From boxoffice.com
Weekend Actuals (Domestic)
Fri, Nov. 30 - Sun, Dec 2| 1 | The Twilight Saga: Breaking Dawn - Part 2 | $17,416,362 | -60% | 4,008 | -62 | $4,345 | $254,598,866 | 3 | Lionsgate / Summit |
| 2 | Skyfall | $16,555,894 | -53% | 3,463 | -63 | $4,781 | $245,585,083 | 4 | Sony / Columbia |
| 3 | Rise of The Guardians | $13,388,852 | -44% | 3,672 | 19 | $3,646 | $48,836,105 | 2 | Paramount / DreamWorks |
| 4 | Lincoln | $13,376,696 | -48% | 2,018 | 0 | $6,629 | $83,566,169 | 4 | Disney / DreamWorks |
| 5 | Life of Pi | $12,151,853 | -46% | 2,928 | 1 | $4,150 | $48,512,994 | 2 | Fox |
| 6 | Wreck-It Ralph | $6,948,550 | -58% | 3,087 | -172 | $2,251 | $158,184,813 | 5 | Disney |
| 7 | Killing Them Softly | $6,812,900 | -- | 2,424 | -- | $2,811 | $6,812,900 | 1 | Weinstein Company |
| 8 | Red Dawn (2012) | $6,500,245 | -54% | 2,781 | 56 | $2,337 | $31,272,953 | 2 | FilmDistrict |
| 9 | Flight | $4,479,067 | -47% | 2,603 | -35 | $1,721 | $81,465,903 | 5 | Paramount |
| 10 | The Collection | $3,104,269 | -- | 1,403 | -- | $2,213 | $3,104,269 | 1 | LD Entertainment |
| 11 | Argo | $2,010,349 | -48% | 1,043 | -212 | $1,927 | $100,990,766 | 8 | Warner Bros. |
The Twilight Saga: Breaking Dawn - Part 2 led the box office for a third straight frame this weekend with a $17.42 million. In the process the fifth and final installment of the blockbuster fantasy franchise surpassed the $250 million domestic mark, making it fifth release of 2012 to do so. Breaking Dawn - Part 2 has grossed $254.60 million through 17 days of release. That places the film 3 percent ahead of the $246.93 million 17-day take of last year's The Twilight Saga: Breaking dawn - Part 1 and just 0.3 percent behind the $255.36 million 17-day gross of 2009's The Twilight Saga: New Moon. Breaking Dawn - Part 1 fell 60 percent from last weekend's three-day frame, as the marketplace in general experienced typically large post-Thanksgiving weekend declines this weekend. In comparison, Breaking Dawn - Part 1 fell 60 percent in its third weekend of release to gross $16.54 million, while New Moon fell 64 percent in its third weekend to gross $15.43 million.
Breaking Dawn - Part 2 remained very strong internationally this weekend as it took in $48.8 million. The film has grossed $447.8 million to date internationally and a massive $702.4 million worldwide.
Skyfall finished in a close second this weekend with $16.56 million. The 23rd installment of the James Bond franchise fell 53 percent from last weekend's three-day performance. In comparison 2008's Quantum of Solace fell 64 percent to gross $6.75 million during the weekend after Thanksgiving weekend, while 2006's Casino Royale (in its third weekend instead of its fourth) fell 51 percent to gross $15.11 million during the frame after Thanksgiving weekend. Skyfall has grossed a terrific $245.59 million to date and will soon be joining Breaking Dawn - Part 2 on this year's list of films to have grossed at least $250 million domestically.
Internationally Skyfall grossed $34.0 million this weekend, bringing its international total to $620.6 million and worldwide haul to $866.2 million.
Rise of the Guardians and Lincoln found themselves in a very close battle for third place, with Rise of the Guardians ultimately edging ahead with a weekend take of $13.389 million. Lincoln settled for fourth with $13.377 million, as the two films were separated by just $12,156 for the frame. Lincoln fell 48 percent from last weekend, while Rise of the Guardians fell a solid 44 percent as good word of mouth and the ongoing holiday season both helped the 3D computer animated film out this weekend. In the bigger picture Lincoln has grossed a stronger than expected $83.57 million to date, while Rise of the Guardians is performing below expectations with a twelve-day start of $48.84 million.
On the international front Rise of the Guardians grossed $40 million this weekend from 55 foreign territories. That brings the film's international total to $57 million and worldwide haul to $105.8 million. The film's international performance is especially important given its domestic performance thus far. Key international debuts for Rise of the Guardians this weekend included $4.7 million in France, $3.7 million in Mexico, $3.1 million in Brazil, $3.1 million in Italy and $3.0 million in the United Kingdom.
Life of Pi rounded out this weekend's top five with $12.15 million. The Ang Lee directed 3D film was down 46 percent from last weekend's stronger than expected debut. After moving ahead of Rise of the Guardians during the midweek, Life of Pi has fallen slightly behind Rise of the Guardians again with a twelve-day take of $48.51 million, though it should be reminded that Rise of the Guardians was the heavy favorite between the two Thanksgiving weekend releases beforehand.
Internationally, Life of Pi grossed $24.6 million this weekend from just 12 foreign markets. The film's international total now stands at $64.1 million, bringing its worldwide haul to $112.6 million. Life of Pi grossed $13.8 million in China alone this weekend and has now grossed $40.0 million there to date.
It was a tough start for Killing Them Softly as the crime drama starring Brad Pitt debuted in seventh with $6.81 million. That was below the film's modest pre-release expectations and gave The Weinstein Company release a per-location average of $2,811 from 2,424 locations. On top of the lackluster start, Killing Them Softly received an F rating on CinemaScore, which is obviously a very poor sign for the film's holding power going forward. Killing Them Softly delivered the lowest live-action debut ever for a Brad Pitt vehicle opening in at least 1,500 locations (his previous low under the same criteria being the $10.02 million start of 1997's Seven Years in Tibet in 2,103 locations).
The news was significantly better for The Weinstein Company with regard to Silver Linings Playbook. The awards season hopeful starring Bradley Cooper and Jennifer Lawrence took in $3.090 million from 371 locations, giving it a healthy per-location average of $8,329. The film was down only 30 percent from last weekend's three-day frame and has grossed $10.74 million to date.
The Collection just edged out Silver Linings Playbook for tenth place this weekend with a debut of $3.104 million from 1,403 locations. The R-rated horror sequel from LD Entertainment opened a bit below the $3.58 million start of its predecessor, The Collector, back in the summer of 2009.
In other box office news, Warner's Argo crossed the $100 million domestic mark this weekend. The awards season hopeful starring and directed by Ben Affleck took in $2.01 million this weekend and has grossed $100.99 million to date.
From LA Times
Brad Pitt's 'Killing Them Softly' gets slaughtered by holdovers
Brad Pitt's "Killing Them Softly" barely had a pulse at the box office this weekend.
Not only did the crime flick debut with a weak $7 million, according to an estimate from distributor The Weinstein Co., but audiences hated it. Those who saw the film assigned it a rare average grade of F, according to market research firm CinemaScore. The last movie to earn that grade was January's horror film "The Devil Inside."
As for "Killing Them Softly," on Sunday morning, even The Weinstein Co. wasn't trying to pretend there was any upside to the film's poor opening.
"We're disappointed, and there's no getting around that,” said Erik Lomis, the independent studio's president of theatrical distribution and home entertainment. "We thought it was deserving of a wide release because it was Brad Pitt in a gangster movie."
Typically, a F CinemaScore indicates that moviegoers were expecting something far different from a movie than they ended up getting. Asked if he thought the marketing campaign for the film was off-base, Lomis replied that he thought "people just didn’t like the movie.""I think if you looked at the reviews, a lot of them were good for Brad, but they weren't all great for the movie," he said. "The headlines looked good, but maybe they weren't as great as they appeared to be."
Indeed, the film notched a strong 79% fresh rating on Rotten Tomatoes. The movie, which stars Pitt as a hit man looking into a crooked poker game, marks the second collaboration for the actor with Australian director Andrew Dominik. Unfortunately, it seems "Killing Them Softly" will follow the same trajectory as their first partnership, "The Assassination of Jesse James by the Coward Robert Ford." That 2007 film earned strong reviews but only collected $3.9 million.
"Killing Them Softly" marks the lowest wide-release opening for Pitt in nearly two decades. He hasn't had a live-action film perform this badly in its first weekend since the beginning of his career, when his 1994 romantic comedy "The Favor" launched with $1.5 million.
The Weinstein Co. co-financed the actor's latest film with Megan Ellison's production company Annapurna Pictures for $15 million.
=========
Conventional thinking is that the people who flock to a movie's opening night are those most excited to see it -- the hard core fans who are most likely to give it the highest marks. Audiences that come later are generally more indifferent, so an "A" on opening night may drift down to a "A-" or "B+" by the 2nd week. The higher the CinemaScore, the greater the probability that good word of mouth will be generated and sustained in the coming weeks, enabling the film to have longer "legs". A starting grade of at least "B" usually leads to decent "legs" which translates to an eventual total gross of least 3X opening weekend for films on wide release (600 theaters or more).
I knew KTS would be divisive and would appeal mostly to anti-establishment, art-house types, but an "F" CinemaScore from opening night audiences is a bit of a shock. With an "F" score and with less than $7M from 2,400 theaters, KTS may not reach $15M by the end of its domestic run. It would be interesting to see how far the film's gross will drop in its 2nd weekend.
I can only surmise that the film's cynical views on business and politics and the blunt manner they were laid out may have turned people off, especially as it comes on the heels of a polarising presidential campaign. An "F" indicates that many of the moviegoers emerged angry and offended -- principally at the movie and the writer- director -- but Brad won't get away unscathed. And coupled with the general bewilderment over his Chanel ad, his brand is going through a bruising and rough patch after what had been an exceptionally strong year last year.
Brad has frequently said that he wants to support niche movies and use his clout both to get the films made and to attract an audience. In this instance he was hoping to help Andrew Dominik get out of director's jail after Jesse James. JJ performed even worse than KTS but went on to become a cult favorite, in no small part because of Roger Deakins' (Skyfall) gorgeous cinematography. This may have emboldened Brad to give Dominik another try especially as he was coming off the most successful year of his career. But KTS is much more overt and heavy-handed in its message and without Deakins' lush and moody imagery to enthrall viewers, it is doubtful it can achieve the same post-release cult status.
It goes without saying that this will put Dominik swiftly back in director's jail, and he'll need to find someone else the next time he wants to try and break out because at this point in his career, Brad no longer has the time or the capital to expend on another failed enterprise.
While I liked the film, I could also see the point of view of critics like NYTimes' A.O. Scott who wrote "the movie is more concerned with conjuring an aura of meaningfulness than with actually meaning anything."
Most of the film's financing was put up by Oracle heiress Megan Ellison who, like Brad, has shown a willingness to back risky films. Even if KTS fails to earn back its $15M + cost, it's not going to be a huge loss for her Annapurna Pictures. Among the other films she backed this year are The Master, Lawless and probable Best Picture contender Zero Dark Thirty.
What's more critically important for Brad is WWZ, his big-budget, franchise hopeful that will be released June 21, 2013. WWZ will be Brad's first blockbuster* since Ocean's 13 (2007), the first where he has a lead starring role since Mr. and Mrs. Smith (2005), and the first where he is the solo star since Troy (2004). He also has 12 Years A Slave due on Sept. 6, 2013, and The Counselor on Nov. 15, 2013, but while he's a producer of 12 Years, his part in that film and in The Counselor are little more than cameos.
Serious films like Tree of Life and Moneyball establish Brad's acting and producing creds. They and small niche film like KTS can't be used as a full measure of Brad's box office clout. But a big blockbuster* like WWZ will be scrutinized carefully as it will be seen to reflect his current marquee value. It will used to determine how much he can command from studios for future films.
With an initial budget of $170M -- and that's probably gone up with the ongoing costly reshoots -- WWZ's troubled production has attracted a lot of attention. After KTS, the stakes are higher for Brad and he will have a lot more riding on WWZ's success.
- Fussy
*blockbuster - high-budget production aimed at mass markets, with associated merchandising, on which the financial fortunes of film studio or distributor depended - Wikipedia
==============
Matt Patches
It's not that Brad Pitt's movies are failing, it's
that he's purposefully starring in niche movies that will fail to lose
his celeb status.
Jim Shi
Guy Lodge
Question for everyone who has fancied Brad Pitt at
one point: did your crush survive the Chanel No. 5 ad? I don't see how
it could.
From Deadline
Traditionally the weekend after Thanksgiving gives new definition to the term ‘quiet’. I’m told it’s failed to produce a wide release hit for 20 years and counting. So there were low expectations for producer Brad Pitt‘s R-rated ruthless star turn in Killing Them Softly (2,424 theaters) from his Plan B production company and Oracle heiress Megan Ellison’s Annapurna Pictures which financed it for $15M. But Friday night it received a miserable ‘F’ CinemaScore from audiences despite decent reviews and a stellar cast including Ray Liotta, Richard Jenkins, and James Gandolfini. Little wonder that distributor The Weinstein Company dumped the film this off-weekend – when no movie has opened north of $10 million since 2005′s Aeon Flux - after acquiring it post its Cannes premiere for a release commitment only in the U.S./Canada. “If we do double digit millions, we will be fine. And if it happens to get into the teens, we would be very happy,” an exec told me before it opened. So TWC must be mad as hell because the pic will only open to single digits. One film financing exec tells me about the TWC deal on this pic, “Killing Them Softly will be lucky to reach $15M box office when all is said and done. Using that figure and extrapolating out their Showtime pay TV deal (which is not that great), potential TV deal, VOD, and DVD, they are going to be unrecouped about $12M in P&A assuming they spent $27M to release. Not good.”
Killing Them Softly was scheduled to be released September 21st, then moved to this weekend to avoid competing against TWC’s The Master. (Although it moves another ‘R’ movie against TWC’s Silver Linings Playbook.) The actioner retained its original release date in other regions where Inferno International is representing overseas sales which have produced nearly $15M in grosses so far. (Inferno filed for bankruptcy protection in Los Angeles earlier this year, citing a legal judgment related to the 2005 release of the Ryan Reynolds comedy Just Friends.) The film, shot in New Orleans for tax credits, follows three dumb guys who think they’re smart and rob a Mob-protected card game, causing the local criminal economy to collapse. Pitt plays the hit man enforcer hired to track them down and restore order. Based on George V. Higgins’ 1974 crime novel Cogan’s Trade, it was scripted and directed by Australian Andrew Dominik who previously teamed up with Pitt on another of Brad’s puny-grossing passion projects – 2007′s The Assassination of Jesse James By The Coward Robert Ford (just $3.9M). Harvey and Bob Weinstein, as well as Ellison, are among the executive producers. Besides Pitt, Dede Gardner, Steve Schwartz, Paula Mae Schwartz, and Anthony Katagas produced the film.
From Team Coco via L.A. Times
'Killing Them Softly' gets mashed with Chanel No. 5 on 'Conan'
Brad Pitt
(Joel Ryan / AP / November 30, 2012)
Last month Brad Pitt appeared in a head-scratching commercial for the fragrance Chanel No. 5. This month he's starring in the small-time gangster flick "Killing Them Softly." How are these things related?
They're not. But on Thursday night's episode of "Conan," Conan O'Brien and his writers took the opportunity to slip Pitt's bizarre spoken-word non sequiturs from the Chanel No. 5 ad into a scene with Pitt opposite his old "True Romance" co-star, James Gandolfini.
The results, surprisingly, aren't bad. And some might argue it improves the film, which has received mixed reviews.
O'Brien isn't the first person to parody Pitt's bizarre ads. "Saturday Night Live" also mocked the spot. And to his credit, Pitt has had good humor about them, telling "Access Hollywood" that "I haven't [seen the parodies], but I say absolutely fair play, fair play."
From THR
Box Office Preview: Brad Pitt No Match for 'Breaking Dawn - Part 2,' 'Skyfall'
From L.A. Times
Movie Projector
Brad Pitt's 'Killing Them Softly' poised for soft box office debut
Brad Pitt's latest movie "Killing Them Softly" won't make a killing at the box office this weekend.
Rather, the violent dark comedy will debut softly with about $10 million domestically, according to those who have seen pre-release audience surveys. The film is expected to get slaughtered by a handful of pictures that have been in theaters for weeks.
"The Twilight Saga: Breaking Down -- Part 2" could be the No. 1 film at the multiplex for the third consecutive weekend. The vampire flick is expected to add another $15 million to $20 million to its to-date take of $230 million this weekend.
The latest James Bond movie, "Skyfall," will be fighting "Twilight" for the top spot, while DreamWorks Animation's 3-D picture "Rise of the Guardians" could end up in third place after a disappointing debut last weekend.
The only other new entry this weekend is the horror film "The Collection," which is expected to fare even worse than Pitt's film. The movie, which has no recognizable stars, is projected to start off with around $5 million.
"Killing Them Softly" is the latest passion project for Pitt, who is teaming with Australian director Andrew Dominik for the second time. The two first worked together on 2007's "The Assassination of Jesse James by the Coward Robert Ford," which received positive reviews but tanked at the box office with only $3.9 million.
The pair's latest film has received slightly better reviews. On Thursday, it had an 84% fresh rating on Rotten Tomatoes. In the crime picture, Pitt plays a hit man who is looking into a heist that occurred during a poker game. After premiering to mixed response at the Cannes International Film Festival in May, the movie was pushed off of its original September release date.
Financed primarily by Megan Ellison's production company Annapurna Pictures for $15 million, the movie is being distributed by the Weinstein Co.
Even though Pitt is a proven box office draw, his latest film may attract the smallest number of moviegoers since his last collaboration with Dominik five years ago. The star's artsy independent movie "The Tree of Life," directed by Terrence Malick, did solid business at the box office last year, grossing $54 million worldwide.
"The Collection" is a sequel to 2009's "The Collector," which only bagged $7.7 million in North America. The new film, which has received middling reviews, centers around a young woman who is kidnapped by a killer called "The Collector" who takes all of his victims to an empty hotel rigged with a trap-filled maze.
The movie was directed by Marcus Dunstan, who co-wrote the screenplay with Patrick Melton. The two veterans of the horror genre have co-written a number of scary flicks including four installments in the "Saw" franchise.
From BoxOffice.com
Weekend Predictions: 'Killing Them Softly' & 'The Collection'
November 28, 2012 by BOXOFFICE Staff
Following a record-breaking Thanksgiving weekend, audiences will take a pause in between two major holidays while studios follow suit. Killing Them Softly and The Collection are the only scheduled wide releases for this weekend.
Fandango reports that The Hobbit: An Unexpected Journey currently leads activity on the site with 17% of all sales today. Breaking Dawn - Part 2 is close behind with 16%, followed by Lincoln (13%), Life of Pi (9%) and Skyfall (7%).
Killing Them Softly
PROS:
- Brad Pitt's presence gives this otherwise under-the-radar pic a fighting chance for intriguing some audiences.
- Early reviews have been solid.
- Twitter activity hasn't been impressive, although the film's 98% "want to see" score across 24,000+ Flixster voters is strong.
CONS:
- Demand for a new film the week after a record-breaking holiday - especially given the amount of competition in the market currently - will be considerably low.
- The film's marketing campaign has been quite subtle. On top of the numerous release date changes over the past year, awareness seems lacking for a Pitt movie.
The Collection
PROS:
- Reviews are strong, so the die hard horror audience could turn out.
- Horror fans don't have much in the market place to check out right now, especially after the disappointing word of mouth surrounding Paranormal Activity 4.
CONS:
- Releasing a horror film after Halloween hasn't historically led to big box office.
- The low 1,700 theater count will work against it.
Check out the rest at boxoffice.com
| Title | Release Date | Distributor | Opening Weekend | Cumulative |
|---|---|---|---|---|
| The Twilight Saga: Breaking Dawn - Part 2 | Nov 16, 2012 | Lionsgate / Summit | $17,000,000 | $254,000,000 |
| Skyfall | Nov 8, 2012 | Sony / Columbia | $16,800,000 | $246,000,000 |
| Lincoln | Nov 9, 2012 | Disney / DreamWorks | $15,800,000 | $85,800,000 |
| Life of Pi | Nov 21, 2012 | Fox | $13,200,000 | $49,700,000 |
| Rise of The Guardians | Nov 21, 2012 | Paramount / DreamWorks | $13,000,000 | $48,600,000 |
| Killing Them Softly | Nov 30, 2012 | Weinstein Company | $7,900,000 | $7,900,000 |
From Variety
Leftovers warm up box-office horserace
'Skyfall' expected to surpass 'Twilight' in fourth frame
This
weekend's sluggish domestic box office will suffer from the usual
Thanksgiving gluttony after-effects, but an interesting horse-race among
leftovers should keep observers awake.
Leading the charge in the high teens is Sony-MGM's "Skyfall,"
expected to eke past Summit's "Twilight" finale, "Breaking Dawn --
Part 2" to claim its second Stateside victory in its fourth frame.
Last weekend, "Skyfall" tallied just $8 million less than "Twilight," which grossed $43.6 million in three days. The James Bond pic should close the gap, down 50% or so, as "Twilight" pics tend to drop more than that in repeat frames. "Breaking Dawn -- Part 1," for instance, fell 60% this same frame last year, with $16.5 million.
"Skyfall" has collected $225 million domestically so far; "Part 2," $232 million.
This weekend already has an advantage over last year's, which had no wide releases. Bowing Friday, the Weinstein Co.'s "Killing Them Softly" should gross $10 million with a possible low-teens upside. Start-up distrib LD Entertainment, meanwhile, launches torture-porn pic "The Collection," with at-best expectations in the $5 million range.
Last weekend, "Skyfall" tallied just $8 million less than "Twilight," which grossed $43.6 million in three days. The James Bond pic should close the gap, down 50% or so, as "Twilight" pics tend to drop more than that in repeat frames. "Breaking Dawn -- Part 1," for instance, fell 60% this same frame last year, with $16.5 million.
"Skyfall" has collected $225 million domestically so far; "Part 2," $232 million.
This weekend already has an advantage over last year's, which had no wide releases. Bowing Friday, the Weinstein Co.'s "Killing Them Softly" should gross $10 million with a possible low-teens upside. Start-up distrib LD Entertainment, meanwhile, launches torture-porn pic "The Collection," with at-best expectations in the $5 million range.
Contact Andrew Stewart at
andrew.stewart@variety.com
From NYTimes
Movie Review
One Bad Turn Deserves Another
‘Killing Them Softly,’ With Brad Pitt, From Andrew Dominik
The Weinstein Company
Brad Pitt in "Killing Them Softly."
By A. O. SCOTT
Published: November 29, 2012
A mobbed-up poker game has been robbed, and the guys who did it — a twitchy ex-con (Scoot McNairy), his drug-addled Australian partner (Ben Mendelsohn) and the businessman (Vincent Curatola) who is the lame brains of the operation — need to be dealt with. That rough justice, to be carried out by a melancholy hit man after a series of philosophical conversations with various associates, is the main concern of “Killing Them Softly,” a grisly little crime movie directed by Andrew Dominik and based on the novel “Cogan’s Trade,” by George V. Higgins.
In spite of the golden presence of Brad Pitt as the killer, a level-headed professional named Jackie Cogan, the movie has an agreeably scuzzy,
small-time feeling. Shot in and around New Orleans but set (as far as
can be surmised from accents, geographical references and the source
material) in a broken-down Boston, it savors the company of losers,
fixers and would-be wiseguys. And they are all guys, with the exception
of a briefly encountered prostitute identified in the end credits by
profession rather than by name.
Higgins, who died in 1999 and whose book “The Friends of Eddie Coyle” was adapted into a first-rate movie
starring Robert Mitchum, was a master of hard-boiled, world-weary macho
dialogue. Mr. Dominik, who wrote “Killing Them Softly,” carefully
transfers the novelist’s pungent idiom to the screen.
Mr. Pitt is cool and detached, retreating
from his emotionally open recent performances into the studied charisma
of “The Assassination of Jesse James by the Coward Robert Ford”
(also directed by Mr. Dominik, in 2007) and leaving the emoting to
others. His chief foils are an anxious, middle-management gangster
played by Richard Jenkins and a sodden fellow hit man incarnated with
rancid swagger by James Gandolfini. Ray Liotta, who frequently shows up in movies like this one, shows up as the guy who oversees the ill-starred poker game.
It can be a pleasure to watch them all work,
even in what turns out to be a disappointing job. Higgins was a genre
magician. Mr. Dominik is a clever hand at genre pastiche, and the result
is a movie, like “The Assassination of Jesse James,” that is sapped of
vitality by its own self-conscious, curatorial fastidiousness. It takes
place entirely in a universe of tropes and archetypes, which is a polite
way of saying clichés and pretensions.
There is one desperate, misguided attempt to
drag the story toward some kind of contemporary relevance. Even though
the cars, the attitudes and the overall griminess of the production
design evoke a bygone era, “Killing Them Softly” unfolds at a specific
moment in the recent past, namely the autumn of 2008, when the American
financial system spun into crisis in the climactic weeks of the
presidential campaign. The voices of George W. Bush, Henry Paulson and
Barack Obama float into the action from televisions and radios,
occasionally inspiring comments from the characters.
It’s a clumsy device, a feint toward
significance that nothing else in the movie earns. Perhaps the bankers
and speculators who ruined the economy are linked in some way to the
punks and lowlifes who ruin themselves, and maybe Cogan is the
allegorical double of Ben Bernanke. Anything is possible, since the
movie is more concerned with conjuring an aura of meaningfulness than
with actually meaning anything.
In the last scene Mr. Obama’s victory speech
provokes a cynical tirade from Cogan, who scoffs, in a carefully
nonpartisan fashion, at the president-elect’s idealism. “America isn’t a
country; it’s a business,” this thoughtful killer declares, turning to
one of his colleagues. “Now give me my money.”
Fair enough. But it’s still a free country, and you don’t owe this movie anything.











