Showing posts with label Alan Horn. Show all posts
Showing posts with label Alan Horn. Show all posts

Thursday, April 18, 2013

CC 3


Disney's Alan Horn is shown addressing CinemaCon below during the Maleficent portion of the studio's presentation.  While flashes of scenes from Maleficent were included in Disney's sizzle reel, the company decided not to use an actual still from the film as a backdrop for Horn's presentation.   The ca 2004 photo of Angelina looking sultrily at the camera was an intriguing choice to promote her as the "Mistress of all Evil" to the assembled theater owners.   The movie posters arrayed on the side were included to remind them of Angelina's successful career particularly at the box office as she packed their theaters.

It is noteworthy that Disney didn't include a direct reference to Sleeping Beauty and only the partially blurred dark forest of barren trees with giant thorns in the background allude to the story.  There has been a plethora of fairy tale re-imaginings over the last few years and few of them have been hits.  Clearly the fairy tale connection alone hasn't drawn in audiences.    Disney obviously felt that having Angelina in the lead role is their ace in selling the film and having her front and center is what will stoke the theater owners' interest and anticipation.  

The background is effectively our first glimpse of what Robert Stromberg is going for and it will clearly be much darker than the animated classic. 

There should be more sneak peaks from the film at ComicCon in July if Disney decides  to participate this year, and almost certainly at the studio's biennial D23 Expo later in August.

-- Fussy


BBC



L.A. Times



LAS VEGAS -- The cavalcade of A-list stars continued to descend upon Caesars Palace here Wednesday, as Johnny Depp turned up to wow movie theater owners at CinemaCon, days after Brad Pitt put in a surprise appearance.
Depp's arrival to tout Disney's "The Lone Ranger" film wasn't actually all that shocking, of course. The actor has often showed up as an unannounced guest at Comic-Con. Last year, he popped up at CinemaCon to promote his movie "Dark Shadows."
PHOTOS: Billion-dollar movie club
In the Disney movie, Depp stars as Tonto, a Native American who forms an unlikely partnership with uptight Texas Ranger John Reid (Armie Hammer), a.k.a. the Lone Ranger. Gore Verbinski directs.
Depp barely uttered anything on stage at the Colosseum -- not that the crowd seemed to mind, as fans hooted enthusiastically as he waved to the audience. "Armie is very tall -- which means we're not small," he said, standing next to his 6-foot-5 costar. "Anything to add to that, Armando?"
"No," Hammer replied, and then the two exited the stage and roughly 20 minutes of previously unseen footage from the $225-million-plus production began to play.
Exhibitors seemed to have a mixed reaction to the new footage, which attempts to strike a tongue-in-cheek tone. After shutting down production on the film in 2011 to work on reducing the picture's budget, Disney has a lot riding on the still very pricey movie, which hits theaters over the July 4 weekend.
PHOTOS: Movies Sneaks 2013
On stage, studio chief Alan Horn said he was often surprised by how few people in the industry seem to be fazed by the notion of a $200-million budget. It's only when he tells colleagues that $200 million could buy 600,000 dinners for four at one's favorite restaurant with a bottle of wine that he gets a reaction, he says.
"Of course, not every movie can work .... We ask for your support if we go through that. Not that we care about money," he quipped.
Horn appeared at ease in front of the auditorium, cracking that his recent transition from Warner Bros. president to Disney head was made simple by remembering “bunny, mouse.”
He said he soon learned, though, that Disney was “different because it's the only studio that is in fact a brand .... The audience may not know what they’re going to see, but they know what they’re not going to see.” Part of that strategy, he added, includes releasing between 14 and 15 movies per year -- eight of which are tentpoles.
The studio's upcoming slate, which includes Angelina Jolie as "Maleficent," Tom Hanks as Walt Disney in "Saving Mr. Banks" and George Clooney in "Tomorrowland," was then outlined. Horn also announced that the seventh "Star Wars" film will be released in summer 2015, followed by two sequels in 2017 and 2019. In the years between those releases, spinoff properties from the "Star Wars" brand will hit theaters.
The movie that arguably got the biggest push during the presentation, though, was "Monsters University." The animated prequel to 2001's "Monsters Inc.," out June 21, was screened in its entirety and got a warm reception from the crowd.
The movie follows a monster, Mike (voiced by Billy Crystal), who journeys to Monsters University, where he hopes to become a "professional scarer." But Mike quickly realizes he's not as frightening as his peers and teams up with fellow monster Sulley (John Goodman) to prove everyone wrong.
Horn, for one, was bullish about the Pixar Animation title's box-office potential.
"They give us one diamond of a movie a year," he said of John Lasseter's studio, "and they've had 13 smashes in a row."

Friday, June 1, 2012

Horn Analysis

Alan Horn: Can Disney's new boss reinvent the studio?

Tom Hanks, left, with Alan Horn at the premiere of Warner Bros. Pictures' "The Ant Bully"

You didn’t need a secret decoder ring to decipher the message Bob Iger sent to Hollywood this week when he announced the hiring of former Warner Bros. studio president Alan Horn as Disney’s new studio chief: Disney is back in the movie business.
For years, many showbiz insiders have viewed Disney as an alien planet, a realm whose ruler — Iger — had little emotional connection to the film industry. In his interviews and earnings call chats with financial analysts, Iger was often dismissive of the movie business, viewing it as an antiquated appendage to Disney’s increasingly forward-looking media empire.
BigpictureBut the arrival of Horn, who was unceremoniously pushed out of his Warners job in April 2011, is a game changer. It’s a sign that Iger, who has spent the last several years hiring (and then firing) untested executive talent, notably the recently departed studio chief Rich Ross, realizes Disney needs a seasoned hand and a soothing presence who can revive its relations with top Hollywood talent.
In the creative community, the reaction to the Horn hiring was nothing short of ecstatic. As one veteran agent put it: “It’s like James Dolan hiring Phil Jackson to coach the Knicks. You feel like Disney is back in the game.”
The analogy is apt. Like the Ross-era Disney studio, the Cablevision-owned Knicks are a storied franchise that has fallen on hard times, a team hobbled by management turmoil and erratic talent choices. For many inside the movie business, Horn is an executive with the same sort of leadership skills exemplified by Jackson, who retired after coaching 11 NBA championship teams but is still such an iconic figure that if he said the word, he could easily land a lucrative contract tomorrow. Horn’s record isn’t quite that dazzling. But having overseen a string of blockbuster hits, notably the “Harry Potter” series, he brings to Disney the kind of gravitas and decision-making prowess that the studio has lacked in recent years. When Horn left Warners, he had a long lunch with me during which, in an unusually reflective mood, he tried to sum up his Warners-era achievements. What he saw as his legacy is exactly what Disney hopes he’ll bring to the party at the Mouse House.
As he put it: “I’d like to think I contributed to creating an environment that made Warners a highly desirable place to work. But I’m also proud of having a role in creating our ‘big event’ strategy. When I came to the studio in 1999, we only had one event film, ‘The Perfect Storm.’ And over the years, we evolved to the point … where we had six or seven each year.”
The operative words: “we” and “our.” Horn is a consensus builder. He’s not into art, which is why Warners was perhaps the first studio to get out of the specialty film business, even passing up a chance to distribute “Slumdog Millionaire,” which won a best picture Oscar after being picked up by Fox Searchlight.
But today’s studios, especially Disney, don’t see themselves as Oscar factories. As Horn said, they’re in the business of creating Big Events that can be rolled out all around the globe, full of the kind of family appeal and visual excitement that is just as easily understood in Seoul, St. Petersburg and São Paulo as in St. Louis or Spokane.
It’s not exactly showbiz rocket science. In fact, it’s — ahem — largely what Dick Cook was doing at Disney before he got the heave-ho from Iger in 2009. Let's call it a moviemaking approach that relentlessly aims for the mainstream, which is probably why one of Horn’s old studio rivals once joked that “the kind of movie Alan most likes to make is the four-quadrant movie.”
It’s telling that the top films listed on Horn’s Warners’ résumé — notably the “Harry Potter” series, “The Dark Knight,” “Charlie and the Chocolate Factory,” “Happy Feet,” “Sherlock Holmes” and the “Oceans 11” trilogy — were virtual replicas of the kind of audience-friendly pictures that could’ve just as easily come off the Disney assembly line.
Of course, they didn’t, which is why Iger sought out Horn. The Warners films worked because they had A-plus talent involved, especially behind the camera, something that has been a tradition at Warners dating to Horn’s predecessors there, Bob Daley and Terry Semel.
In Hollywood, a town whose culture is almost entirely built around creativity, you’d think schmoozing talent would come easy. But at Disney, especially since Cook’s departure, it hasn’t. The studio’s acquired brands have done it effortlessly; Pixar has nurtured a generation of dazzling animators and filmmakers while Marvel has made a series of astute, often adventuresome choices with its filmmakers (Joss Whedon doing “The Avengers” is simply the most recent example).
But at Disney proper, the pickings have been slim. Expect Horn to woo talent in a hurry. The only big question is whether Horn, at 69, will be a short-term fix or end up as a studio fixture. After all, Iger is slated to leave the studio in 2015, which gives Horn a small window to work his magic before a new Disney czar takes charge.
This much is for certain. Horn is a throwback. In an era in which most executives are devoted to nurturing their own press clippings, Horn is a company man. At Warners, he saw himself as the keeper of the studio’s grand traditions. He admitted to having grave reservations about making a raunchy comedy like “The Hangover,” worried that it might damage the studio’s image.
Of course, at Disney, worrying about the studio’s image comes with the territory. With Horn at the helm, when it comes to change, no one will have to worry about Disney ever moving too fast. The real question will be whether the studio can move fast enough.

Thursday, May 31, 2012

Alan Horn to head Disney Studios



Former Warner Bros. topper Alan Horn taking over Walt Disney Studios

Executive oversaw release of the 'Harry Potter' series and 'The Dark Knight'

Dave-lewis-sm
Dave Lewis
Former Warner Bros. topper Alan Horn taking over Walt Disney Studios
 Alan Horn
Credit: AP Photo
 
Former Warner Bros. chief Alan Horn has been named Chairman of The Walt Disney Studios. The news was announced today by Disney Chairman and CEO Bob Iger.
The change will take place almost instantly, with Horn moving into the Mouse House on June 11. There, he'll oversee worldwide operations, including production, distribution and marketing for all the company's films (that means Disney, Pixar and Marvel, coming off the white-hot box office juggernaut "The Avengers") and for DreamWorks Studios titles distributed by Disney's Touchstone Pictures banner.

News of the switch comes just a month after former Disney topper Rich Ross (whose background was in TV) resigned amid the epic financial loss caused by the box office flop "John Carter."

Warner Bros.' feature division flourished under Horn, who oversaw a number of hit projects, including the mammoth "Harry Potter" franchise, "The Dark Knight," the lucrative "Matrix" sequels and best picture winners "Million Dollar Baby" and "The Departed."

Horn exited Warners in 2011, and remains one of the executive producers of the studio's two-part prequel "The Hobbit."

His pre-WB resume includes co-founding Castle Rock Entertainment, which produced a number of hit films (including "A Few Good Men" and "The Shawshank Redemption") as well as bringing "Seinfeld" to massive popularity and success on NBC.

Iger and Disney are hoping that Horn will bring some of those franchise smarts to the studio.

“Alan not only has an incredible wealth of knowledge and experience in the business, he has a true appreciation of movie making as both an art and a business,” said Iger in a press release. “He’s earned the respect of the industry for driving tremendous, sustained creative and financial success, and is also known and admired for his impeccable taste and integrity. He brings all of this to his new role leading our studio group, and I truly look forward to working with him.”

“I’m incredibly excited about joining The Walt Disney Company, one of the most iconic and beloved entertainment companies in the world,” added Horn. “I love the motion picture business and look forward to making a contribution as part of Bob Iger’s team working closely with the dedicated and talented group at the studio.”



Press Release

BURBANK, Calif. – May 31, 2012 – Bob Iger, Chairman and CEO of The Walt Disney Company, announced today that Alan Horn has been named Chairman of The Walt Disney Studios effective June 11. Horn will oversee worldwide operations for The Walt Disney Studios including production, distribution and marketing for live-action and animated films from Disney, Pixar and Marvel, as well as marketing and distribution for DreamWorks Studios films released under the Touchstone Pictures banner. Disney’s music and theatrical divisions will also report to Horn.

Horn has been a prominent figure in the film and television industry overseeing creative executive teams responsible for some of the world’s most successful entertainment properties including the Harry Potter film franchise and the hit television series Seinfeld among others.

“Alan not only has an incredible wealth of knowledge and experience in the business, he has a true appreciation of movie making as both an art and a business,” said Iger. “He’s earned the respect of the industry for driving tremendous, sustained creative and financial success, and is also known and admired for his impeccable taste and integrity. He brings all of this to his new role leading our studio group, and I truly look forward to working with him.”

“I’m incredibly excited about joining The Walt Disney Company, one of the most iconic and beloved entertainment companies in the world,” said Horn. “I love the motion picture business and look forward to making a contribution as part of Bob Iger’s team working closely with the dedicated and talented group at the studio.”

Horn was most recently President and COO of Warner Bros. Entertainment where he had oversight of the Studios’ theatrical and home entertainment operations, including the Warner Bros. Pictures Group, Warner Premiere (direct-to-platform production), Warner Bros. Theatrical Ventures (live stage) and Warner Home Video. During his 12 year tenure, Warner Bros. Studios was the global box office leader seven times.

Among the numerous critically acclaimed films and box office hits released during his tenure are all eight films in the Harry Potter series, The Dark Knight, Charlie and the Chocolate Factory, Happy Feet, Sherlock Holmes, The Departed, Batman Begins, Million Dollar Baby, the second and third Matrix films and the Ocean’s Eleven trilogy. Horn is also an executive producer of The Hobbit: An Unexpected Journey.

Before joining Warner Bros., Horn co-founded Castle Rock Entertainment where he served as Chairman and Chief Executive Officer. He oversaw the creation of many critically acclaimed and beloved films including Best Picture Oscar nominees A Few Good Men, The Shawshank Redemption and The Green Mile as well as When Harry Met Sally, City Slickers, In the Line of Fire and the most successful show in television history, Seinfeld. Horn has also served as President and Chief Operating Officer of Twentieth Century Fox Film Corporation and was Chairman and CEO of Embassy Communications.

He is a member of the Academy of Motion Picture Arts and Sciences, the Academy of Television Arts and Sciences, the American Film Institute and the Museum of Broadcasting. He serves on the Board of Directors of the American Film Institute; as a Vice Chairman of the Natural Resources Defense Council (NRDC); is a co-founder of the Environmental Media Association (EMA); on the Board of Trustees for the Autry National Center in Los Angeles; and on the board of Harvard-Westlake School.

Horn received his MBA from Harvard Business School and served as a captain in the U.S. Air Force.



WESTWOOD, CA - DECEMBER 08: Actress Angelina Jolie and President of Warner Bros. Alan Horn arrive at the premiere of Paramount's 'The Curious Case Of Benjamin Button' held at Mann's Village Theatre on Decemeber 8, 2008 in Westwood, California. (Photo by Alberto E. Rodriguez/Getty Images)


BURBANK, CA - DECEMBER 09: Warner Brother's Alan Horn and Angelina Jolie arrive on the red carpet for the Los Angeles premiere of 'Gran Torino' at the Steven J. Ross Theater on The Warner Bros. Lot on December 9, 2008 in Burbank, California. (Photo by Alexandra Wyman/WireImage)




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