Showing posts with label Universal. Show all posts
Showing posts with label Universal. Show all posts

Monday, January 6, 2020

Jan. 6, Monday

Stopping by a movie studio on Monday afternoon, January 6 in Universal City.

Gold band on left middle finger. It's so thick and shiny, it's easy to spot even in distant, grainy photos.  No other rings or pendant.

Holding a can of diet Coke going in and still holding a can going out.
jj
dm














Sunday, November 16, 2014






photos
dailymail
jared

Brad Pitt arrives in Sydney on a private jet ahead of Angelina Jolie as the pair prepare to attend Unbroken premiere







 




Brad Pitt touched down in Sydney late on Sunday night ahead of the premiere of his wife Angelina Jolie's latest directorial project, Unbroken.

Landing at Sydney airport on a private jet, the 50-year-old was quickly escorted to a waiting private car, without his partner who is expected to arrive in town on Monday for the red carpet event.

The World War Z star came straight from promoting his new film Fury in Japan, the most recent of several stops around the world to launch the movie.



Friday, November 7, 2014



Unbroken's runtime is 133 mins.



Universal Pictures Awards

For Your Consideration




Rated PG-13   133 Mins


Categories

BEST PICTURE
Produced by
Angelina Jolie, p.g.a.
Clayton Townsend, p.g.a.
Matthew Baer, p.g.a.



BEST DIRECTOR
Angelina Jolie



BEST ACTOR
Jack O'Connell



BEST SUPPORTING ACTOR
Domhnall Gleeson
Miyavi
Garrett Hedlund
Finn Wittrock



BEST ADAPTED SCREENPLAY
Joel Coen & Ethan Coen
and Richard LaGravenese
and William Nicholson
Based on the book by Laura Hillenbrand



BEST CINEMATOGRAPHY
Roger Deakins, ASC, BSC



BEST FILM EDITING
Tim Squyres, ACE
William Goldenberg, ACE



BEST PRODUCTION DESIGN
Jon Hutman, Production Designer
Lisa Thompson, Set Decorator



BEST COSTUME DESIGN
Louise Frogley



BEST MAKEUP and HAIRSTYLING
Toni G, Department Head Makeup
Nik Dorning, Key Makeup Artist
Rick Findlater, Department Head Hair Stylist
Jen Stanfield, Karen Kelly, Hair Stylists



BEST SOUND MIXING
David Lee, Production Sound Mixer
Jon Taylor, Frank A. Montano, Re-Recording Mixers



BEST SOUND EDITING
Becky Sullivan, MPSE, Andrew DeCristofaro, MPSE, Supervising Sound Editors



BEST VISUAL EFFECTS
Bill George, Visual Effects Supervisor
Dave Morley, Visual Effects Supervisor
Matthew Rouleau, Visual Effects Supervisor
Brian Cox, Special Effects Supervisor



BEST ORIGINAL SCORE
Alexandre Desplat



BEST ORIGINAL SONG
"Miracles"
Written by Coldplay
Performed by Coldplay
















Friday, April 18, 2014



latimes

Angelina Jolie breaks the curse of 'Unbroken'

The amazing tale of Louis Zamperini remained untold on film for 56 years because there was just too much to tell.

Director-producer Angelina Jolie and Garrett Hedlund on the set of the movie "Unbroken." (David James / Universal Pictures)


By John Horn

April 18, 2014 , 7:00 a.m.

OXENFORD, Australia — Angelina Jolie was ready to step behind the cameras again. Her directing debut, "In the Land of Blood and Honey," hadn't been a box-office or critical hit, but making the 2011 Bosnian war drama had fueled her desire to become a filmmaker. So Jolie started looking for a follow-up movie, knowing she had to choose carefully.

"I was very nervous," Jolie said about transitioning from acting into directing. "It was like starting over. All of the things that were in your favor before are no longer there."

Finally, in late 2012, she stumbled on a talent agency's log line for "Unbroken," a feature adaptation of the Laura Hillenbrand blockbuster bestseller about the Olympic runner turned World War II bombardier Louis Zamperini, who survived 47 days in a life raft only to be tortured for more than two years as a Japanese prisoner of war.

Jolie hurriedly took the idea to Brad Pitt.

"Oh, honey," her longtime partner told her, "that's been around forever."

And then some.

Hollywood history is filled with tales of movies that have taken decades to coalesce. Screenwriter Craig Borten started working on last year's "Dallas Buyers Club" in 1992, and a sequel to 1988's "Who Framed Roger Rabbit" is still little more than a thwarted idea.

Yet those delays are just a blink of an eye compared to Zamperini's story — an epic tale of survival, despair, heroism and redemption — that has been kicking around Universal Pictures for more than half a century. The studio bought the rights to his memoir, "Devil at My Heels," in 1956, and penciled in Tony Curtis to star. But the actor signed on to "Spartacus" instead, and like Zamperini himself the movie was cast adrift.

It was not until one especially determined producer decided in 1998 that bringing Zamperini's true-life drama to the screen would be his crusade that the movie was revived. And yet for all of the producer's resolve, the movie still died countless deaths, its fate likely doomed until a writer battling chronic fatigue syndrome made the transformative choice to select Zamperini as the subject of her next book.

Re-create B-24 crash

 Inside a cavernous soundstage at Village Roadshow Studios near Australia's Gold Coast in January, scores of people looked on — costume designers, prop assistants, extras — as Jolie's production team prepared to re-create the crash of Zamperini's ungainly B-24, known to all the people who dreaded flying in it as the Green Hornet.

With Zamperini (newcomer Jack O'Connell) and crewmates Russell Allen "Phil" Phillips (Domhnall Gleeson) and Francis "Mac" McNamara (Finn Wittrock) braced for impact inside the mocked-up bomber, the "Unbroken" effects team rocked the plane violently, filling its fuselage with an explosion of seawater. After checking to make sure all of the cast members were uninjured, the cast and crew applauded loudly, Jolie accepted congratulations and an assistant director called for a lunch break. As everyone filed out, one straggler hung back, beaming. It was producer Matthew Baer, finally witnessing his dream materializing.

Baer knew for years that he had been the butt of Hollywood jokes.
Matthew Baer's on the line again. I wonder if it's about "Unbroken"?
When are you finally going to give up and do something else?
Is he still talking about Zamperini?

"It was embarrassing," Baer said. For 11 years, he didn't make a film, his last producer credit coming with Gwyneth Paltrow's quickly forgotten 2003 comedy "View From the Top." His wife, studio executive and producer Amy Baer, was the one cranking out movies. "Every producer has his or her passion project," said Baer, a quiet and thoughtful 49-year-old father of two. "And they may be laughed at for having it so long."

The ribbing might have stung, but Baer knew that abandoning the movie altogether would have been far more painful. "I never considered stopping," he said. "Never."

Baer first encountered Zamperini through a CBS documentary assembled for the 1998 Olympics in Nagano, Japan. The circumstances carried particular relevance, because Zamperini had competed in the 1936 Games in Berlin, where he ran but did not medal in the 5,000 meters. His promising track career was cut short by the war when Zamperini enlisted in the Army Air Corps.

His malfunctioning plane crashed into the Pacific Ocean in 1943 miles from land, killing eight of its 11-man crew. Zamperini, Phillips and McNamara — with no meaningful rations or supplies in their raft — had to subsist on rainwater and raw birds, fish and shark liver. McNamara died at sea, and after 47 days in their boat Phillips and Zamperini became prisoners of war, with the former track star singled out for torture by the particularly sadistic guard Mutsuhiro Watanabe, nicknamed by his captors "The Bird." Zamperini's story seemingly had everything Hollywood wanted: an extraordinary hero, a contemptible villain, epic scope, war action and rich parts for an array of young actors.

Zamperini's son-in-law, television writer and director Mick Garris, sent the documentary to his talent agent, who forwarded it to Baer, then the head of Brillstein-Grey Films. Given that relatively few people at the time knew Zamperini's story and that studios in that era were not afraid to make serious war dramas like "The Thin Red Line" and "Saving Private Ryan," the source material generated immediate enthusiasm. Baer met with Zamperini and Garris, told them how impressed he was by Zamperini's life journey, and the movie rights were soon in Baer's hands. "We knew immediately he was the right guy — you could sense his passion," Garris said.

Having bought Zamperini's memoir more than 30 years earlier, Universal still controlled Zamperini's life rights for a movie, and Brillstein-Grey had a deal there. Nicolas Cage, then a recent Oscar winner for "Leaving Las Vegas" and hot off the hits "Con Air" and "Face/Off," was attached as a star. The search for a director and screenwriter commenced.

In short order, though, Baer and everybody else involved in what was called "Untitled Louis Zamperini Project" came to recognize that the story was as vast as the ocean waters in which Zamperini had floated for nearly two months: They simply had too much material, and no one could figure out precisely which parts of his story to tell and which to leave behind.

Zamperini's chapters

Inside the Hollywood Hills home where he has lived since 1957 — he bought the house with Universal's original $8,000 book purchase a year earlier — Zamperini, 97, is as sharp as some people decades younger. While he is less active than in recent years, he still makes the occasional motivational speech and answers a steady stream of fan mail.

There are distinct chapters to Zamperini's life — running as a young man at Torrance High and USC, competing in Hitler's Olympics, surviving the war and his tormentor, and his religious conversion after becoming an alcoholic when he returned home.

Even today, Zamperini can surprise family and friends with stories he hadn't shared before, such as how Watanabe loosened a molar by cuffing Zamperini in the jaw. "He hit me just like that," Zamperini demonstrated. "And after I was finally rescued the doctors said they needed to replace the tooth."

Given the rich details and broad sweep of his experiences, it's not surprising that screenwriters who tried to squeeze his life into a two-hour movie struggled mightily. In 1999, playwright Robert Schenkkan ("The Kentucky Cycle") wrote a draft, calling it "Iron Man," which covered most of Zamperini's life, including after the war. Universal wanted to hire an A-list director, but Steven Spielberg, Ridley Scott, Ron Howard, Robert Zemeckis and Mel Gibson all passed. "It was probably too broad of an approach," Kevin Misher, Universal's production chief at the time, said of Schenkkan's draft.

Antoine Fuqua ("Training Day") briefly joined the project in 2002 but left to direct "King Arthur," and Tom Shadyac ("Bruce Almighty") subsequently flirted with the project but ultimately left. Neil Tolkin ("The Emperor's Club") rewrote the script in 2004, and even though it landed on Hollywood's coveted "Black List" of the best unproduced scripts, Universal couldn't land the director it wanted. By then Cage was too old, and Ashton Kutcher was mentioned as a possible star.

"The story is undeniable, but these kind of films need the right author, the right stewardship," said Scott Stuber, Misher's successor at Universal.

Thousands of miles from Hollywood, in a 1,500-square-foot row house in Washington, D.C., that very person was about to change the course of the movie's history.

Subject of book

When Laura Hillenbrand was researching her previous book, "Seabiscuit: An American Legend," she would stumble on Zamperini's name as she pored over sports pages chronicling the thoroughbred's races. She decided to make him the subject of her next book, and news of her decision reached Baer.

Around the same time, in 2003, Universal was putting out its movie adaptation of Hillenbrand's bestseller; "Seabiscuit" pleased critics and moviegoers alike, grossing more than $120 million in domestic release. Whether the author's decision gave Baer's Zamperini movie any noticeable impetus was unclear.

"There was no evidence when the book would come out," Baer said. Having left Brillstein-Grey, he tried to raise financing for the project. Every possible suitor passed, worrying that it would be a costly, hard-to-cast period drama.

Owing both to Hillenbrand's debilitating chronic fatigue syndrome and meticulous research, it would take her until 2010 to complete the manuscript for "Unbroken: A World War II Story of Survival, Resilience, and Redemption."

When the book was finally released it became a publishing phenomenon (it's still on the best-seller charts nearly four years later and has yet to be released in paperback), Baer's "Untitled Louis Zamperini Project" immediately became "Unbroken." Its journey to the screen would still take several more detours.

In 2010, Francis Lawrence ("Water for Elephants") was briefly attached to direct but left to helm the "Hunger Games" sequels. Working with even more source material than Zamperini's memoir (Hillenbrand's encyclopedic book is 496 pages), several more screenwriters, including Richard LaGravanese ("The Fisher King") and William Nicholson ("Gladiator"), tried to adapt the book but again struggled with what to include, with one draft even incorporating the 1998 CBS documentary and a non-existent meeting between Zamperini and Watanabe, which Zamperini's family objected to strenuously.

The challenges were understandable. Unlike "Captain America" or "Inglourious Basterds," the story was going to be a serious World War II drama that dealt with unimaginable suffering and Japan's inhumane treatment of its prisoners — nearly one in three Americans died in Japanese captivity. For all of Hillenbrand's exhaustive and exhausting reporting, Zamperini does not come across as particularly reflective. Finally, with hundreds of thousands of "Unbroken" books in print, every material departure from Hillenbrand's book potentially would spark complaints.

After her 2012 conversation with Pitt, Jolie read the latest screenplay draft and realized, like many before her, that it didn't quite work. But she picked up Hillenbrand's book and, in a home not more than a few hundred yards from Zamperini's — "If he looked out his window, he would have seen me devouring it," Jolie said — she lost herself in the tale.

"I wasn't really looking for something of this size," noted the 38-year-old star. "But the way Laura writes about him is the way I like to read about people. It was like I was witnessing the birth of a man — it was something I wanted to tell my sons about."

A few weeks later, at 2 a.m. while in Cambodia, Jolie awoke with the movie suddenly and clearly in her mind. She asked to meet with Donna Langley, chairman of Universal Pictures, to pitch her take on the movie, which would end with Zamperini's liberation but not include his bout with alcoholism and Billy Graham-inspired religious conversion. Jolie arrived at the studio lot with a garbage bag full of "ridiculous" charts outlining her plan — "They still laugh at me about it" — and "pitched it as hard as I could," Jolie said.

"She was really impressive — thoughtful and thorough," Langley said. The studio had been considering hiring a veteran filmmaker, and giving him (no women were on the list) a $120-million budget. Atfer meeting wih Jolie, Universal changed its mind, scaled down its investment to $65 million and took a leap with an unproven director. "It wasn't an immediate and obvious choice for everybody," Langley said. "But she won the day. She earned it."

PHOTOS: Images from Angelina Jolie's 'Unbroken'

Joel and Ethan Coen, who share Jolie's talent agent, UTA's Rich Klubeck, and had a rare opening in their work schedule, loved Hillenbrand's book and were soon hired to collaborate with Jolie to revise the screenplay. By summer 2013, even after co-financier Walden Media dropped out at the last minute and was replaced by Legendary Pictures, all of the pieces finally fell into place.

Fifteen years after Baer saw the CBS documentary, and 56 years after Universal bought Zamperini's memoir, "Unbroken" had a green light.

Deep respect

From even a quick visit to her Australia set, it's obvious that Jolie has a deep respect, if not reverence, for Zamperini — Pitt even commissioned an oil painting of him for a Christmas present to Jolie — and Hillenbrand. The author is a consultant on the movie, has read many screenplay drafts, and frequently talks to Jolie.

"It's a huge responsibility," Jolie said. "And I'm constantly asking questions. 'How do you really catch a shark? What does the liver look like? How do you eat an albatross? How do you sink a plane?'"

To bring her ideas to life, Jolie hired some of Hollywood's top department heads, including "No Country for Old Men" cinematographer Roger Deakins and "Life of Pi" editor Tim Squyres as collaborators. Last month, at a convention for theater owners in Las Vegas, Jolie showed several minutes from the film, which suggested "Unbroken" will have both a glowing, Americana feel — particularly in its depictions of Zamperini's youth — and a much darker rendering of the prison camps, which call to mind Sebastião Salgado's grimy photographs of Brazilian gold miners.

"In the end, its message is one we all need now more than ever — the journey of a man finding his way through the darkness and into the light," the filmmaker told the exhibitors, adding that the film had particular modern resonance as Zamperini is "someone who helps to remind us all what each of us is capable of."

In hindsight, it's clear even to Baer that Hillenbrand's book was needed to make the movie. "One could argue before the book came out that I was one of the leading experts on Louis' life," Baer said. "But what Laura did made me seem like I knew nothing. Absolutely, positively 100% Laura is the reason for 'Unbroken' finally happening."

As the movie approaches its Dec. 25 release, Baer looks back at all of the false starts and believes that all of the frustration and heartache was ultimately worth it. Had he somehow been able to make the movie earlier, it wouldn't have been to his mind as good as it is today.

"Everybody used to tell me, 'Why are you still talking about Zamperini?'" Baer said of all the doubters over the years. "And I said, 'Because I believe in it. And it's an amazing story.'"

john.horn@latimes.com

Read the full post (with some new photos from the film) at latimes













Monday, September 9, 2013






















.

Thursday, February 21, 2013

Universal



THR

Universal Chairman Wants 'Fifty Shades' for Summer 2014, More 'Bourne' and 'Van Helsing' Reboot (Q&A)

Adam Fogelson and Ted

Adam Fogelson tells THR about another "Snow White and the Huntsman" (without director Rupert Sanders), an "Identity Thief" sequel and speculation about his job.

This story first appeared in the March 1 issue of The Hollywood Reporter magazine.

Since being promoted to chairman of Universal Pictures in 2009, Adam Fogelson has steered the studio built on monsters like Dracula and the Mummy into less scary financial territory. Despite the disappointment of 2012's $209 million-budgeted Battleship, Universal enjoyed its highest-grossing year worldwide in its 100-year history, thanks to midbudgeted hits Ted ($535.4 million), The Lorax ($348.8 million) and Les Miserables ($378.9 million), which is nominated for eight Oscars. But Fogelson, 45, a genial Stanford grad whose father worked in movie marketing, knows his studio -- the last major without a billion-dollar-grossing movie -- lacks mega-franchises. And the Comcast-owned Universal's recent attempts to create them (Snow White and the Huntsman, launching Illumination Entertainment with Despicable Me filmmaker Chris Meledandri and a since-scrapped deal with toymaker Hasbro) or prolong them (The Bourne Legacy, American Reunion) have proved successful but not on the level of Batman or Bond. On Feb. 13 in the Carl Laemmle building on the Burbank lot, the married father of two daughters addressed his relationship with Comcast and revealed his plans for the Bourne franchise and when a Fifty Shades of Grey movie might hit theaters.

The Hollywood Reporter: In such a tentpole-driven business, is it still OK to have a slate filled with singles, doubles and triples, or do you need the home runs?
Adam Fogelson: I think if you are creating a healthy number of doubles and triples, you are OK. And from a profitability standpoint, we have a number of home runs. They're not grand-slam home runs in the sense that a billion-dollar-plus movie can be, but Ted or Lorax or Les Mis at those price points, those are huge, huge wins. Despicable Me 2 [out July 3] feels like it has a chance to become a huge, legitimate franchise. That said, there's no question that one or two reliable mega-tentpoles can make an enormous difference. But it isn't an immediate necessity for us to be considered successful or hugely profitable in our eyes or the eyes of our owners.

THR: That's coming directly from Comcast?
Fogelson: I have found Steve [Burke] and Brian [Roberts] to be incredibly smart, incredibly rational and really constructive owners. You can't call up a film company and say, "We want a billion-dollar-plus franchise." If it worked that way, everyone would be doing it. As a studio, because we have not had a Marvel library, a DC library, a Bond franchise, we've had to home-grow virtually all of it. Universal monsters are probably the thing people most equate with our library. But monsters are not superheroes. Virtually every monster story is by definition a tragic story. We are developing another Mummy. We are looking at rebooting Van Helsing because I think the idea for the Van Helsing story was a great way of solving the question of, "How do you make a blockbuster out of monsters?" I think of what we have done with Fast & Furious [the sixth installment opens in May], of what we did with American Pie this past year -- we had our best year box office-wise and our biggest movie [Battleship] was a whiff, so we did it without a single traditional franchise tentpole movie. Not one.

THR: Given that success, every time a top studio exec becomes available, there is speculation that he or she is getting your job. Annoying?
Fogelson: First of all, I wake up every day knowing it's a privilege to have this job -- not a right. Second, if you take emotion out of it and step back, I think that kind of thing goes with the territory. [Co-chairman Donna Langley and I] are still the newest in these jobs of anyone in this business. We're coming out of a really difficult period for the studio. We changed owners for the fifth or sixth time in my 15 years at the company three years ago. In this type of business, where people like to talk, all of that is going to contribute to an environment where those kinds of things happen. I can tell you we have felt very supported by our bosses.

THR: Was the Hasbro deal a mistake?
Fogelson: It certainly didn't work out as the dealmakers on either side envisioned it. But I'm not sure I would say the deal was a mistake, or if I were sitting in this chair at that time that I wouldn't have strongly considered it.

THR: Give us an update on the Fifty Shades movie. Some think you aren't moving quickly enough to capitalize on the buzz.
Fogelson: I certainly understand why some people might take that point of view. But I don't believe that [author EL James] had any interest in going to a studio where rushing it into production was the vision. I don't believe that the second or third film would have benefited from that strategy. And I think that there are totally legitimate questions about what this book is as a movie. I will tell you that it is an absolute priority for us. It's conceivable that we could be ready to release it as early as next summer.

THR: Is it true you asked Angelina Jolie to direct?
Fogelson: No. We're involved in a different project [the World War II drama Unbroken] with her. But we have had really, really interesting, great conversations with talented, serious filmmakers.

THR: Given their public affair, will you make a Snow White sequel with Kristen Stewart starring and Rupert Sanders directing?
Fogelson: We're actively developing the movie right now with Kristen's character central, as well as the Huntsman role. We think that for a first movie out of the gate to do basically $400 million worldwide, there is a lot of opportunity. I don't think Rupert is pursuing the next Snow White as a directing opportunity.

THR: Tom Cruise's last movie, Jack Reacher, wasn't a big hit and you've got him in Oblivion in April. Worried?
Fogelson: There's virtually no star out there right now in the modern age who doesn't have some movies that perform better and some that perform less well. We think this kind of movie is in Tom's wheelhouse. We made it for an incredibly responsible price [$120 million]. We love the way it's looking. And Tom will do everything that we collectively feel is in the best interest of selling the movie.

THR: Last summer's Bourne Legacy grossed $276.1 million worldwide without Matt Damon -- good, not great. What's your plan for the Bourne property?
Fogelson: The point of the last movie was to create a universe, a world and characters that give us a lot of freedom and flexibility in how we go forward. Yeah, the movie didn't perform the way the last one did. It also didn't cost what the last one did. It performed more along the lines of how the first one did. I absolutely see us doing more Bourne, 100 percent yes. Matt has talked about the possibility of coming back, and we totally respect that and are excited if and when he wants to have conversations. But I think the last movie gave us a big bunch of options to pursue a next chapter.

THR: In December you've got 47 Ronin, the $175 million-budgeted Keanu Reeves samurai movie, which has been delayed and plagued by reshoots. Do you believe Reeves is still a major action star?
Fogelson: Keanu Reeves has been very selective over the years in the sort of big action franchises he has chosen to involve himself in. And when he's done it, he has been, on a global level, incredibly successful. We're excited that this is the one he's chosen for this part of his career and think that every time he comes back to any version of this genre, it has been remarkably consistent.

THR: With Les Mis a hit, why haven't you greenlighted Wicked?
Fogelson: Wicked has been an enormous win for this company [Universal is majority owner of the Broadway musical]. The way it works, we should be in agreement together on when the right time to do this is. But I will tell you I believe that we are collectively moving toward Wicked coming to the screen sooner rather than later.

THR: What about an Identity Thief sequel? You've got a few projects in development with Melissa McCarthy.
Fogelson: Absolutely a conversation that we're having. We think we created great characters, so we'll discuss how to re-pair Jason [Bateman] and Melissa going forward.

THR: From escalating costs to piracy, the film business faces tremendous challenges. How much do you strategize with your peers at other studios?
Fogelson: We're all facing versions of the same challenges. We talk generally about theories about moviegoing and where we all see the business headed.

THR: So what's the biggest fear?
Fogelson: Honestly, I wouldn't call it fear. I'd say concern. I think that we need to continue to evolve this business. We have to evolve what it costs to make films. We have to evolve what it costs to market them. We have to evolve how we monetize them. And many of those things are not core competencies that the industry was built around. And I don't think we can be patient in solving those challenges. My biggest concern is: Can we do it fast enough to hold our heads up as a legitimate, responsible business?

THR: Do you think that a tech power like Google or a Chinese company will buy a studio?
Fogelson: Well, I certainly hear rumblings to that effect. I think there is plenty of evidence to suggest that content is really valuable.

Wednesday, December 19, 2012

Thoughts





Unbroken obviously has major Awards potential.  Laura Hillenbrand's previous work, Seabiscuit, was also adapted for the big screen and went on to score 8 Oscar nominations.  There is every expectation that this, an even more dramatic and stirring story, will go in for equal or greater glory. The fact that the press announcement was made jointly by the co-chairmen of Universal together with the head of Walden Media, gives you an indication of the importance they attach to this film.  It may emerge as their main Awards hopeful for whatever year it is released.

The highly dramatic and demanding role of  Loius Zampirini has Best Actor written all over it and should attract a lot of top actors.

My picks:

Ryan Gosling or Andrew Garfield seem well suited to play the talented, rebellious, charismatic character in his younger athlete - soldier - prisoner years.  But Gosling will be busy on  his directorial debut while Garfield has the Spider-man sequel coming up in early 2013.  Garfield may be free in the latter half of 2013. 

In terms of physical resemblance, Joseph Gordon Levitt and Jake Gyllenhaal come closest and both seem to be available for a 2013 shoot.

Sean Penn could play the older Zampirini

Angelina could play Zampirini's wife, described as a "beautiful socialite"


Zampirini's advanced age (he is 95) gives the production schedule a sense of urgency.  They'll have to work hard to meet a 2013 target start date for a 2014 release.  A 2013 start will  likely preclude other film commitments for Angelina given the prep work Unbroken will require.  She'll reportedly be doing a pass on the Unbroken script and then has to choose her cast and crew and attend to all the myriad production details of an important studio film.  At this stage, it'll probably be at least 6 more months before she can be ready to start filming after they get a final draft completed.

If Sony can get Salt 2 ready within the next few mpnths there is the slim possibility that she can squeeze it in.   But they need to move very quickly as they still need a script and a director (Derek Cianfrance is my latest pick).  Cleopatra will require a lot of prep and will be a very long and demanding shoot.  Even though it seems they've been prepping Cleopatra for the last two years having already previously scouted locations in Egypt and had a casting call, its not something that can be rushed if she intends to do Unbroken this year.

 - Fussy


From Production Weekly

“UNBROKEN” Feature Film 08-30-12 
MATTHEW BAER FILMS
9889 South Santa Monica Blvd., Suites 207 & 208, Beverly Hills, CA 90212
PHONE: 310-284-5746 FAX: 310-284-8302
STATUS: Development
PRODUCER: Matthew Baer - Erwin Stoff - Mick Garris
DIRECTOR: Angelina Jolie WRITER: Richard LaGravenese - William Nicholson
WALDEN MEDIA 1888 Century Park East, 14th Fl. Los Angeles, CA 90067 310-887-1000 Fax 310-887-1001
3 ARTS ENTERTAINMENT, INC. 9460 Wilshire Blvd., 7th Fl., Beverly Hills, CA 90212 310-888-3200 Fax 310-888-3210
UNIVERSAL PICTURES 100 Universal City Plaza, Universal City, CA 91608 818-777-1000
On a May afternoon in 1943, an Army Air Forces bomber crashed into the Pacific Ocean and disappeared, leaving only a spray of debris and a slick
of oil, gasoline, and blood. Then, on the ocean surface, a face appeared. It was that of a young lieutenant, the plane’s bombardier, who was
struggling to a life raft and pulling himself aboard. So began one of the most extraordinary odysseys of the Second World War. The lieutenant’s
name was Louis Zamperini. In boyhood, he’d been a cunning and incorrigible delinquent, breaking into houses, brawling, and fleeing his home to
ride the rails. As a teenager, he had channeled his defiance into running, discovering a prodigious talent that had carried him to the Berlin Olympics
and within sight of the four-minute mile. But when war had come, the athlete had become an airman, embarking on a journey that led to his doomed
flight, a tiny raft, and a drift into the unknown. Ahead of Zamperini lay thousands of miles of open ocean, leaping sharks, a foundering raft, thirst and
starvation, enemy aircraft, and, beyond, a trial even greater. Driven to the limits of endurance, Zamperini would answer desperation with ingenuity;
suffering with hope, resolve, and humor; brutality with rebellion. His fate, whether triumph or tragedy, would be suspended on the fraying wire of his
will. Based on the novel Unbroken: A World War II Story of Survival, Resilience, and Redemption by Laura Hillenbrand.






Uploaded on Oct 29, 2010
The highly-anticipated new book from the bestselling author of SEABISCUIT.

On a May afternoon in 1943, an Army Air Forces bomber crashed into the Pacific Ocean and disappeared, leaving only a spray of debris and a slick of oil, gasoline, and blood.  Then, on the ocean surface, a face appeared.  It was that of Louie Zamperini, a young man from a defiant California boyhood and a former Olympic athlete.

UNBROKEN is the story of Zamperini's unforgettable journey into extremity-- a stunning testament to the resilience of the human mind, body, and spirit.















Photos above from Deadline



From memorieshop


Louis Zamperini, an Italian immigrant; Olean, NY and moved to Torrance, CA. He won a scholarship to USC and at age 19 participated in the 1936 Olympics in Berlin as a 5,000m runner and finished eight. Louie's room mate was Jessie Owens. It was here he shook hands with Adolf Hitler, then Nazi Chancellor of Germany. Two years later in 1938, Zamperini set a national collegiate mile record which held for 15 years. He was nicknamed the "Torrance Tornado".

World War II brought an end to the running career for Louis. He served as a bombardier on two B-24s. The first, which the crew named "Super-Man" was damaged and they were assigned the B-24D "Green Hornet" to conduct search and rescue.

They took off on May 27 1943 at 18:30 on a search mission [bound for Palmyra Atoll, a planned refueling airfield, after the search.] Over the search area, there was cloud cover down to 1,000' and the bomber dove to 800' to search. The No.1 engine experienced problems and died. The engineer accidentally feathered the No.2 engine, the bomber quickly angled to the left and crashed into the sea. This B-24 was reported as missing when it failed to arrive at Palmyra. The aircraft had crashed into the Pacific Ocean. Eight of the 11 crewmembers were killed except Zamperini, the pilot, Russell A. Phillips, and Francis McNamara, who managed to survive the crash and escape on a life raft. Only Zamperini and Phillips survived their 47 days adrift on the sea. When his plane hit the ocean, Louie heard nothing at all.

There were only soundless sensations: the plane tearing apart, his body hurtling forward, wires whipping around him, water over him, gravity dragging him under. He thrashed against the wires, and the plane carried him down. Louie was drowning. He struggled uselessly, sinking deeper and deeper, the water growing darker and heavier around him. He thought: Hopeless. There was a bolt of pain in his head, then nothing.

He woke in total darkness, sensing the plane still around him, still deep underwater, sinking. Inexplicably, miraculously, the wires had vanished. He groped along the wreckage, found an opening, and kicked through. He pulled the inflation cords on his life vest and felt it lift him. He burst into dazzling daylight and breathed.

The ocean was a jumble of bomber remains. The lifeblood of the plane—oil, hydraulic fluid, and hundreds of gallons of fuel—slopped about on the surface. Curling among the hunks of wreckage were threads of blood.Zamperini managed to grab the life raft and deploy it. Philips sustained a head wound during the crash. Repeatedly, they were set upon by ravenous sharks, monstrous sea creatures that grew more sophisticated over time in the manner in which they circled and lunged at their prey. They ate only sporadically, occasionally catching an albatross and fashioning its bones into a set of fake claws, which Louie fastened to his hand and used to clutch at the odd fish swimming just beneath the surface. "Then another week went by, another albatross landed on my head, and I grabbed him," Zamperini told Fox News. "And I'll tell you, that bird tasted like hot fudge sundae with nuts and whipped cream on it! We were laying back like the kings did, in the movies ... living high off the hog."

Fox News' Matt Silverstein

McNamera survived 33 days at sea then died. The survivors said a prayer and buried him at sea. After 47 days at sea, Zamperini and Phillips were captured by the Japanese Navy and taken prisoner.

When I took off my blindfold my brain and my eyes fluttered with the unreality of it all. After nearly two months floating under cast open skies and infinite seas, I found myself locked in a cubicle the size of a dog kennel. The instant claustrophobia made me want to scream, but I was too weak. Instead, I lay down and looked at my body. Just six weeks before I’d been a vigorous athlete who could run a mile in just over four minutes. Now I was fleshless, skeletal. All my life I had kept my emotions tightly in check when it came to my own troubles, but I could no longer help myself. I broke down and cried. (Zamperini, Devil at My Heels,)

The first place they were sent was Kwajalein Island, which Zamperini would come to regard as the worst time of his life. Confined to small hut-like cell, he observed the names of nine U.S. Marines carved into the wall; when he asked what had become of him, he was told they had all been decapitated. "That's what they do to all prisoners who come here," matter-of-factly explained a Japanese guard who spoke English. "Execution Island" was how Kwajalein came to be known to American soldiers.

The chief difference between the ordeal at sea and the POW camp, of course, was that at sea, Louie and his comrades mostly had to confront only the cruelties of the sun and the monsoon-like rains, the limits of hunger and thirst, the temptations of dementia and the ever-circling sharks. In the hands of the Japanese, however, it was the Americans' dignity that was assaulted, and they were forced to confront the ugly fact that man's cruelty to his fellow man far exceeds anything seen amongst the animals of the jungle or the creatures of the sea.

After spending a year of his life at Ofuna, Louie was sent to Omori, a manmade sand spit - between Yokohama and Tokyo - which housed hundreds of prisoners. In September of 1944, he met Mutsuhiro "The Bird" Watanabe. Watanabe was classified as a Class-A war criminal following the war for his abuse of prisoners of war (POWs) held by the Japanese military. Similar in age to Louie, the Bird was among the less distinguished members of an affluent Japanese family. The Japanese accountant at the camp, tracked down decades later, told that the Bird fixed upon Zamperini with singular fury, regarding him as "Prisoner Number One" and subjecting him to viciousness unmatched even by his brutal treatment of the other captives. Zamperini had nightmares on this Bird guy, for years.

Louie and the other POWs were rescued and repatriated. In his hometown of Torrance, Calif., Louie married a beautiful young socialite named Cynthia Applewhite. ...

When a Fox News producer asked Zamperini if he considered himself a hero, he bristled, explaining that men who return home from war missing a limb -- or more -- are the real heroes. After seeing just these kinds of men during a visit to a Veterans Affairs hospital, Louie returned home and made a decisive gesture. "I took all my medals and I put 'em in a drawer, and shoved 'em away, and I haven't seen 'em since!" A Fox News Contribution

View more at  memorieshop



 From Deadline

Universal Pictures To Finish Year With All-Time High Film Global Gross Record

By MIKE FLEMING JR. | Thursday December 20, 2012 @ 5:32pm EST

BREAKING: Remember the bruising that Universal Pictures brass received over the summer when Battleship failed and when rumors were published that Comcast had courted DreamWorks partner Stacey Snider to return? Now, Universal’s Ron Meyer, Adam Fogelson and Donna Langley have reason to take a bow. The studio, which passed the record for Universal’s domestic grosses back in October, is now on course to blow past its global record, even before Les Miserables gets released on Christmas. Grosses aren’t profits, of course, but hits like Safe House and Ted certainly have created some momentum. Here is the official release:

UNIVERSAL CITY, CA, December 20, 2012—Universal Pictures today announced that 2012 will mark its best year at the worldwide box office in the studio’s 100-year history with global theatrical grosses exceeding $2.927 billion to date. Universal broke its domestic record ($1.127 billion) in October and the studio will surpass its international record ($1.716 billion) Friday, December 21.
Universal’s success has not been buoyed by a single traditional franchise film but, rather, a portfolio of diverse films that saw warm reception at the box office. Universal was the only studio in 2012 to have five non-franchise films gross over $200 million at the worldwide box office. The slate featured seven films that grossed over $200 million worldwide – more than any other studio (Safe House $209.1m, American Reunion $235.5m, The Bourne Legacy $276.3m, Battleship $307.8m, Dr. Seuss’ The Lorax $349.7m, Snow White and the Huntsman $400.8m, Ted $502.5m).
Universal had six films claim the number one spot at the domestic box office in 2012. The studio also has one of the highest per film average grosses at $80.7 million.
Individual Film Records for 2012:
Ted became the highest-grossing original R-rated comedy of all time. At $502.5 million worldwide and counting, it is Universal’s highest-grossing film of 2012. Ted opened number one in the U.S. and was number one in 27 out of 62 territories where it was released. It was the highest grossing comedy of the year overseas and Universal’s all-time biggest opening in Australia and Austria. Ted remained in the top three films at the international box office for seven weeks.
Illumination Entertainment solidified its place as a leader in the family and animation space with the highest 3-day opening for an animated film of the year – Dr. Seuss’ The Lorax ($70.2 million). Dr. Seuss’ The Lorax also had the eighth highest domestic opening for an animated film of all time.
Safe House marked Denzel Washington’s second biggest opening of his career and his second highest-grossing film ever behind only one other Universal film, American Gangster.
Closing out this year’s slate, Universal has two highly-anticipated films: This Is 40, the latest comedy from writer/director/producer Judd Apatow which opens tomorrow, and Les Misérables, the motion-picture adaptation of the global stage sensation seen by more than 60 million people in 42 countries and in 21 languages around the world opening Christmas Day.

Unbroken

From Deadline

Angelina Jolie To Direct ‘Unbroken’, The Incredible Story Of Lou Zamperini

By MIKE FLEMING JR. | Tuesday December 18, 2012 @ 9:19pm EST

EXCLUSIVE: Universal Pictures and Walden Media are in final negotiations with Angelina Jolie to direct Unbroken, the unbelievable story of Olympian-turned-WWII POW Louis Zamperini. The project, which Universal has developed for going on 55 years, is closer than ever to becoming a reality. Matthew Baer and Erwin Stoff are producing and Mick Garris is exec producer.
For Jolie, this will mark her second film as director after she made her debut on In The Land Of Blood And Honey. This will be her first directing outing on a major studio film. It’s easy to imagine that the world’s biggest female star gets whatever she wants, but I’m told that she campaigned hard for the film against a number of other directors. Universal execs were very impressed with her sophisticated treatment of difficult subject matter. Her detailed take on Zamperini won her this job.


“In her life and in her work, Angelina has embraced stories and causes involving great struggle and triumph over tremendous odds and the basic human condition,” Adam Fogelson and Donna Langley said in a statement. “She has a real ability to illustrate the strength in human spirit which will be essential in telling Lou’s story of survival and great heroism.”

The film has a new script draft by Gladiator and Les Miserables co-writer William Nicholson, who rewrote an earlier draft by Richard LaGravanese. The script is based on Unbroken: A World War II Story of Survival, Resilience and Redemption, the book by Seabiscuit author Laura Hillenbrand which has been on The New York Times bestseller list for over 108 straight weeks.

“I read Laura Hillenbrand’s brilliant book, and I was so moved by Louie Zamperini’s heroic story, I immediately began to fight for the opportunity to make this film,” Jolie said. “Louie is a true hero and a man of immense humanity, faith and courage. I am deeply honored to have the chance to tell his inspiring story.”

For my part, I have been obsessed with Zamperini since I saw a segment on his ordeal broadcast during the 1998 Winter Olympics in Nagano, Japan. Zamperini was there to run with the Olympic torch, covering ground not far from where he spent an unimaginably brutal stretch in a Japanese prison camp during WWII. That is only a small part of Zamperini’s tale.


A troubled and rambunctious Depression era kid, Zamperini found his stride as a track prodigy who was the youngest member of the U.S. team that traveled to Berlin for the 1936 Olympics. He didn’t medal, but turned in such a blazing final lap that Hitler asked to meet him. The expectation was that Zamperini would be a favorite to win a medal in the 1940 Olympics scheduled for Tokyo. Unfortunately, those games were canceled because of WWII. When Zamperini landed in Japan, he was wearing the uniform of an Air Force bombardier.

After his aircraft went down in the Pacific during a rescue mission, Zamperini and two other crew mates survived on a raft in the hot sun for 47 days, battling hunger, thirst and sharks. It got worse when they were caught by the Japanese Navy. That started a terrifying term of captivity at the hands of brutal Japanese guards who threatened to behead Zamperini, and who beat him brutally. One sadistic guard in particular exulted in trying to break Zamperini, but he could never do it. And by the time Zamperini returned to Japan and carried that torch, he’d forgiven his brutal captor–known as The Bird–and even offered to meet him to forgive him in person. The man refused.


The studio first bought Zamperini’s rights back in the 1950s, when Tony Curtis was eager to play Zamperini as his followup to Spartacus. Few movies gestate as long as this one, but it’s clear from Hillenbrand’s remarkable book that it was wise to wait. Zamperini had a lot of work to do to make himself whole again after enduring an ordeal that would break even the strongest of men. The unsung hero in the formation of this movie is Baer, the producer who has been struggling for 14 years to keep a promise to Zamperini. The project gained steam after Hillenbrand’s book was published and gave Zamperini’s story new urgency.

Jolie will oversee a final draft and then there is casting and a tough production schedule, but this movie should find its way into production next year. It’s co-financed by Universal and Walden, whose CEO Michael Bostick called Zamperini “one of history’s most incredible and inspiring stories.”

Zamperini turns 96 in January, and with the passion that Jolie and Universal now have for this story, he should have the opportunity to be part of its production and hopefully to see Unbroken on the screen. Jolie’s repped by UTA for directing and attorney Robert Offer.


From Amazon

Book Description

November 16, 2010
 
On a May afternoon in 1943, an Army Air Forces bomber crashed into the Pacific Ocean and disappeared, leaving only a spray of debris and a slick of oil, gasoline, and blood.  Then, on the ocean surface, a face appeared.  It was that of a young lieutenant, the plane’s bombardier, who was struggling to a life raft and pulling himself aboard.  So began one of the most extraordinary odysseys of the Second World War.

The lieutenant’s name was Louis Zamperini.  In boyhood, he’d been a cunning and incorrigible delinquent, breaking into houses, brawling, and fleeing his home to ride the rails.  As a teenager, he had channeled his defiance into running, discovering a prodigious talent that had carried him to the Berlin Olympics and within sight of the four-minute mile.  But when war had come, the athlete had become an airman, embarking on a journey that led to his doomed flight, a tiny raft, and a drift into the unknown.

Ahead of Zamperini lay thousands of miles of open ocean, leaping sharks, a foundering raft, thirst and starvation, enemy aircraft, and, beyond, a trial even greater.  Driven to the limits of endurance, Zamperini would answer desperation with ingenuity; suffering with hope, resolve, and humor; brutality with rebellion.  His fate, whether triumph or tragedy, would be suspended on the fraying wire of his will.

From filmschoolrejects

By Kate Erbland on December 19, 2012
After completing her feature directorial debut with 2011′s Bosnian War-set drama, In the Land of Blood and Honey, multi-hyphenate Angelina Jolie has been mum on what her next directing gig will be (though we did get those hilarious rumors that she was on deck to helm Fifty Shades of Grey), so it does come as a bit of a surprise that we’re first catching wind of her probable next project, an adaptation of Laura Hillenbrand‘s bestselling “Unbroken: A World War II Story of Survival, Resilience, and Redemption” via press release. Curiouser still is the fact that the release only says Jolie is “in talks” to direct the film, as such official announcements are usually reserved for, well, more official announcements. What does that mean? Yeah, this is probably a done deal.


From The Playlist

Francis Lawrence Out, Angelina Jolie In To Direct WWII Film 'Unbroken'

NEWS BY KEVIN JAGERNAUTH
DECEMBER 18, 2012 10:52 PM


This fall, Francis Lawrence suddenly got very busy. Not only is the director helming "The Hunger Games: Catching Fire," he locked himself in for the final two movies of the franchise, parts one and two of "The Hunger Games: Mockingjay." This effectively means he's busy with the series right through to the end of 2015, which means that the handful of projects he'd been linked to, some of those are going to fall by the wayside. And indeed, one of them has, but it's been picked up by a very big name.
Angelina Jolie is getting ready to follow up with her feature debut "In The Land Of Blood And Honey" with another wartime true story in "Unbroken," that was originally slated for Lawrence back at the beginning of 2011. Based on "Seabiscuit" writer Laura Hillenbrand's bestseller "Unbroken: A World War II Story of Survival, Resilience, and Redemption," the film will tell the amazing story of Louis Zamperini, a former Olympian who endured unbelievable hardship while a Japanese POW during WWII. He was subjected to medical experiments, slave labor, and brutal beatings and became the target of one sadistic guard in particular, Mutsuhiro Watanabe, whose goal it was to break Zamperini. The athlete endured his harsh punishment right though until the end of the war, but the lingering effects were still felt. He routinely had terrifying nightmares, suffered alcoholism and on the verge of losing everything, he found God and forgave his captors, even traveling to Japan to forgive them in person (though Watanabe refused to meet him).

The decades in the making of movie, that is set up at Universal, now has a script from William Nicholson ("Les Miserables," "Gladiator") who took the first draft by Richard LaGravanese over the finish line. Jolie, who apparently campaigned for the movie and beat out some other directors who wanted the gig, will do a pass on the script, and then start work on it, with production aiming to start next year. This is a big leap for Jolie, whose 'Blood And Honey' was a smaller scale indie venture, while this will clearly be on a much larger canvas. But it sounds like the kind of thing that can be a homerun if done right, and no doubt Jolie is preparing hard. So we'll keep an eye on this, but it looks like directing wasn't just a one-off lark for Jolie. [Deadline]


From THR

Angelina Jolie to Direct WWII Drama 'Unbroken'

The film tells the story of Olympian and war veteran Louis Zamperini, who survived on a raft for weeks after a plane crash and later was captured by the Japanese.

Angelina Jolie is in talks to direct the World War II drama Unbroken for Universal Pictures and Walden Media.
 Angelina Jolie Blood and Honey Screening Headshot - P 2012

The film is an adaptation of the 2010 book by Laura Hillenbrand (Seabiscuit: An American Legend) and tells the story of Olympic athlete and Air Force officer Louis Zamperini, who survived a plane crash during World War II and clung to life on a raft for 47 days. He was captured by the Japanese and served hard time in a POW camp.
PHOTOS: 11 Biggest Book-to-Big Screen Adaptations of the Last 25 Years
Hillenbrand’s book spent 108 on the New York Times best-seller list, including 14 weeks at No. 1.
“I read Laura Hillenbrand’s brilliant book, and I was so moved by Louie Zamperini’s heroic story, I immediately began to fight for the opportunity to make this film,” Jolie said in a statement.  “Louie is a true hero and a man of immense humanity, faith and courage. I am deeply honored to have the chance to tell his inspiring story.”
The news was announced by Universal Pictures chairman Adam Fogelson and co-chairman Donna Langley and Walden Media CEO Michael Bostick.
“In her life and in her work, Angelina has embraced stories and causes involving great struggle and triumph over tremendous odds and the basic human condition,” said Fogelson and Langley in a joint statement. “She has a real ability to illustrate the strength in human spirit which will be essential in telling Lou’s story of survival and great heroism.”
PHOTOS: Gillian Flynn and Reese Witherspoon, Stephenie Meyer and 'The Host' Cast: Authors With Their Stars
The latest draft of the script was written by William Nicholson (Elizabeth: The Golden Age, Gladiator, Les Miserables), with an earlier draft having been written by Richard LaGravenese. Matthew Baer and Erwin Stoff are producing with Mick Garris serving as executive producer.
Jolie made her directorial debut with 2011’s In the Land of Blood and Honey. This would be her first time helming a film for a major studio. Jolie is represented by UTA for directing and attorney Robert Offer.
Nicholson is represented by CAA and in the U.K. by The Agency. His attorney is Alan Wertheimer.


From Comingsoon

Angelina Jolie to Direct Unbroken for Universal Pictures

Source: Universal Pictures
December 18, 2012


Universal Pictures and Walden Media today announced that Academy Award�-winning actress, director and producer Angelina Jolie is in talks to direct Unbroken for Universal Pictures. The film, which is being co-financed and co-produced by Universal and Walden Media, will be based on the New York Times bestselling book �Unbroken: A World War II Story of Survival, Resilience, and Redemption� by Laura Hillenbrand (�Seabiscuit: An American Legend�). The announcement was made by Universal Pictures Chairman Adam Fogelson and Co-Chairman Donna Langley and Walden Media Chief Executive Officer, Michael Bostick.

Fogelson, Langley with President & COO Ron Meyer

Originally published by Random House in 2010, the book follows the incredible life story of Olympian and war hero Louis Zamperini who, along with two other crewmen, survived in a raft for 47 days after a near-fatal plane crash in WWII only to be caught by the Japanese Navy and sent to a prisoner of war camp. The book has sat atop the New York Times bestseller list for more than 108 consecutive weeks, fourteen of those at number one. It was also the winner of the Los Angeles Times Book of the Year Award for Nonfiction.

"In her life and in her work, Angelina has embraced stories and causes involving great struggle and triumph over tremendous odds and the basic human condition," said Fogelson and Langley. "She has a real ability to illustrate the strength in human spirit which will be essential in telling Lou�s story of survival and great heroism."

Added Bostick, "We're thrilled that Angelina will bring this epic story to the big screen. Lou's is one of history's most incredible and inspiring stories, and we are excited to partner with such a passionate filmmaker to share it with audiences all over the world."

A celebrated artist, Jolie has gathered Oscar�, Golden Globe and Screen Actors Guild awards, winning an Academy Award� for Best Supporting Actress in 2000 for Girl, Interrupted.

Unbroken marks Jolie's second turn behind the camera, after her critically acclaimed directorial debut in 2011's In the Land of Blood and Honey, and her first time directing a major studio film.

"I read Laura Hillenbrand's brilliant book, and I was so moved by Louie Zamperini's heroic story, I immediately began to fight for the opportunity to make this film," said Jolie. "Louie is a true hero and a man of immense humanity, faith and courage. I am deeply honored to have the chance to tell his inspiring story.�

Frequent Universal Pictures collaborator William Nicholson (Elizabeth: The Golden Age, Gladiator, Les Mis�rables) wrote the latest draft of the screenplay and an earlier draft was written by Richard LaGravenese. Matthew Baer and Erwin Stoff will produce with Mick Garris serving as executive producer. Chief Executive Officer, Michael Bostick and Senior Vice President of Production Amanda Morgan-Palmer, will oversee the project on behalf of Walden Media. Universal Pictures Co-President of Production, Peter Cramer and Vice President of Production, Kristin Lowe will oversee the project on behalf of Universal.



From LATimes

Angelina Jolie in talks to direct 'Unbroken' for Universal


Angelina Jolie at the 84th annual Academy Awards. ( Al Seib / February 26, 2012)
 

Angelina Jolie is in talks to direct her first studio movie, "Unbroken," for Universal Pictures and Walden Media, Universal said Tuesday.
Based on the bestselling book by Laura Hillenbrand ("Seabiscuit"), "Unbroken" centers on 1936 Olympian Louis Zamperini, who, along with two other crewmen, survived in a raft for 47 days after a near-fatal plane crash in World War II, only to be caught by the Japanese navy and sent to a prisoner-of-war camp.
Published in 2010, the book sat atop the New York Times bestseller list for 108 weeks. It won the Los Angeles Times book of the year award for nonfiction.
The project marks Jolie's second directorial effort. She tackled the politically fraught indie "In the Land of Blood and Honey," a love story set against the backdrop of the Bosnian war, last year.
"In her life and in her work, Angelina has embraced stories and causes involving great struggle and triumph over tremendous odds and the basic human condition," said Universal Chairman Adam Fogelson and co-Chairman Donna Langley. “She has a real ability to illustrate the strength in human spirit which will be essential in telling Lou’s story of survival and great heroism.”
According to press reports, Jolie, who has served as a goodwill ambassador for the United Nations, had to fight against several other directors for the job.
"I read Laura Hillenbrand's brilliant book, and I was so moved by Louie Zamperini's heroic story, I immediately began to fight for the opportunity to make this film," she said in a statement.
"Les Miserables" screenwriter William Nicholson ("Gladiator") wrote the most recent draft of the screenplay.

Angelina Jolie will direct WWII movie about U.S. POW. Here’s what she said about her directorial interests last year.

Is Angelina Jolie done with directing for now?

December 22, 2011 |  6:30 pm

Angelina-jolie-blood-and-ho
This season is rife with celebrities taking a turn in the director's chair. George Clooney helmed a drama ("The Ides of March"). So did Madonna ("W.E.") and Angelina Jolie ("In the Land of Blood and Honey").

But while Clooney and Madonna  express a desire to direct again soon, don't expect a quick reprise from Jolie. The "Salt" star makes her directorial debut with this weekend's Balkan war drama. Jolie also wrote and produced the film, which was inspired by her goodwill missions to the region and for which she conducted extensive research with journalists and victims. But the A-lister will be very picky about what she directs next -- if she directs at all.

"I love political subject matter, international work where I learn about other countries and foreign affairs," Jolie told 24 Frames. "I don't know if I would be interested in directing something where I wasn’t forced to get a huge education."

In fact, she added, "I still am shy about the idea of whether I would ever do this again," citing the intensity of the workload and the responsibility.

"Blood and Honey" centers on a Bosnian Muslim woman named Ajla (Zana Marjanovic) and her Serbian army boyfriend Danijel (Goran Kostic). The two are together in 1991, before war breaks out in Bosnia, and then find themselves on opposite sides, with Danijel actually in charge of guarding the rape camp where Ajla is imprisoned.

Jolie said she has tentatively dipped into other potential filmmaking subjects. She  acknowledged that she "half-wrote" a script about Afghanistan but said that nobody's read it. "I don't even think it's good," she said. "Maybe I'll dig it out, but I don't have the confidence yet to start even thinking in that way."

Jolie shot two versions of "Blood," in English and in Slavic languages, over a scant 41 days in Hungary and Bosnia. She tackled much of it on her own, though she did have veteran Hollywood producer Graham King and Bosnian producer Edin Sarkic in her corner. (More on the film in The Times shortly.)

Now that she's done, the celeb -- who, with six films between 2007 and 2010, has been plenty busy in recent years in front of the camera -- has a full acting plate again. She's expected to shoot a dramatic thriller directed by Luc Besson this spring, with a Ridley Scott project and potential Kay Scarpetta and Maleficent roles possibly not far behind.

Still, she said she didn’t miss performing this time around. "I loved not acting. I loved it," Jolie said. "When you get to shine the spotlight on someone who's doing the job 10 times better thanyou can imagine doing it yourself, it's great. It's like 'OK, I'm not needed here.'"



From Variety

Angelina Jolie in talks to direct 'Unbroken'

Baer, Stoff to produce Zamperini story for Universal, Walden

Angelina Jolie is in negotiations to direct "Unbroken," the Lou Zamperini story, for Universal and Walden Media. Matthew Baer and Erwin Stoff are producing the story of Zamperini, a track star who competed in the 1936 Berlin Olympics and went on to fight in WWII as an Air Force bombardier. He became a POW after he crashed in the Pacific during a rescue mission and survived on a raft for 47 days.
Project, to be co-financed by Universal and Walden, has been in development since the mid 1950s. For Jolie, the directing gig will be her second following "In the Land of Blood and Honey."
Studio bought rights early last year to "Unbroken: A World War II Story of Survival, Resilience and Redemption" by "Seabiscuit" author Laura Hillenbrand. Walden came on to the project in June 2011 with Francis Lawrence attached to direct at that point from Richard LaGravanese's adaptation.
The current script has been re-written by "Les Miserables" scribe William Nicholson. Zamperiini is still alive at the age of 95.
News of Jolie's attachment was first reported by the Deadline.com site.
"I read Laura Hillenbrand's brilliant book, and I was so moved by Louie Zamperini's heroic story, I immediately began to fight for the opportunity to make this film," Jolie said in a statement. "Louie is a true hero and a man of immense humanity, faith and courage. I am deeply honored to have the chance to tell his inspiring story."
Universal originally began development of the Zamperini story in 1956 but was not ever able to bring the pic to the big screen. The studio optioned an autobiography from Zamperini in 1956 with the intention of Tony Curtis starring. It set up a project with Nicolas Cage attached to star and produce along with Brillstein-Grey in 1998 and hired Neil Tolkin four years later to rewrite the biopic.
Project was dubbed "Iron Man" at that point, a nickname given Zamperini for withstanding torture during his internment by a vicious guard nicknamed "The Bird." In 2003, Brad Pitt's Plan B came on produce with Universal and Cage's Saturn Films on "Lou Zamperini" and attached Antoine Fuqua to direct.
Mick Garris is executive producer on "Unbroken." Michael Bostick and Amanda Morgan-Palmer will oversee the project for Walden and Peter Cramer and Kristin Lowe will oversee for Uni.
Jolie is represented by UTA for directing and attorney Robert Offer. Nicholson is represented by CAA and in the U.K. by The Agency. His attorney is Alan Wertheimer.
Contact Dave McNary at dave.mcnary@variety.com



 From CinemaBlend
published: 2012-12-19 11:41:24 Author: Sean O'Connell
Angelina Jolie Settles On Unbroken For Her Second Directorial Effort image
Angelina Jolie dipped her toes into the directing pool for 2011’s In the Land of Blood and Honey, a harrowing love story between a Bosnian and a Serbian set during times of war. Though the process was grueling for Jolie (for various reasons), like most directors, once she got a taste for filmmaking, she’s unable to stop … and her latest project is starting to take shape.

It’s also comforting, if that’s the right word, to hear that Jolie isn’t going after softer material with her sophomore effort. Universal Pictures announced that she will helm Unbroken, an adaptation of Laura Hillenbrand’s book about a near-impossible story of survival. Set during World War II, the narrative tracks Olympian and war hero Louis Zamperini, who struggles to survive on a raft for 47 days after a vicious plane crash. Just when you thought things couldn’t get much worse, Zamperini is picked up by the Japanese Navy … and then tossed into a prisoner of war camp.

The book spent 108 consecutive weeks on the New York Times bestseller list, and has collected multiple literary awards, including Book of the Year Award for Nonfiction from the Los Angeles Times. Jolie spoke of the book, saying, “I read Laura Hillenbrand's brilliant book, and I was so moved by Louie Zamperini's heroic story, I immediately began to fight for the opportunity to make this film. Louie is a true hero and a man of immense humanity, faith and courage. I am deeply honored to have the chance to tell his inspiring story.”

Universal now just needs to lock down Jolie’s production schedule. She has nothing on the docket for 2013 in terms of movie releases, though I believe she has finished Disney’s Maleficent and can record dialogue for Kung-Fu Panda 3 in between directing tasks on Unbroken. This might pus Salt 2 further back off of her radar, but if Unbroken lives up to its promise, that’s fine.


 From HitFix

Angelina Jolie to direct biopic of Olympian-turned-war-hero Louis Zamperini

Brutal tale of survival to serve as the actress' sophomore helming effort

 Angelina Jolie is taking on another war-torn tale of survival.

The Oscar-winning megastar is in final talks with Universal and Walden Media to direct "Unbroken," a biopic of Olympian-turned-war-hero Louis Zamperini. Based on the bestselling 2010 book "Unbroken: A World War II Story of Survival, Resilience and Redemption" by Laura Hillebrand, the film will tell the harrowing story of Zamperini's brutal internment in a Japanese prison camp during WWII.

“I read Laura Hillenbrand’s brilliant book, and I was so moved by Louie Zamperini’s heroic story, I immediately began to fight for the opportunity to make this film,” said Jolie in a statement. “Louie is a true hero and a man of immense humanity, faith and courage. I am deeply honored to have the chance to tell his inspiring story.”


Jolie will oversee development of a final script (the most recent draft was penned by Oscar-nominated "Les Miserables" screenwriter William Nicholson) before going into production on the film sometime next year. According to Deadline, which got the exclusive, Universal purchased Zamperini's life rights back in the 1950s, during which time Tony Curtis was interested in starring as the real-life hero. However, it was only after the publication and ensuing success of Hillebrand's book six decades later that momentum on the long-dormant project ramped up once again.

Raised in Torrance, CA to Italian immigrant parents, Louis Zamperini set records as a high-school track star and later competed at the 1936 Olympic Games in Berlin, where Adolf Hilter requested a special meeting with him after being impressed with his lightning-quick final lap in the 5000 meters (Zamperini finished eighth overall).

With the outbreak of WWII frustrating his ambitions to compete in the 1940 Games in Tokyo, Zamperini enlisted in the U.S. Air Force the following year. His ordeal began while on a rescue mission several months later, when his plane experienced a mechanical failure and crashed over the Pacific, killing eight of the eleven passengers aboard.
After enduring a shark-and-hunger-ravaged 47 days adrift with his two surviving crew mates (one of whom died while at sea), Zamperini was captured by the Japanese Navy and thrown in one of the country's notorious prison camps, where he was brutally tortured for over three years before gaining his freedom at war's end. Haunted by his mistreatment at the hands of a sadistic prison guard named Mutsuhiro "The Bird" Watanabe and suffering from severe post-traumatic stress disorder, Zamperini became a born-again Christian after attending a crusade led by televangelist Billy Graham, who later helped him to establish a successful career as a motivational speaker.
Astonishingly enough, Zamperini may actually live to see his story play out on the big screen - he turned 96 earlier this year.

Jolie made her directorial debut on last year's Bosnian war drama "In the Land of Blood and Honey," which scored mixed reviews and failed to catch on with audiences despite her considerable name value (the film barely managed $300K in its theatrical release). She'll next be seen in Disney's revisionist fairy tale retread "Maleficent" as the famed "Sleeping Beauty" villainess of the title.


Dave Allocca/Startraksphotocom, Courtesy of Random House


 
“I read Laura Hillenbrand’s brilliant book and I was so moved by Louie Zamperini’s heroic story" - Angelina Jolie