Showing posts with label RefuSHE. Show all posts
Showing posts with label RefuSHE. Show all posts

Friday, June 12, 2020


Harpers Bazaar apparently left the original questions intact for this written Q&A unlike in a previous Q&A where the questions were obviously edited to make them more attention grabbing, resulting in an odd disconnect with her answers.

In contrast to her previous video chats which were all shot against a plain white wall that revealed little of her location, in this Zoom chat for RefuShe she evidently wanted to show she was in the DeMille.  She left the sliding door behind her half open to give a glimpse of its distinctive bright and airy foyer.  The outdoor portraits taken by Knox were also obviously shot in the DeMille and aerial photos taken of both the DeMille and Briarcliff on May 27 show more signs of recent activity in the DeMille.  The wood paneled room where she is sitting would be the DeMille's dining room -- unlikely to be where her computer is normally set up.  She chose the spot for what she can allow people to see.

The walls around her have been re-varnished to a more even, rosewood shade.  The floor of the expansive foyer has also been re-finished.  All the visible furnishings have been changed.  Shortly after they moved in to the DeMille in 2017, Angelina had an elaborate “parkour treehouse,” built and said that the kids helped decorate and pick out the furniture for the whole house. They had an agreement, "not everyone can agree on everything, but you have to try to like it if you don’t hate it. If you do hate it, you can overrule."  At the time, it was reported that they had further "plans for an extensive renovation that honors its Golden Age glory."  It appears that renovation has been completed.
"Decorating, house stuff, “that was always Brad’s thing.”
The children helped pick out the furnishings and decorations but the attention to detail in the revarnishing etc. and the interest in honoring the DeMille's Golden Age glory is easily from Brad who oversaw similar extensive renovations in Miraval and is an acknowledged architecture and film buff.


harpers bazaar uk

Angelina Jolie: Why protecting the vulnerable during the pandemic is crucial

In a rare interview, the actress and activist discusses the fallout of coronavirus and also shares what she's been watching, reading and listening to in lockdown.

JUN 12, 2020

Has this period of lockdown prompted you to reconsider what's truly important to you?

I was fortunate years ago to travel with the UN to frontlines around the world and put into perspective what really matters. Having six children, I am reminded daily of what is most important. But after almost two decades of international work, this pandemic and this moment in America has made me rethink the needs and suffering within my own country. I am focusing both globally and domestically; they are of course linked. There are more than 70 million people who have had to flee their homes worldwide because of war and persecution – and there is racism and discrimination in America. A system that protects me but might not protect my daughter – or any other man, woman or child in our country based on skin colour – is intolerable. We need to progress beyond sympathy and good intentions to laws and policies that actually address structural racism and impunity. Ending abuses in policing is just the start. It goes far beyond that, to all aspects of society, from our education system to our politics.

What advice do you have for teaching children about issues surrounding race and racism?

To listen to those who are being oppressed and never assume to know.

PORTRAIT TAKEN BY KNOX JOLIE-PITT

What have been some of the most faith-restoring things you’ve witnessed during lockdown?

The way people are rising. Saying that they are tired with the excuses and half-measures, and showing solidarity with each other in the face of inadequate responses by those in power. It feels like the world is waking up, and people are forcing a deeper reckoning within their societies. It is time to make changes in our laws and our institutions – listening to those who have been most affected and whose voices have been excluded.

What have been some of the most horrifying impacts of lockdown from your perspective?

I’m deeply worried about the impact of the pandemic and the global economic crisis on refugees. They are people who have been driven from their homes and countries by bombs, rape and violent persecution in all its forms, long before this virus. They live with xenophobia and racism and prejudice every single day and are some of the most vulnerable people in the world when it comes to the economic consequences of the pandemic.

The other horror is domestic violence. The reality before lockdown was that the most dangerous place for a woman to be was in her home. During lockdown, the abuse and level of violence has risen. Above all my concern is for the children. The number of children we know are being abused at this very moment keeps me up at night. There is a global health crisis for children from abuse, neglect and the effects of that trauma. And not nearly enough done to protect them.

Why do you think many have failed to take the extreme issues surrounding domestic violence seriously?

We still turn a blind eye to domestic violence. We often don’t believe survivors, we don’t put the rights of children first or take their trauma seriously. Our child-protection services are not adequately resourced and funded. They lack proper training. So do judges. In America, there isn’t even a nationwide register of child-abuse deaths or an agreed definition of death caused by maltreatment, meaning we can’t even track the scale of the problem effectively. It is my belief that not only those who commit the abuse but those who cover and dismiss it, must be held accountable. Everyone says that they are against domestic violence, but it is these kinds of very specific things we need to change – and the protection of children should be at the heart of it.

Millions of school- and college-aged young people have had their education disrupted by the pandemic. Are there some dangers that some children will never return to the classroom and if so, how do we guard against it?

When girls are out of school it leaves many more vulnerable to child marriage, child labour, sexual abuse and other violations of their rights. The pandemic looks set to have knock-on effects on girls in many countries. We know it but still there is inertia. The UN is warning that the pandemic could result in two million more cases of female genital mutilation and 13 million more child marriages over the next decade. That is horrific. There is no easy answer but sounding the alarm on this, urging governments to anticipate where girls are going to be most vulnerable and to act, is essential as a first step. And we shouldn’t buy into any rhetoric from leaders that says that other issues take priority. There is nothing more important.

PORTRAIT TAKEN BY KNOX JOLIE-PITT


You are a passionate advocate for change; what connects all the causes you support?

Human rights and equality. Some countries have more extreme circumstances, but the reality is that the struggle to live in safety and independence and to be able to work and provide for your family with dignity is the same fight everywhere, and it is getting harder for a lot of the most vulnerable people. Whether that is a refugee family or a family struggling with hunger and poverty in our own countries.

How did your partnership with Amnesty International on children’s books come about? What gave you the idea?

The reason rights do not reach a child in a country or home is that adults are blocking them.  So in many cases, the child cannot depend on the adults. We are working on a book to help children empower themselves. It’s about what to do when your rights are revoked or not granted at the outset. We want to help kids, who are so engaged now, to use their knowledge and fight for their rights and claim them.

What have you been reading or watching in isolation, and how have you found this helpful?

I am in listening mode most hours of the day. I follow Time magazine, The New York Times, the BBC World Service and BLM activists online. Most recently, I’ve watched the documentary I Am Not Your Negro about James Baldwin and the civil-rights movement in AmericaBefore bed, I’ve been reading Unreasonable Behaviour by Don McCullin and reflecting on how journalism has changed in the last half a century.

What have you done to ease anxious thoughts during the pandemic?

Like most parents, I focus on staying calm so my children don’t feel anxiety from me on top of all they are worrying about. I put all my energy into them. During the lockdown, Vivienne’s bunny passed away during a surgery, and we adopted two sweet little ones who are disabled. They need to be in pairs. They are so gentle and it has helped to focus on their care with her at this time. And on the dogs, and snake and lizard…

What is your one wish for life post-lockdown?

That the focus on efforts to make structural change to protect vulnerable people stays at the centre of our discussions. That we don’t turn inward and we work with even more awareness of our shared humanity.

****



Looks like the starburst ring on her right ring finger.



A glimpse of Shiloh and the dogs



What the rooms looked like when the DeMille was listed for sale.


Aerial photos taken May 27, 2020







Thanks jordon932002

Thursday, March 8, 2018












In all her years as an Academy Award–winning actress and director, Angelina Jolie—the most glamorous woman on the planet—never went to a fashion show. “I hadn’t been to one before,” the United Nations High Commissioner for Refugees (UNHCR) Special Envoy says of the experience of finding herself seated front row during a visit to a refugee shelter in Nairobi, Kenya, last June. “But it was my kind of runway: the most beautiful girls, survivors with their heads held high, bringing forward their own designs and culture; showing how it’s possible to find your femininity again after it has been brutally attacked.”

The shelter Jolie visited on World Refugee Day is run by RefuSHE, an NGO that seeks to fill a crucial gap in care for girls and young women between the ages of 13 and 23 fleeing Somalia, South Sudan, and other war-torn countries in the region. “All the girls I met had been separated from their families or had seen their parents killed,” says Jolie. “Almost all had suffered sexual violence, and many had given birth after being raped.” RefuSHE provides counseling and shelter and conducts a multidisciplinary education program.

RefuSHE fashion show in Nairobi, Kenya
UNHCR/Mark Henley

With the support of UNHCR, RefuSHE also encourages economic empowerment by teaching the young women to make colorful scarves using resist-dyeing, a traditional East African technique similar to tie-dye. This gives the refugees a marketable skill that can help set them on a path toward financial independence. One hundred percent of the proceeds from the scarves they make are reinvested into the program and its artisans; since 2010, nearly 70 percent of them have become self-sufficient.

“I thought the girls represented their culture and their craft in a way that was so impressive,” Jolie says of the runway show, which culminated in the audience rising to its feet and dancing with the models. “They are women in full.” The program is part of a UNHCR initiative, MADE51, that aims to bring market access to refugee artisans.

 
RefuSHE bag, $65, shop.refushe.org.

Now MADE51 is helping RefuSHE expand its product line with a new range of bags made by artisans living in Kakuma, a refugee camp in northwest Kenya where Jolie built a school for girls, and at the nearby Kalobeyei Settlement. The fabric will be hand-dyed in Nairobi and then sent to Kakuma, where the artisans will tailor it into totes, shoppers, and clutches. From there the bags will be sent to Kalobeyei, where a group of Ethiopian artisans, renowned for their beading skills, will add embellishments.

“There is so much talent within refugee populations that goes to waste because people are not allowed to work or are not able to work,” Jolie says. For Halima Aden, a 20-year-old Somali-American model who spent the first seven years of her life in Kakuma, the RefuSHE program is a welcome addition to camp life, where enterprising women rely on a barter economy of trading incense or braiding hair to make ends meet.“I wish my mom had something like that in the camp,” Aden says. “As a refugee, sometimes you feel like you don’t have a say in the world, so it’s nice that women can now have a hand in their own destinies. The craft they learn is something they can take with them because knowledge sticks with you.”

By integrating various artisanal skills and spreading the work among different camps, the program gives the maximum number of refugees an opportunity to apply their skills and earn an income, which is especially important in the remote Kenyan camps where the semi-arid climate is unsuitable for agriculture. MADE51 projects that if retailers get involved and place orders, there is the potential to create 12,000 new jobs in Kenya alone. “We need more initiatives like this,” Jolie says, pointing to refugee-artisan communities in 70 countries, ranging from Rwandan basket­makers to Afghan kilim weavers, that could also benefit from MADE51. “Nobody wants to be a refugee or to live on aid,” she adds. “They want to lead dignified, useful lives, like any of us. So I hope this is just the beginning.”