnies Cine, with some encouragement from U.S. congressman Russ Carnahan and a local-media push by the director. But in a phone interview thius week, Jolie acknowledged that many Bosnians may not be ready to revisit the war, in which Muslims were ousted by forces loyal to neighboring Serbia.
"The Bosnians' reluctance is understandable," she said. "I was nervous the first time we showed it to victims of the war, not just because their reaction was important to shaping the film, but because I knew it was bringing up painful memories for them and I didn't want them to suffer through it for two hours. I made the film to educate people who don't know about the war."
Documenting the causes and casualties of the war is a daunting challenge for historians, let alone a novice screenwriter and director. Some people from the former Yugoslavia trace the ethnic and religious conflicts to World War II or even to the the incursion of Turks in the Middle Ages.
After the death of unifying dictator Josip Tito and the subsequent end of communism, old rivalries re-emerged, and the relatively stable melting pot of Bosnia-Hervegovina was fractured along tribal lines. Orthodox Christian Serbs, Catholic Croats and Bosnian Muslims (sometimes called Bosniaks) fought for control of the state. The Bosnian loyalists were outgunned, and in the worst carnage on European soil in half a century, thousands of civilians were raped and murdered.
Only after NATO waged a bombing campaign did the numerous forces come to the negotiating table. Today, a fragile peace prevails in Sarajevo, the city that hosted the 1984 Winter Olympics, but thousands of Bosnians live in exile, in places such as St. Louis.
Some Bosnians are ethnic Serbs and are among the critics who have called "In the Land of Blood and Honey" one-sided. But Jolie, who works as a goodwill ambassador for the United Nations, says that passionate disagreements go with the territory.
"There are many different sides to the conflict, and even within those sides there are extreme differences in viewpoint. To find a respectful balance between those viewpoints was a challenge.
"Of course, this film is a dramatic interpretation and not everyone is going to agree with it, but there are a lot of Serbs who support the movie because they recognize that there is humanity on both sides. And I wouldn't have made the film without Serbs in the cast and crew."
That crew proved invaluable for the first-time director, who shot the film in Hungary on a limited budget. "I've got six kids, so I was used to multitasking," she said, " but I learned something new every day, starting with how to look through the camera.
"I've had experiences on film sets where people worked together and were kind to each other, and I've had other experiences where it was hierarchical and people were rude to each other, so I was very careful in picking a crew that was not only talented but some of the nicest people in the business. They all took pay cuts because they wanted to tell this story.
"For the past few years, there was a part of me that was wanting to move away from making films. I was not enjoying the process. But every day I would arrive on this set that was filled with kind, committed people and I would think: This life can be so beautiful."






Angelina Jolie tells Russ Carnahan to call her 'Angie'

BY DEB PETERSON • dpeterson@post-dispatch.com > 314-340-8276 | Posted: Friday, February 3, 2012 2:26 pm


  The SAG Awards in Los Angeles
HACKING: When film superstar, human rights activist and director Angelina Jolie called Rep. Russ Carnahan last night in his Washington office, she told him to call her Angie, after thanking him for his efforts on behalf of her film about the horrors of the Bosnian war in the early 1990s.
The private phoner was prompted by work the congressman did for Jolie as she gathered information and sought interviews here with the Bosnian press and others. St. Louis has the largest population of Bosnians outside of their native country and Jolie wanted to let the community know what motivated her to make the film, "In the Land of Blood and Honey."
Carnahan is a co-founder of the the bipartisan Congressional Bosnian Caucus, and has hosted multiple briefings and traveled with local Bosnians to Bosnia. He is also a Congressional Delegate to the General Assembly fo the United Nations.
A spokeswoman for Carnahan said today that the film originally was scheduled for a limited release but that the high level of social media chatter emanating from St. Louis prompted the studio to bring it here.
The film will open today at 4:45 p.m. at Wehrenberg Theatre's Ronnies 20 Cine.



Rebecca Kesby

Interesting write up on Joli's new film worth noting that in she is something of a hero at mo
London

Angelina Jolie interview: I couldn’t allow my kids on set

Angelina Jolie’s first film as a director, In the Land of Blood and Honey, is a horrific tale set during the Bosnian conflict. She talks to John Hiscock about the emotional cost of making it .


Angelina Jolie’s first film as a director is definitely not for kids. She had to ban her and Brad Pitt’s six children from the Budapest set of In the Land of Blood and Honey whenever she was filming brutal and harrowing scenes, which was much of the time.
But, whenever there was a break in filming, the children, aged between two and 10, were summoned to bring fun and laughter to the cast and crew and provide a welcome respite from the grim and horrific acts being depicted for the cameras.
“They liked to visit the set and play in the fake snow, but there were many days when they couldn’t come because we were filming scenes that weren’t appropriate for children,” she says. “But, whenever I called 'cut’ and we had a break, the kids would come and play soccer with the cast, and we’d all laugh because they brought levity and love to something that was so dark. I was always so happy to see them I probably smothered them with love because of the nature of the subject matter I was dealing with.”
The subject matter is a vivid and graphically explicit look at the fratricidal Bosnian war of the 1990s, which pitted Bosnia, Serbia and Croatia against each other along ethnic and religious lines, leaving an estimated 100,000 people dead, 50,000 women raped and introduced the term “ethnic cleansing” to the lexicon of war.
The movie, filmed in 42 days for less than £10 million, was written by Jolie who also produced as well as directed.
“I wanted to do this film because of what I’d witnessed in the past 10 years in travelling to all parts of the world. And the more I started to read and research about the former Yugoslavia, the more I was emotionally affected and ashamed at myself for knowing so little about it.”
Apart from reading everything she could find, she also consulted Richard C Holbrooke, the architect of the Dayton accords that ended the conflict in December 1995 (who died in December 2010), Gen Wesley Clark, the Nato commander, as well as correspondents who covered the war and some of the victims and survivors.
Once she started writing, it took her a month to craft the story of Ajla, a Bosnian Muslim woman, and Danijel, a Serbian police officer, who meet in Sarajevo just before the war starts and are reunited when she is sent to one of the notorious “rape camps” where he is in charge.
Jolie decided to model her directing techniques on those of Clint Eastwood, who had directed her to an Oscar nomination in 2008’s Changeling.
“I had a great experience with him, and his sets are like family,” she says. “He works with good people. You have to be talented, but at heart you have to be a good person. There are no egos and everybody respects each other and works together. He’s so fast and economical, which I had to be because we had so very little money and had to move very fast.”
Her actors are from the former Yugoslavia, a mix of Serbs, Muslims and Croats, many of whom had lost family members or were wounded during the war. “It was a particularly hard film because I was asking people to recreate things they actually lived through and do brutal things to each other. As rough as we depicted the violence against women, it was really a thousand times worse.
“On the first day of filming, we shot a mass rape scene, and it was the first time these people from different sides of the conflict were in the same space and working together. I thought, 'This is either going to bring about great tension and we’re going to have a very difficult morning, or it’s going to do something else.’
“Right after I called 'cut’, the actor picked the actress up, gave her the biggest hug and brushed all the snow off her, and all the other officers picked up the women’s clothes and re-dressed them and apologised and brought them tea. By lunchtime, people were friendly and kind to each other, so there was a lot of love in the film. But there was a strong intention on my part to make it hard to watch because I wanted people to sit for two hours and be thinking, 'Please stop this, somebody intervene.’ We made it difficult to watch on purpose.”
In a bizarre convergence of Hollywood glamour and the horrors of war, we are talking in the comfort of a Beverly Hills hotel suite. She is well aware that her star status not only ensured the film could be made but is also the reason for the publicity it is generating and the discussion of the issues it raises, including rape as a war crime and the ethics of international intervention.
“How can there be such violence against women? How can the international community turn its back and allow these kind of atrocities?” she says. “There is no sane answer and it makes absolutely no sense.”
Her and Brad Pitt’s celebrity has helped in her role as a United Nations Goodwill Ambassador and brought attention to the humanitarian causes they support with both time and money. For the past decade, in between making movies, they have travelled the world, visiting refugee camps, building schools and hospitals and donating money where it is needed.
“Here in Hollywood, people get so stressed about things that are simply not the important things in life. So I am very grateful that years ago I was put in the middle of a conflict zone, where I came face to face with what is really happening in the world.
“I love being an actor, and I appreciate and have fun with all the blessings I’ve got from it, but it is a very small part of what is happening around the world. If I wasn’t somehow able to bring attention to issues when I go to other countries, it would weigh on me heavily. I have moments when I burst out crying and I don’t know why, and sometimes I can’t sleep at nights, but at least I can feel I can do something to be part of the solution.”
She is still basking in the positive reactions to a screening of In the Land of Blood and Honey, which she had just hosted in Sarajevo for representatives of war victims’ associations. Their original objections to her story of love between a Serb man and a Muslim woman had forced her to shoot most of the film in Hungary, with only some of the exterior scenes in Bosnia. But, she says, they were pleased with the finished product.
“Sensitivities are still running high, and I have a deep sympathy for people who were nervous, but I asked that people give us the chance to tell the story, and the actors would not have been a part of it if it wasn’t something that was right and correct.”
Jolie, 36, is keen to write and direct another movie and has already started working on a script about Afghanistan. “I loved the experience of directing, and I’d like to do it again. But I’m not yet confident that I’m good at it.”



February 3, 2012 at 1:00 am

Review: Jolie pulls off dark reality of war and love


There's an inevitable darkness to Angelina Jolie's "In the Land of Blood and Honey," an unavoidable sense of despair and outrage.
This is, after all, a love story involving a Serbian officer in the early '90s and his Bosnian Muslim captive. Serbians are wantonly slaughtering Muslims, committing genocide with ruthless abandon, so a happy ending is going to be hard to come by.
"Blood" is Jolie's first venture as the writer-director of a feature and she comes at it straight on, neither pulling punches nor wallowing in excess. It's one of those man's-inhumanity-to-man movies, necessarily wearying and grim, but also well-made and thoughtful.
It's also pointedly pure with all the dialogue spoken in Serbian and an excellent cast of regional actors who are, obviously, mostly unknown to Americans. The language, the ravaged landscape, the physical tone of the actors, it all makes for a sure sense of reality.
The film begins with Ajla (the outstanding Zana Marjanovic) going to a nightclub where she meets Danijel (Goran Kostic), an off-duty police officer. Their flirtations come to a quick end when violence erupts.
Some time later, all the Muslim inhabitants of Ajla's apartment complex are dragged out of their homes. The men are taken off and shot. The women are driven to a prison where most are raped and beaten.
Danijel, it turns out, is in charge of the camp, and he provides protection for Ajla.
Eventually they bond despite awful circumstance. But they are a Muslim and a Serb, and trust is never easy.
The film's key twist seems a bit underdeveloped, but there's no avoiding the horror the film captures. Even in modern times, what monsters men can be.
tlong@detnews.com
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