Showing posts with label Oscar. Show all posts
Showing posts with label Oscar. Show all posts

Sunday, December 28, 2014



the wrap

How Many Votes Does it Take to Get an Oscar Nomination?

Awards | By on December 26, 2014 @ 11:25 am

The answer: Not as many as you might think
Oscar nomination voting begins next Monday, kicking off a numbers game for the movies hoping to land a coveted spot among the 40 or so feature films that garner nominations each year.
And while 6,124 members of the Academy of Motion Picture Arts and Sciences are eligible to vote this year, you don’t need nearly that many admirers to end up one of the chosen few.
In fact, in the Best Picture category, fewer than 600 votes will guarantee you a first-round nomination, while slightly more than 300 will get you a spot once the counting is finished.
The numbers are due to the Academy’s preferential method of counting votes, in which ballots are separated into stacks based on each voter’s first choice. Initially, only first-place votes count – though in most of the categories, ballots are redistributed round after round, so that second and third choices can come into play if a voter’s top pick is eliminated from contention.
Best Picture works differently, with only one round of redistribution. At that point, any film with at least five percent of the vote becomes a nominee.
Because of the preferential process and because the Academy’s branches tend to be small and select, the number of votes required for a nomination is smaller than you might expect; for instance, only five of the 24 categories, Best Picture and the four acting categories, require more than 100 votes to land a nomination.
Many others take in the 30s or 40s, though costume design only takes 19 votes from the 113-member Designers Branch, the smallest Academy branch that gives out an award.
(The new Casting Directors Branch has fewer members, only 76, but the Oscars do not have an award for casting.)
The basic rule is that you take the number of ballots cast in any category, divide by the number of nomination slots available plus one (usually 5+1=6), and round up to the next largest whole number; that’ll give you a vote count that guarantees you’ll be nominated.
Here’s the current Oscar math, based on the Academy’s branch counts for this voting year.
BEST PICTURE
If all 6,124 members of the Academy cast ballots, it would take 557 first-place votes to secure a Best Picture nomination after the initial count. But the process then uses the so-called “surplus rule” to reallocate ballots for films that had significantly more support than they needed, and it redistributes ballots of voters whose first choices receive less than 62 votes to their second (or third, or fourth…) choices.
At the end of that redistribution (again, assuming full participation), any film with more than 307 votes would be a nominee.
BEST DIRECTOR
With 269 members in the Directors Branch, the magic number for a nomination is 45 votes.
BEST ACTOR/ACTRESS/SUPPORTING ACTOR/SUPPORTING ACTRESS
The Actors Branch is by far the largest of the Academy’s branches, with 1,150 voting members. If they all participate, it’ll take 192 votes to secure a Best Actor, Best Actress, Best Supporting Actor or Best Supporting Actress nod.
BEST ANIMATED FEATURE
There’s no magic number in this category. Nomination voting is done by volunteer members of the Animated Feature Film Award Screening Committees, a group whose membership is typically a mixture of members of the Short Films and Feature Animation Branch and all other branches of the Academy.
Members of the committees must see 65 percent of the eligible films — this year, 13 out of 20 — and must score each film on a scale of 6 to 10. The top five vote-getters, provided they average at least 7.5, receive nominations.
BEST CINEMATOGRAPHY
With 226 branch members, it’ll take 38 votes for a nomination.
BEST COSTUME DESIGN
The Costume Designers Branch, which in recent years split off from the Designers Branch, is made up of 113 members. If 19 of them put you first on their ballot, you’re in.
BEST PRODUCTION DESIGN
With a 269-member branch, the magic number is 45.
BEST DOCUMENTARY FEATURE
A first round of voting narrowed the field from 134 eligible films to a 15-film shortlist. A second round will narrow the 15 films down to five nominees. If everyone in the branch votes in this second round, the magic number is 37.
BEST DOCUMENTARY SHORT
Unlike the doc-feature category, the doc-short category still uses committees within the Documentary Branch to narrow the field to eight and then select three-to-five nominees. They use the average-score system to determine the final nominees.
BEST FILM EDITING
The branch contains 236 members, so the number is 40.
BEST FOREIGN LANGUAGE FILM
There is no specific branch governing this category; instead, volunteers from all branches of the Academy (the “general committee”) participate in a first round of voting that helps narrow the field down to nine shortlisted films.
The weekend before Oscar nominations, the shortlist will be narrowed to five nominees by 10 randomly chosen members of the general committee and 30 hand-picked Academy members in Los Angeles, New York and London, who will view all of the shortlisted films and vote.
BEST MAKEUP AND HAIRSTYLING
Members of the branch who can attend a meeting have already narrowed the field down to seven. (At least 15 voters must have attended the meeting.)
On Jan. 10, a screening will be held of 10-minute excerpts from the seven shortlisted films. At the screening, all members of the branch who have seen all seven of the films will receive ballots and vote for three films, in order of preference; members who cannot attend the “bakeoff,” but who have seen all the shortlisted films can also request ballots.
If all 135 members have seen all seven shortlisted films and opt to vote, which obviously is highly unlikely, the magic number would be 34.
BEST ORIGINAL SCORE, BEST ORIGINAL SONG
The Music Branch is made up of 244 members, so 41 of them are enough to guarantee a nomination for songs or scores.
BEST LIVE ACTION SHORT, BEST ANIMATED SHORT
Volunteer members of the Short Films and Feature Animation branch have selected 10-film shortlists in the two categories. Members of the branch who see all the shortlisted films are eligible to score each film on a scale of six to 10, with the top five films scoring higher than 7.5 becoming nominees.
If fewer than five films score that highly, the category can have as few as three nominees.
BEST SOUND EDITING, BEST SOUND MIXING
The 428-member Sound Branch is the second-biggest among the branches that nominate their own awards. (The Executives and Producers Branches are bigger, with 457 and 485 members, respectively, but their members only vote to nominate Best Picture.)
The magic number for the two sound awards is 72.
BEST VISUAL EFFECTS
The Visual Effects Branch’s executive committee determined a 10-film shortlist, and all members of the branch are now invited to a Jan. 10 screening of excerpts from the shortlisted films, followed by a discussion with the visual effects artists responsible. At that screening, the 10 shortlisted films will be narrowed to five nominees using preferential voting.
If every single member of the branch happened to be in town and came to the Academy for the screening, the number would be 57.
BEST ORIGINAL SCREENPLAY, BEST ADAPTED SCREENPLAY
The Writers Branch has 386 members, which makes the magic number for writing awards 65.
The results of all this Oscar math will be announced on Jan. 15.







Friday, April 11, 2014




Random Thoughts

A best actress Oscar nod for Maleficent?  That's the startlingly bold prediction of Total Film's James Mottram.  In a side bar to his June cover article entitled "Angie's big year,"  Mottram wrote, "This year is threatening to be a pretty major one for Jolie, who may well be starting her Oscar campaign early – adding to her nomination for Changeling and her win for Girl, Interrupted – with her return to the big screen in Maleficent."  And that would be on top of the already expected awards attention for Unbroken which, he wrote, "looks certain to be bothering the Oscar race next year alongside her Maleficent performance."

We all know that Oscarologists have had Unbroken high up on their list since the NBC Olympics preview and especially after lengthy footage was shown in CinemaCon, but an acting nod for Maleficent is news.

What is Mottram basing his prediction on?  Has he seen the entire film?  Or was he on set for her key scenes?  His pronouncement comes as a big surprise since blockbusters seldom make it to the Dolby Theater outside of the technical categories.  Which is perhaps why writers for major publications like Total Film rarely go out on a limb with acting Awards predictions for summer tentpoles -- as Mottram just did.  That said, it's not unprecedented -- Johnny Depp got a nod for the first POTC

It is notable that Mottram's piece, an update to his cover story, appears in the magazine's high-profile print edition, not on an online blog, which seems to indicate that he is very confident with his assessment and comfortable putting it out there for maximum dissemination.  But we'll have to wait at least four weeks (if Maleficent premieres in Cannes, longer if it doesn't) to see if other movie critics agree with Mottram. 

Angelina certainly took her role very seriously.   According to producer Don Hahn in the cover article, she spent time with her acting coach "trying to understand what it would be like to be a fairy and grow out of the ground."  We also know that she diligently rehearsed and prepped for her scenes.

Also in the cover article, Hahn recounts how he had first discussed the film with Tim Burton who eventually had to drop out due to scheduling conflicts.  Hahn thinks the film would have been "fine" with Burton.  I disagree.  Burton's iconic style has looked worn and tired in his last few live action films.  And that includes Alice in Wonderland which owes much of its $1B box office to the public's post-Avatar infatuation with 3D.  Alice only has a 55% audience approval on RT

-- Fussy







Total Film scan from angelinafanbrasil

Monday, February 10, 2014



awardsdaily

Click to see actual size











Wednesday, July 10, 2013

Oscar




HitFix

Oscar Bait: Universal sets Angelina Jolie's 'Unbroken' for Christmas 2014

Young British star Jack O'Connell to headline the Coens-scripted WWII drama





Welcome back to our long-dormant Oscar Bait column, in which we muse on the awards potential of a yet-to-be-produced project.

I'm afraid to say I've still not seen Angelina Jolie's 2011 directorial debut "In the Land of Blood and Honey," which never landed a UK distributor. The Bosnian War romance, shot in both Bosnian/Serbo-Croat and English-language versions, wasn't exactly a success, but it was no embarrassment either: it received some sympathetic reviews, played the Berlin Film Festival and nabbed a Golden Globe nomination for Best Foreign Language Film. (Okay, I think we all know why, but still.)

Either way, the Oscar-winning actress seems to have been sufficiently encouraged by her debut's performance to take a second turn behind the camera, and this one -- though still in pre-production -- looks to be a significantly bigger deal. Where "Blood and Honey" was distributed by then-newbie indie outfit FilmDistrict, her follow-up, World War II survival story "Unbroken," has the might of Universal Pictures behind it.

What is more, Universal today announced plans to release the film on Christmas Day 2014, positioning it as one of their prime prestige properties for next year. Well, maybe. The holiday date did the trick for the studio's "Les Miserables" last year, but Christmas Day brought little joy for such past Universal award hopefuls as "Angela's Ashes" and "The Producers." Meanwhile, with the festive season no longer lending contenders the advantage it did when the season stretched into late March -- as we often like to remind you, no December release has won the Best Picture Oscar since 2004's "Million Dollar Baby." (Jolie's little-campaigned debut, as it happens, was a casualty of the December crush in 2011.) So "Unbroken" will need more than prize credentials to woo potential voters.


Those credentials are pretty intriguing, though. If Jolie is still a largely unknown quantity as a filmmaker, her screenwriters certainly aren't. For only the second time, Joel and Ethan Coen are performing scripting duties on a project not their own. That their first such for-hire job was last year's limp screwball comedy "Gambit" may give some readers pause, as might the fact that they've rewritten a script initially penned, at different stages, by two Oscar-nominated screenwriters in their own right: William Nicholson and Richard LaGravenese. This kind of pass-the-parcel process is common Hollywood practice at the scripting stage, of course, though one hopes the screenplay doesn't emerge with too many transitional scars.

Don't expect much of a Coens stamp, however, on inspirational material far removed from their own work. Based on Laura Hillenbrand's non-fiction bestseller "Unbroken: A World War II Story of Survival, Resilience and Redemption," the film tells the story of Louis Zamperini, a war hero and Olympic athlete who survived 47 days on a raft after a plane crash, before being captured and incarcerated in a Japanese POW camp.

With production set to begin in September, Jolie has yet to cast the film completely -- though it has just been confirmed that young British actor Jack O'Connell will be playing the meaty, physically demanding role of Zamperini. This is a huge get for the talented 22-year-old, who is best known in the UK for a charismatic turn in the teen TV series "Skins," and will be introduced to mainstream US audiences in the upcoming "300: Rise of an Empire." (He was originally slated for the lead in flop YA adaptation "Beautiful Creatures," which would up going to Alden Ehrenreich after visa issues got in the way.)

Zamperini's is a story to which Universal first acquired the rights way back in 1957, and revived by optioning Hillenbrand's book four years ago. (If you're really into collecting Oscar omens, consider that Hillenbrand wrote the source material for 2003 Best Picture nominee "Seabiscuit.") Meanwhile, it's one to which Jolie claims a strong personal connection, stating: "I’ve had the privilege of spending a great deal of time with Louie Zamperini, who is a hero of mine, and now—I am proud to say—a dear friend. I am deeply honored to be telling his extraordinary story, and I will do my absolute best to give him the film he deserves. I am grateful to Universal for making this film a priority.”

A formidable below-the-line crew is already taking shape: perhaps lured with the Coen connection, master cinematographer and perennial Oscar bridesmaid Roger Deakins is on board, as is Emmy- and Guild-winning production designer Jon Hutman, who worked with Jolie on her debut.

High-end stuff, then. With Jolie having put her acting career on the back burner in recent years -- voice work aside, her last screen appearance was in 2010's regrettable "The Tourist" -- this could be an opportunity for the conscientious humanitarian to redefine her career as an artist. With her wild-child past now a pretty distant memory, she's both well-connected and well-regarded in the industry, so her peers will be inclined to reward her if the film's up to scratch. Warren Beatty, Robert Redford, Kevin Costner and Mel Gibson are among the Hollywood leading men to charm their way to a Best Director Oscar. No actress-turned-filmmaker, however, has ever secured so much as a nomination. (Just ask Barbra Streisand. And no, "The Godfather Part III" does not qualify Sofia Coppola as an actress.) Could Jolie be the first?


********

Random Thoughts

Unbroken should be finished in time to qualify for the 2014 Toronto or New York Film Festivals.  So will we see it on the Festival circuit before it opens on Christmas Day?  Both Unbroken and Brad Pitt's Fury would be prime candidates for the Toronto and New York Film Fests.

I felt that the decision to have Blood & Honey skip the Fall festivals was a mistake.  It would have given Angelina a chance to better explain her story which certainly needed some clarification given how she purposely made the principals' feelings and intentions a bit vague.  A short explanation could have removed a key point of confusion and the target of most of the criticism.

-- Fussy









.

Sunday, February 24, 2013

Weekend



Deadline

OSCARS: Who Went Where This Weekend

By NIKKI FINKE AND MIKE FLEMING JR | Sunday February 24, 2013 @ 1:20am PST

 2ND UPDATE: An eclectic mix of current and former moguls, executives, producers, directors, and of course actors attended the marquee pre-Oscar parties as well as famed artists, museum directors, fashion designers, music icons, and star athletes. Barry Diller’s luncheon for Vanity Fair editor Graydon Carter Saturday was smaller than usual. That night, Jeffrey Katzenberg’s ‘Night Before’ Oscar MPTF Fundraiser narrowly avoided a union picket line. The agency parties dominated Thursday and Friday nights. CAA’s was bigger than in past years when 200-300 guests crowded Bryan Lourd’s home. This time about 500 gathered at Greystone Mansion for Old Hollywood glamour with the men dressed in white dinner jackets and the women in evening gowns and gardenia corsages. WME’s was held at Ari Emanuel’s home as usual and UTA’s at Jim Berkus’ house again. ICM Partners held theirs at the home of agent Hildy Gottlieb. Few of these names need introductions and most are in random order:

Jeffrey Katzenberg’s ‘Night Before’ Oscar MPTF Fundraiser Saturday night: Robert iger, Jim Gianopulos, Brad Grey, Rupert Murdoch, Wendi Murdoch, Ryan Kavanaugh, David O Russell, Brett Ratner, Chris Albrecht, Jerry Bruckheimer, Ari Emanuel, Jim Berkus, Ron Perelman, Ron Meyer, Steve Tisch, Ron Burkle, Brian Grazer, Alan Horn, Amy Adams, Bradley Cooper, Bryan Cranston, Chris Evans, Hugh Jackman, Ed Helms, Ed Westwick, Emily VanCamp, Eric Stonestreet, George Clooney, Will Smith, Jean Dujardin, Jennifer Garner, Ben Affleck, Jesse Tyler Ferguson, Jessica Chastain, Jim Parsons, Kristin Davis, Liam Hemsworth, Michael Keaton, Michael Strahan,
Octavia Spencer, Robin Thicke, Rita Wilson, Samuel L. Jackson, Jack Black, Theresa Palmer, Viola Davis, Aaron Paul, Adrien Brody, Ahna O’Reilly, Alexander Skarsgard, Alyssa Milano, Amy Poehler, Andy Samberg, Nathan Fillion, Anna Faris, Chris Pratt, Anna Paquin, Stephen Moyer, Armie Hammer, Brittany Snow, Camryn Manheim, Carla Gugino, Chace Crawford, Christoph Waltz, Daniel Day Lewis, Don Johnson, Emily VanCamp, Ellie Kemper, Emma Watson, Paul Rudd, Gerard Butler, Henry Cavill, Jacki Weaver, James Marsden, James Spader, John Hawkes, Judy Greer, Julie Bowen, Kate Capshaw, Steven Speilberg, Kerry Washington, Laura Dern, Malin Ackerman, Marcia Gay Harden, Marisa Tomei, Matthew Morrison, Michael Chiklis, Michael Sheen, Nina Dobrev, Olivia Munn, Patrick Stewart, Robert DeNiro, Rebel Wilson, Rashida Jones, Russell Crowe, Salma Hayek, Samuel L. Jackson, Sam Rockwell, Sean Hayes, Seth Rogan, Taylor Lautner, Tommy Lee Jones, Zooey Deschanel

Barry Diller’s Party Saturday luncheon: Russell Simmons, Tom Brokaw, Fran Leibowitz, Andy Lack, Les Moonves, Jeffrey Katzenberg, Michael Eisner, Ron Perelman, Eric Schmidt, Penny Marshall, Brett Ratner, Rupert Murdoch, Wendy Murdoch, Irwin Winkler, Quincy Jones, Larry Mark, Steve Gaghan, Kevin McCormick, Jim Berkus, Joel Silver, Jim Brooks, Steve Martin, Jane Fonda, Richard Perry, Terry Semel, Bob Daly, Valentino, Jonathan Dolgen, Larry Gordon, Jim Wiatt, Brian Grazer, Scott Berg, Rick Rubin, Warren Beatty, Jeremy Thomas, George Hamilton, Donald DeLine, Dawn Hudson, Eric Fellner, Brad Grey, Ron Meyer, Tobey Maguire, Stacey Sher, Philippe Dauman, Gus Van Sant, Mitch Glazer, Steve Tisch, Harvey Weinstein, Tom Freston, Bryan Lourd, Kevin Huvane, Bob Evans, Vivi Nevo, Kelly Lynch, Tom Hooper.

WME Party Friday night: Charlize Theron, Michael Moore, Russell Simmons, Ben Affleck, Viola Davis, Ryan Coogler, Ahna O’Reilly, Michael B. Jordan, Harvey Weinstein, Gael Garcia Bernal, Chris Tucker, Dermot Mulroney, Catherine Zeta Jones, Shawn Levy, Joel Silver, Emma Watson, Jake Hoffman, Dustin Hoffman, Lara Spencer, Amber Heard, Morrissey, Kenny Sharpe, Mark Bradford, Jeffrey Deitch, Adam Scott, Molly Simms, Taylor Lautner, Larry David, Diablo Cody, Jay Roach, Tyra Banks, Amy Adams, Chloe Moretz, Benh Zeitlin, Tom Shadyac, Albert Brooks, Liam Hemsworth, Jeffrey Katzenberg, Garrett Hedlund, James Marsden, Michael Bay, Jack Black, Jonah Hill, Anna Paquin, Stephen Moyer, Les Moonves, Julie Chen, Brian Grazer, Tom Thayer, Joaquin Phoenix, Rob Riggle, Kelsey Grammer, Tracey Ullman, Conan O’Brien, Octavia Spencer, Tom Brady, Gisele Bundchen, Tobey Maguire, David Spade, Hugh Jackman, Jenna Elfman, Armie Hammer, Joel McHale, Emile Hirsch, John C Reilly, Shepard Fairey, Philipe Dauman, Brad Grey, Lupe Fiasco, Russell Brand, Neill Blomkamp, Jeff Robinov, Jennifer Garner, Casey Affleck, Allen Hughes, Patrick Stewart, Joel McHale.

UTA Party Friday nght: Daniel Radcliffe, John Gatins, Stephen Gaghan, Will Forte, Neve Campbell, Mark Ruffalo, Amy Pascal, Brian Grazer, Mayor Antonio Villaraigosa, Naomi Campbell, John Gatins, Paul Rudd, Kirsten Dunst, Joachim Ronning, Espen Sandberg, Brad Grey, Jeffrey Katzenberg, Kevin Tsujihara, Adam Goodman, Lorne Michaels, Jeffrey Deitch, David Ellison, Sean Bailey, Brad Bird, Philippe Dauman, Paul Walker, Joel Kinnaman, Olivia Munn, Mike White, Li Bing Bing, Tom Freston, Jerry Bruckheimer, Les Moonves, Rashida Jones, Noomi Rapace, Stephen Gaghan, Sue Naegle, Steve Levitan, Will Forte, Scott Burns, Jai Courtney, Lake Bell, John Krokidas, James Ponsoldt, Juno Temple, Michael Angarano, Reid Carolin, Jack Rapke, Greg Silverman, Steve Tisch, Jerry Weintraub, Robert Kyncl, Darren Star, Jeff Robinov, Victor Garber, Vivi Nevo.

CAA Party Friday night: Lorne Michaels, George Clooney, Bill Maher, J.J, Abrams, Vivi Nevo, Les Moonves, Philippe Dauman, Brad Grey, Alexander Payne, Jason Statham, Madonna, Graydon Carter, Jim Gianopulos, Jennifer Lawrence, Robert Downey Jr, Madonna, Gerard Butler, Valentino, Eric Schmidt, Naomi Watts, Anne Hathaway, Robert De Niro, Matt Weiner, Helen Hunt, Chris Pine, Amy Adams, Sandra Bullock, Tommy Lee Jones, Sally Field, Bradley Cooper, Leonardo DiCaprio, Ellen Barkin, Barry Diller, Bob Daly, Harvey Weinstein, Jeff Robinov, Jessica Chastain, Jane Rosenthal, Jerry Bruckheimer, Emma Watts, Tom Rothman, Elizabeth Gabler, Greg Silverman, Kevin Tsujihara, Donna Langley, David O Russell, Harvey Weinstein, Reese Witherspoon, Eva Longoria, Chris Paul, Valentino, Tom Ford, Diane von Furstenberg.

ICM Partners Party Thursday night: Christoph Waltz, Tom Hooper, Eddie Redmayne, Jacki Weaver, Quvenzhane Wallis, PES, Katie Holmes, Sidney Poitier, Michael Keaton, Emayatzy Corinealdi, Meredith Viera, Alfre Woodard, Chris Tucker, Leslie Bibb, Mark Duplass, Katie Aselton, Don Rickles, Judy Sheindlin, Anthony LaPaglia, Piper Perabo, Emmy Rossum, Danny Huston, David Twohy, Diane English, Topher Grace, Ray Romano, Julia Stiles, Taye Diggs, Michael Mann.

Ron Meyer’s Dinner: Robert Iger, Julia Roberts, Robert Downey Jr, Chelsea handler, Barbra Streisand.

Great British Film reception: Henry Cavill, Gina Carano, Anna Paquin, Stephen Moyer, Jacqueline Durran, Joanna Johnston, Tom Hooper, Dario Marinelli, Chris McGurk, John Battsek, Lucy Walker, Melena Ryzik, Jane Seymour, Paco Delgado, Jared Harris, Jason Isaacs.

Women In Film party: Jared Harris, Viola Davis, Molly Sims, Stacy Sher, Cathy Schulman, Jenna Elfman, Quvenzhane Wallis, Lucy Alibar, Ahna O’Reilly, Paz Vega, Kate Walsh, Jacki Weaver, Mary Elizabeth Winstead, Clifton Collins Jr, Octavia Spencer, Tracee Ellis Ross.

Oscar Wilde U.S.-Ireland Alliance party: Colin Farrell, Michael Burns, Michele Burke, Steven Spielberg, Kate Capshaw, Warren Beatty, Annette Bening, Peter Gallagher.




Holdover ‘Identity Thief’ Steals Anemic Weekend; ‘Snitch’ And ‘Dark Skies’ Weak

By NIKKI FINKE, Editor in Chief | Sunday February 24, 2013 @ 1:10am PST
SUNDAY AM, 3RD UPDATE: Seriously, why do studios open movies on Oscar weekend? With attention otherwise diverted, it’s hard for me or Hollywood to care about these two newcomers Friday. Audiences didn’t either. That’s why the Melissa McCarthy/Jason Bateman frenemies comedy Identity Thief is #1 in its third weekend after going up +63% from Friday to Saturday for $14M through Sunday.
Summit Entertainment/Lionsgate’s father/son actioner Snitch (2,511 theaters) opened #1 Friday and dropped to #2 Saturday despite bumping +40%. It logged a mediocre $13.2M weekend. That’s a rare failure for Dwayne “The Rock” Johnson. (No harm, no foul: I hear he really excels in surefire hit Fast & Furious 6.) Audiences gave Snitch a ‘B’  CinemaScore which won’t help or hurt the pic.
Dimension Films/The Weinstein Company’s new extraterrestrial thriller Dark Skies (2,313 theaters) from Paranormal Activity‘s Jason Blum fell out of the Top Five altogether by the ed of the weekend. It received only a ‘C+’ CinemaScore from audiences to hurt word of mouth for just an expected $8.2M weekend.
Finally Twentieth Century Fox’s first-place finisher from last weekend, A Good Day To Die Hard, fell apart Friday and struggled through Sunday. Guess those horrible reviews finally caught up with it.
Total moviegoing this weekend looks $100M, down -25% from last year. Top Ten based on weekend estimates:
1. Identity Thief (Universal) Week 3 [Runs 3,222]
Friday $4.0M, Saturday $6.5M, Weekend $13.4M, Cume $93.0M
2. Snitch (Summit/Lionsgate) NEW [Runs 2,511]
Friday $4.1M, Saturday $5.8M, Weekend $13.2M
3. Escape From Planet Earth (Weinstein) Week 2 [Runs 3,353]
Friday $2.3M, Saturday $5.6M, Weekend $10.4M, Cume $34.6M
4. A Good Day To Die Hard (Fox) Week 2 [Runs 3,555]
Friday $2.8M, Saturday $4.9M, Weekend $9.2M, Cume $51.0M
5. Safe Haven (Relativity) Week 2 [3,223]
Friday $3.5M, Saturday $4.7M, Weekend $10.8M, Cume $48.3M
6. Dark Skies (Dimension/Weinstein) NEW [Runs 2,313]
Friday $3.0M, Saturday $3.5M, Weekend $8.5M

7. Silver Linings Playbook (Weinstein) Week 15 [Runs 2,012]
Friday $1.5M, Weekend $5.8M, Cume $107.2M
8. Warm Bodies (Summit/Lionsgate) Week 4 [Runs 2,644]
Friday $1.4M, Weekend $4.5M, Cume $58.0M
9. Beautiful Creatures (Warner Bros) Week 2 [Runs 2,950]
Friday $1.0M (-54%), Weekend $3.2M, Cume $16.2M
10. Side Effects (Open Road) Week 3 [Runs 2,070]
Friday $1.0M, Weekend $3.4M, Cume $25.1M

Wednesday, February 20, 2013

Next

From all indications, Lee will imminently be signing on to helm Cleopatra.  He's currently in a close race with Steven Spielberg for Best Director with many Oscarologists tipping him to win.  It will be the second for either.  Perhaps he and Sony will make it official after the Oscars.

THR

Oscars: What's Next for the Nominated Directors

David O. Russell heads to the 1970s, Ang Lee wants Angelina Jolie in "Cleopatra" -- and Steven Spielberg's still undecided.


MICHAEL HANEKE
The Amour helmer is directing the Mozart opera Cosi fan tutte in Madrid. After Spain, Haneke will take the light and breezy production -- a far cry from his films -- to La Monnaie in Brussels, where it will premiere May 23. Following Cosi's final curtain calls, the Austrian will turn his attention to writing his next movie.

ANG LEE
Although the Life of Pi director told THR in January that he really wants to direct Angelina Jolie in Sony's Cleopatra, he's not attached -- yet. "I'm about to read the script," Lee said at the Palm Springs International Film Festival. "It just feels right to me after all the other types of films I've done."

PHOTOS: Oscars 2013: 16 Icons Come Together for THR's Oscar Issue

DAVID O. RUSSELL
The director begins filming a still-untitled drama in New York and Boston in March that reunites him with Silver Linings Playbook star Bradley Cooper and The Fighter's Christian Bale and Amy Adams. He's also signed on to direct Jennifer Lawrence again in The Weinstein Co. drama The Ends of the Earth.

STEVEN SPIELBERG
Now that Robopocalypse is on ice, the Lincoln helmer is mulling -- but undecided on -- his next directing vehicle. He is said to be interested in a George Gershwin biopic, and he's executive producing Jurassic Park IV (there's little chance he would direct) and prepping the 3D theatrical release of the first Jurassic Park.

BENH ZEITLIN
Zeitlin is writing an original screenplay that he will direct next for Beasts of the Southern Wild distributor Fox Searchlight. The filmmaker is keeping plot details close to the vest, but the project has been described as a Louisiana-set story about a place with an abnormal aging proces

Thursday, February 7, 2013

From LA Times

The Oscar ceremony, a best- and worst-case scenario

By Glenn Whipp / Los Angeles Times

Show Highlights:
Opening monologue
Show is broken up into 13 acts, each possessing what the producers call a “wow moment.”
A special tribute to film musicals of the last decade, including best picture nominee “Les Miz,” 2002’s best picture winner “Chicago” and 2006’s “Dreamgirls”
Twenty-two cameras, including an army of hand-held specialists
Special salute to James Bond movies, celebrating the series’ 50th anniversary
Barbra Streisand sings!
Adele performs “Skyfall”
Mark Wahlberg reunites with the animated bear from “Ted” to present an award.
Best picture “wow moment”
The ceremony ends …




Seth MacFarlane has compared hosting the Oscars to President Obama’s first term. By trying to please everyone, this year’s Oscar MC says, you end up pleasing no one.

How will MacFarlane fare? From a rundown of what we know about this year’s show, we offer the following best- and worst-case scenarios:

Opening monologue


Al Seib / Los Angeles Times
Best-case scenario:
MacFarlane successfully negotiates a tricky tonal middle ground between snark and respect, delivering a broadly appealing sense of irreverence that includes him singing a genuinely funny parody of “Les Misérables.”
Worst-case scenario:
Remember that Emmy mailer last year for MacFarlane’s animated TV show “Family Guy”? The one that appealed to voters by saying, “Come on, you bloated, overprivileged Brentwood Jews, let us into your little club”? We get 10 minutes of that kind of tone-deaf, insider humor, culminating with a cameo from Stewie.

Show is broken up into 13 acts, each possessing what the producers call a “wow moment.”


Paul Drinkwater / Getty Images, David Hobby / Baltimore Sun, Marc Bryan–Brown
Best case:
Act 1’s wow moment: Tina Fey and Amy Poehler join MacFarlane as co-hosts!
Worst case:
Producers define “wow moments” as surprise guest appearances from — OMG! — the original Broadway casts of “Hairspray” and “Footloose.”

A special tribute to film musicals of the last decade, including best picture nominee “Les Miz,” 2002’s best picture winner “Chicago” and 2006’s “Dreamgirls”


Universal Pictures, Dreamworks
Best case:
Anne Hathaway! Jennifer Hudson! Eddie Murphy! Razzle dazzle!
Worst case:
An eight-minute interpretive dance number, culminating with Russell Crowe singing “And I Am Telling You I’m Not Going.”

Twenty-two cameras, including an army of hand-held specialists


Chris Pizzello / Invision / Associated Press, IFC Films
Best case:
There’s one camera trained on Tommy Lee Jones’ face for the entire ceremony.
Worst case
Hand-held cameramen were schooled by Lars von Trier. Nauseated home viewers turn off their TVs en masse.



Special salute to James Bond movies, celebrating the series’ 50th anniversary






From left to right: Sean Connery, George Lazenby, Roger Moore, Timothy Dalton, Pierce Brosnan and Daniel Craig (File photo, Los Angeles Times, MGM/UA, United Artists Company, MGM Pictures and (Eon Productions or Columbia Pictures) )



Best case
The six men who have played 007 share the stage.
Worst case
Only Lazenby shows.


Barbra Streisand sings!


Evan Agostini / Invision / Associated Press
Best case
She performs a moving tribute to her friend and frequent collaborator, composer Marvin Hamlisch. When she finishes, there’s not a dry eye in the house.
Worst case
It’s not a tribute to Hamlisch. It’s a duet with … MacFarlane.




Adele performs “Skyfall”


Associated Press
Best case
It’s just her and the piano. No needless distractions. No Bond girls shimmying in the background.
Worst case
It’s just her and the piano — with Lazenby sprawled across the top of it.




Mark Wahlberg reunites with the animated bear from “Ted” to present an award.


Universal Pictures

Best case
The movie’s R-rated comic sensibility is toned down enough to translate to the broadcast’s PG-13 standards.
Worst case
Thanks to network censors, we won’t be able to hear half their routine.



Best picture “wow moment”


Jason Wambsgans / Chicago Tribune, Summit Entertainment
Best case
Ladies and gentlemen, please welcome … Gene Hackman!”
Worst case
Ladies and gentlemen, please welcome … the cast of ‘Twilight!’”

The ceremony ends …


Group portrait of the 85th Academy Awards Nominees Luncheon at the Beverly Hilton Hotel. (Al Seib / Los Angeles Times)


Best case
… with the wealth spread around, befitting a year with so many good movies.
Worst case
… sometime Monday morning.







Tuesday, February 5, 2013

Director




Misses biggest reason of all: He's the star of his film. RT 5 reasons why Ang Lee can win Best Director:

From Gold Derby

Five reasons why Ang Lee ('Life of Pi') can win Best Director at Oscars

By Tariq Khan


1. He really does deserve it.
If you ask yourself to pick the nominee in this category whose work can truly be described as the best achievement in directing, whose name would you select? I honestly believe that many people would have to say Ang Lee for “Life of Pi.”

Turning the acclaimed novel into a live-action feature film was widely thought to be impossible by most critics. How could the larger-than-life tiger, a central character in the book, be accurately (and believably) presented on the screen? How could the thoughts of the young hero carry the film for long periods of time? And where would they find a teenage Indian actor to play such a physically demanding and mentally exhausting role?
Not only did Lee succeed on all fronts, he made “Pi” the most visually stunning cinematic experience of the year. Academy members are smart, and they’ll surely take all of these factors into account as they mark their ballots.

2. There’s currently no clear-cut favorite.
Now that Ben Affleck has won the DGA and “Argo” seems headed for Best Picture victory, the directing race is completely wide open.
Many consider Steven Spielberg to be out front, but is he really? While “Lincoln” does have more nominations than any other picture, it’s performed quite poorly at all of the pre-Oscar awards. Spielberg has won the directing trophy twice before, for films which either won Best Picture (“Schindler’s List”) or came very close (“Saving Private Ryan.”)


Read the rest at Gold Derby

Monday, February 4, 2013

Lunch +

From Film Society Lincoln Center


Nominee Quvenzhané Wallis (Beasts of the Southern Wild) with Academy President Hawk Koch. Photo: Richard Harbaugh / ©A.M.P.A.S.

Unlikely Oscar nominee Quvenzhane Wallis standing in front of a roomful of the Academy's Class of 2012 paints a poignant portrait. One year ago, Beasts of the Southern Wild was heading from its dramatic debut at the Sundance Film Festival to a surprise Closing Night slot at Film Society of Lincoln Center, wrapping up New Directors/New Films 2012. The film built momentum throughout the year en route to four Oscar nominations and Wallis's shining moment with her new peers on Monday at an Academy Award Nominee lunch in Beverly Hills.
Rare pairings were captured by AMPAS photograhers as they roamed around the exclusive event on Monday. A handful of notable shots are gathered here courtesty of our friends at the Academy.
Who are you rooting for as Oscar night approaches? We invite you to share your picks in the comments section below.

Nominees Jessica Chastain (Zero Dark Thirty), Amy Adams (The Master), Steven Spielberg (Lincoln) and Sally Field (Lincoln). Photo: Michael Yada / ©A.M.P.A.S.

Nominees Jennifer Lawrence (Silver Linings Playbook) and Hugh Jackman (Les Miserables). Photo: Todd Wawrychuk / ©A.M.P.A.S.

Nominees Joaquin Phoenix (The Master) and Sally Field (Lincoln). Photo: Todd Wawrychuk / ©A.M.P.A.S.

Nominees Steven Spielberg (Lincoln) and Ang Lee (Life of Pi). Photo: Richard Harbaugh / ©A.M.P.A.S.

Dan Sudick (The Avengers), David France (How To Survive A Plague), Andy Nelson (Les Miserables), Mark Boal (Zero Dark Thirty), Espen Sandberg (Kon-Tiki), Hugh Jackman (Les Miserables) and Timothy Reckart (Head Over Heels). Photo: Michael Yada / ©A.M.P.A.S.

Nominees Anne Hathaway (
Les Miserables) and Tim Burton (
Frankenweenie). Photo: Matt Petit / ©A.M.P.A.S.

Nominees Bradley Cooper (
Silver Linings Playbook) and Christoph Waltz (Django Unchained). Photo: 
Richard Harbaugh / ©A.M.P.A.S.

Photo Greg Harbaugh / ©A.M.P.A.S.


From Alt Film Guide

2013 Oscar Nominees Luncheon: Ang Lee, Jessica Chastain 


By

Ang Lee and Jessica Chastain, both nominated for the 2013 Academy Awards, were in attendance at this year’s Oscar Nominees Luncheon, which took place at the Beverly Hilton Hotel in Beverly Hills. According to the Academy of Motion Picture Arts and Sciences’ press release, approximately 160 Oscar 2013 nominees were expected to attend the Nominees Luncheon. (Photo: Ang Lee, Jessica Chastain.)
Best Director nominee Ang Lee is in the running for Life of Pi, starring Suraj Sharma as a young man who finds himself floating in a small boat in mid-ocean, with only a tiger as his companion — much like a young Nazi-Germany refugee finds himself floating in a small boat in mid-ocean, with only a jaguar as his companion, in Brazilian author Moacyr Scliar’s novel Max and the Cats.

Best Director Oscar winner Ang Lee

Ang Lee won the Best Director Oscar in early 2006 for the gay cowboy / sheepherder drama Brokeback Mountain, starring Heath Ledger and Jake Gyllenhaal as the star-crossed lovers. Lee was also nominated for the Chinese-made Crouching Tiger, Hidden Dragon (2000). Back in early 1996, Sense and Sensibility was nominated for Best Picture, but Lee was bypassed in the Best Director category. Additionally, The Wedding Banquet (1993) was a Best Foreign Language Film nominee.

Busy actress Jessica Chastain

Jessica Chastain became a film sensation of sorts in 2011, when the stage actress was featured in what seemed like 300 movies. Chastain was eventually singled out by numerous critics groups for her multifarious performances (e.g., Jeff Nichols’ Take Shelter, Terrence Malick’s The Tree of Life, Ralph FiennesCoriolanus, etc.), ultimately receiving a Best Supporting Actress Academy Award nomination for Tate Taylor’s The Help.
Jessica Chastain slowed down a bit in 2012: she only had about 30 movies out. This year, she’s a Best Actress nominee for Kathryn Bigelow’s controversial Zero Dark Thirty, about the U.S. government’s hunt for Osama bin Laden.

Ang Lee, Jessica Chastain 2013 Oscar Nominees Luncheon photo: Todd Wawrychuk / ©A.M.P.A.S.


 From THR

Oscar Nominees Reveal Fashion Plans, Funny Anecdotes Before Luncheon



Ben Affleck Jennifer Lawrence Oscars Luncheon - H 2013
Getty Images

Before the annual event at the Beverly Hilton Hotel, Ben Affleck invented a new word for Oscar analysts, and Jennifer Lawrence revealed her goals for the red carpet.

More than 160 Oscar nominees swarmed the Beverly Hilton Hotel on Monday, Feb. 4, to celebrate their nominations at the annual nominees luncheon.

Here are 10 interesting reveals from the press room of the Oscar luncheon:
1. Tim Burton Fails the Metal Detectors
Tim Burton whose film Frankenweenie is nominated for best animated feature, was the first person to appear in the press room, and was sporting a unique accessory – a sling for his arm. “I slipped and fell on the streets of London,” he said, adding that he has a metal plate in his body now. “I go off at airports now, which makes flying extra fun.”
2. Jessica Chastain Dreams of Oscar Dresses
Zero Dark Thirty star Jessica Chastain, a fashion force-to-be-reckoned with on the red carpet, said she was eagerly looking forward to what she’ll wear on Feb. 24. “As a little girl, most girls dream about their wedding dress, but I always dreamed about my Oscar dress,” she told reporters. She added that she’s looking for something colorful. “I love fashion that celebrated a woman’s body, and that maybe is a throwback to the glamour of Old Hollywood, that silhouette, but somehow making it modern," she said.
PHOTOS: What the Bookies Say About Oscar
3. Amy Adams Is Having Fun
Adams, nominated for best supporting actress for The Master, took the stage in the press room by saying, “Sorry, you just interrupted my flirting with Bradley Cooper and Christoph Waltz.” After a round of laughs, a reporter asked who was more receptive. “They’re both pretty open, “she said. “So it’s going to be a good lunch for me.” Adams, who is nominated for her fourth Oscar, said this year is special for one reason. “You know, I’m always saying, ‘Oh this year, I want to have fun.’ But this year, I am having fun,” she said. “Four times is awesome so I really just want to enjoy it.”
4. Ben Affleck Invents a New Word
Ben Affleck has given a lot of speeches this awards season, so maybe he needed a new word for his vocabulary. He invented one while speaking to press before the luncheon. When asked if he thinks the best director category should be expanded to 10 nominees to match the best picture category, Affleck, who was snubbed the best director nom this year, said he would “leave those sorts of calculations to the press and the pundits and the Oscarologists, or whatever it is.” The Argo producer/director/star added that he felt “so incredibly honored to be nominated as a producer for this movie, to be here at the big party.” Affleck added: “I’ve had many, many, many, many, many years watching from home.”
PHOTOS: 2013 Oscar Snubs
5. Anne Hathaway Has a New High-Ranking Friend
Hathaway once said that at times in her career there were rooms she could not get into. When a reporter asked if that has changed now with her supporting actress nomination for Les Miserables, the actress said, “I don’t know how to say this without sounding so obnoxious, but I’ve been hanging out with Steven Spielberg lately, so it doesn’t feel like it at the moment. But I don’t take anything for granted.”
6. Bradley Cooper Is Having a Moment
Bradley Cooper, nominated for lead actor for Silver Linings Playbook, was asked if this role as a bipolar man recently released from a mental institution was a game-changer for his career. “I know that I wasn’t up here for Hangover, so maybe,” he said, getting a round of laughs from the room.
7. Jennifer Lawrence Will Focus on Fashion
Silver Linings Playbook star Jennifer Lawrence, who has sported some stunning looks this awards season already, joked with the press that she was “going to wear sweatpants” to the Oscars. She revealed that she’s gotten some sketches together for her look, but nothing decided on yet. “Last time was comfort, this time I’m going to suck it up, wear a corset. I’m going to go for fashion. I say that, but that’s the problem with the Oscars, they’re at the end and you’re just exhausted from dressing up, so I never care, but now I will.”
8. Christoph Waltz Isn’t Celebrating
Waltz, who starred at the dentist-turned-bounty hunter in Django Unchained, said that he hasn’t been doing much celebrating at home about his best supporting actor nomination. Why? Because of nerves. “An Oscar nomination for me is a little bit for nervous anticipation. I don’t really consider nervous anticipation a reason to celebrate. We don’t talk much about it at home, and we all know it. I think that’s fine for now.”
PHOTOS: How to Dress for the Oscars on an Indie Budget
9. Helen Hunt Got a Nice Note
“There’s nobody like her that I’ve ever met,” said Helen Hunt of the sex surrogate, Cheryl Cohen-Greene, who she portrayed in The Sessions. Hunt, nominated for best supporting actress, revealed that Cohen-Green shared words of support for her portrayal. “She wrote me a note when the movie was done that said, ‘Thank you for understanding my intentions with Mark,’ And I think she’s lived a lot of her life with people screaming really weird things at her and not understanding her intentions.”
10. Denzel Washington Has Someone He Wants to Meet
Nominated Flight star Denzel Washington told the press room before the lunch that there was one actress he was eager to meet: Beasts of the Southern Wild’s 9-year-old star Quvenzhané Wallis, who is nominated for lead actress. “I gotta meet her. Maybe if I’m nice to her, she’ll put me in one of her movies.”
Email: Rebecca.Ford@thr.com; Twitter: @Beccamford




Love this picture from the DGA breakfast of Spielberg and Ang Lee - two directorial titans embracing.

Friday, February 1, 2013

Oscar Lunch



From TOH

Oscar Watch: Nominees Lunch Abandons Seating Plan

Awards by Anne Thompson
February 1, 2013 6:51 PM

It was too good to last. As the Academy continues on the path of making changes, it has abandoned one of its best practices. At Monday's annual Nominees Luncheon, instead of having all the Oscar nominees sit with a smattering of Academy governors, execs and press randomly assigned on the day by lottery, there will be a seating plan.

My guess? Too many powerful folks finally prevailed, demanding protection from the unknown, whether it was aloof Daniel Day-Lewis or cranky Tommy Lee Jones. The Academy should never have backed down, because it will be difficult to go back. It was a lovely and honorable tradition.
Seventeen of the 20 acting nominees are expected to show up at noon at the Beverly Hilton on Monday, among more than 160 Oscar nominees, when the Academy honors this year's Oscar contenders. The annual group photo is part of the tradition, as each nominee gets called to the front to accept a certificate. Everyone feels like a winner at this event.

From the Lead Actress and Actor categories: Jessica Chastain, Jennifer Lawrence, Quvenzahané Wallis, Naomi Watts, Bradley Cooper, Daniel Day-Lewis, Hugh Jackman, Joaquin Phoenix and Denzel Washington are expected to attend. Robert De Niro, Tommy Lee Jones, Christoph Waltz, Amy Adams, Sally Field, Anne Hathaway, Helen Hunt and Jacki Weaver will represent the Supporting Actor and Actress categories.

Four of the five nominees in the Directing category – Ang Lee, David O. Russell, Steven Spielberg and Benh Zeitlin – also are expected to attend. Three of the Academy's four 2012 Governors Awards recipients, Jeffrey Katzenberg, Hal Needham and George Stevens, Jr., will join this year's nominees.

We'll be covering from the press conference as well as inside the event, and we may do some interviews afterward by the pool--another tradition.

The Oscar telecast is coming up on Sunday, February 24 on ABC, hosted by Seth MacFarlane, who has managed to insert Mark Wahlberg and Ted as well as his best nominated song onto the show. At least he'll come out ahead on that score: the jury's out on how he'll fare as host. It doesn't matter what kind of pull he has this year, luckily: the competition is so fierce among a batch of popular box office champs  that folks are bound to tune in.


Friday, November 16, 2012

Anthony's Oscars



EW's Anthony Breznican, one of the more well-connected, knowledgeable and level-headed of the usually highly excitable group of Oscarologists has launched a new section that analyzes the leading contenders.

Oscar Guide: EW's Prize Fighter on the four-way battle for Best Picture

 




It’s going to be a brutal battle to the finish this Oscar season.

Right now, at least four films have an even chance of claiming the Academy Award for best picture — Ben Affleck’s Argo, Ang Lee’s Life of Pi, Steven Spielberg’s Lincoln and David O. Russell’s Silver Linings Playbook  — with a handful of challengers such as Les Miserables, Zero Dark Thirty, and Django Unchained coming soon.

Today we’re launching EW.com’s Prize Fighter, a new fixture that aims to be the movie-lover’s front-row ticket to the showdown.  Since this is the inaugural post, let’s do a little introduction and then dive into the state-of-the Best Picture race so far.

Prize Fighter’s mission statement is simple:  We’re still going to track who’s up and who’s down in the Oscar race, but the goal is to use Hollywood’s award season as a way to explore why these films are the best of  2012, and tell the stories of their storytellers.
To me, the question “What’s going to win Best Picture?” is more interesting than the eventual answer. Truth be told, I’ve never cared very much about who goes home with a trophy, but I love the Oscars and award season because it’s a fiesty winter-long conversation about the films that get under our skin, into our heads, and make our hearts pump a little faster.

A lot of writers at EW will be contributing to Prize Fighter (and we’re also going to highlight some of the best award-season reporting done by outsiders), but as the chief Oscar correspondent you’ll be hearing from me the most. That’s me, smile-squinting at you from the banner above. (Hi, Grandma!)
After the impeccable Dave Karger departed EW for Fandango, I’ve taken over the Oscar beat. Dave leaves big shoes to fill, and all I can do is try not to scuff them up. I’ve been covering movies for 12 years, and my tastes are as broad as they come: Sundance is my favorite movie marathon of the year, and my personal Top 10 is more likely to follow the Independent Spirit Awards than the Oscars, since I’ve got a thing for underdogs. But I’ve also got a serious cinematic sweet-tooth for big, crazy blockbusters. I can’t resist Marvel superheroes, Star Wars, James Bond movies, and anything with giant, killer robots or aliens. I don’t know if Transformers of the Southern Wild would be a good film, but I would pay money to find out.

My goal with EW’s Prize Fighter is not just to predict winners, though I am out there talking to voters at every opportunity, trying to get an accurate read on where the race stands. I’m eager to expand the awards season conversation at this point to include smaller movies that you should put on your must-see list before making your best-of list.
I also intend to look beyond just the celebrity categories to highlight the work of brilliant “below-the-line” artists – the costume designers, cinematographers, editors, and visual effects and sound supervisors who work behind the camera to bring these stories to life. We’ll also be taking you behind the scenes of the Feb. 24 Academy Awards telecast, with Ted and Family Guy creator Seth MacFarlane hosting for the first time.

If all that interests you, please bookmark EW.com/PrizeFighter and check back with us for all our Oscar coverage.
Right now, here’s some intel on where the Best Picture race stands right now.
In past years, it seems like one movie has run away with the prize early. But this time, it’s shaping up to be a knock-down, drag-out.


I hesitate to rank the contenders from most to least likely at this point because we’re still almost a month-and-a-half away from the close of nominations on Jan. 3. Academy voters have seen a lot already and have a few heavy favorites, but some potential contenders haven’t even begun screening for them yet. (Reporters sometimes get to see rough cuts, but voters always wait for the finished product.)
Based on the voters I’ve talked to, we’re close to a four-way tie between Ben Affleck’s Iran rescue drama Argo, Ang Lee’s mystical Life of Pi, Steven Spielberg’s Lincoln, and David O. Russell’s manic romance Silver Linings Playbook. (See here if you want a run-down of how votes are tallied. And check out Gurus O’ Gold and Gold Derby for aggregate rankings from others.)
If voting were held today I think it would go down like this. Again, this is not my personal preference, but an estimation based on anecdotal sampling of voters. The safe thing would be to make this prediction now and stick with it for the long term, but voters seem to change their minds constantly. I think a lot could change, so I’m going to take a risk on an alternate scenario for how the final ranking could shake out. (More on that later.):

1. Argo
2. Lincoln
3. Silver Linings Playbook
4. Life of Pi

Both Argo and Silver Linings Playbook debuted in September at the Toronto International Film Festival to raves, but Argo has the advantage because it has already opened nationally to solid and enduring box office, is one of the best-reviewed wide releases of the year, and has been out long enough to build into  a consensus choice. It’s a safe bet, so if you ask voters to rank their favorites of the year, it’s usually the first one they say. “Solid” is the word I hear again and again from admiring Argo voters.
The downside to being the early frontrunner is having to maintain that momentum.
Argo is a sure-fire nominee, but Warner Bros. has to walk the line between maintaining its support and not wearing out its welcome. It’s easier for a film like The Artist to cling to front-runner status in a year when there isn’t a lot of major competition, but this season Argo will face an especially strong line-up of heavy-hitter challengers.

Silver Linings Playbook opens in limited release today (expanding wider on Nov. 21), and also has rave reviews on its side, but it remains unclear whether the movie will be embraced by average moviegoers. This story of bi-polar Bradley Cooper’s offbeat romance with an equally unstable Jennifer Lawrence is smaller in scale than Argo and many of its rivals, but the Oscars love to make room for intimate films among the epics.
Those who have seen Silver Linings Playbook love it with the same frantic energy the movie emanates, and that’s a good thing. Radical passion endures. I know a number of voters who are slam-their-hands-on-the-tabletop certain that this movie will not only be nominated, but win. First, it absolutely must connect with moviegoers at the box office, and that is still a question mark.
Its limited debut this weekend will undoubtedly be strong, based on the word-of-mouth already out there, but it will need a solid nationwide expansion to catch the attention of Academy voters who aren’t already sold. If it tanks, or struggles, there are just too many other crowdpleasers with equal acclaim that could roll over it.

Read the rest at EW

Tuesday, February 28, 2012

Oscar Tweet Stats

And The Most Tweeted-About Celebs at the Oscars Are...

Mon., Feb. 27, 2012 12:57 PM PST by Jennifer Cady
From Angelina Jolie's  right leg to Sacha Baron Cohen's ashing of Ryan Seacrest, the Oscars gave us many moments to tweet about! And through all the tweeting, E!'s Heat Gauge powered by Mass Relevance was there tracking everything to figure out which stars you cared most about last night!
Overall, a total of 1,450,281 mentions of celebs were tweeted out! Some of those definitely helped score each of our Live From the Red Carpet hosts Ryan, Giuliana Rancic, Kelly Osbourne and Ben Lyons their own worldwide trending topics throughout the night.
So who were the biggest social stars? Let's break it down:
Top 5 Female Celebs:
1. Meryl Streep: 133,815 mentions
2. Angelina Jolie: 99,722 mentions
3. Jennifer Lopez: 80,638 mentions
4. Emma Stone: 78,073 mentions
5. Viola Davis: 42,381 mentions
Top 5 Male Celebs:
1. George Clooney: 100,023 mentions
2. Brad Pitt: 59,308 mentions
3. Jean Dujardin: 55,986
4. Christopher Plummer: 51,621 mentions
5. Chris Rock: 39,033 mentions
Top 5 Best Pictures Nominees:
1. Hugo: 155,979 mentions
2. The Artist: 84,517 mentions
3. The Help: 37,267 mentions
4. Midnight in Paris: 14,031 mentions
5. The Descendants: 11,304 mentions
We've put together even more Twittter stats from Oscar night, check it out (or get our full-size PDF):
How Meryl Streep was able to out do Angelina's infamous leg, we'll never know but there you have it! What was your favorite moment from last night?!

Monday, February 27, 2012

Oscar Videos 2















Oscars 2012: Angelina Jolie, Gwyneth Paltrow and Jennifer Lopez show how red carpet glamour is done

The Oscar red carpet is the biggest fashion runway in the world - and the stars did not disappoint as Hollywood's A-list shone in designer gowns.

27 February 2012

Angelina Jolie rocked the Oscars carpet. Turning up fashionably late she posed fearlessly in a thigh-high cut Versace velvet dress.




















http://www.mtv.com/videos/movies/743865/whats-angelina-jolies-most-memorable-oscar-moment.jhtml#id=1679808







Oscar Live blogs




Live Blogging The 84th Annual Oscar Awards: The Winners, The Losers & Who Wore It Well


10:25: Billy intro's Angelina Jolie as "the original girl with the Dragon Tattoo," so true. She femme fatales it out and displays some leg.



2012 Oscars Live Blog: Winners and Live Commentary!

Are you ready? Have you made all your picks?



[7:25:17 PM] Brad says: Angelina Jolie is "the original girl with the dragon tattoo" according to Billy Crystal. She is out to announce Best Adapted Screenplay and she is showing a lot of leg to do it… not sure why.
[7:26:24 PM] Laremy says: Jolie loves leg. Don't hate on that.



Oscars 2012: live coverage of the Academy Awards ceremony

Didn't get an invite to this year's Oscars? Neither did Xan Brooks, but he stoically blogged the red carpet and then the ceremony anyway

3.33am: "Please welcome the original girl with the dragon tattoo," says Billy Crystal, waving one arm to introduce Angelina Jolie. And on she strides, the "It Girl" of the moment, with her lips painted as red as Satan's rump and the leg of her dress slit clean up to ya-ya. She has come to grace The Descendants with the prize for best adapted screenplay. Director and co-writer Alexander Payne has brought his mum to the ceremony and, on her insistence, he dedicates the prize to her.
Next it's time for the best original screenplay, which goes to Woody Allen for Midnight in Paris. Or at least it would go to Woody if he were here, but he's not; he's back in New York, he doesn't like LA, where they turn their dead bodies into bad TV shows. "The Academy accepts this award on his behalf," smiles Jolie. I like the idea of her giving it to him person; perhaps showing up at his apartment, with her bare leg cocked and her lipstick blazing. She'd scare him half to death, the poor little devil.