Showing posts with label Cindy Pearlman. Show all posts
Showing posts with label Cindy Pearlman. Show all posts

Friday, December 30, 2011

Chicago Sun Times: Home Life

Angelina on life with Brad and the brood

Story Image
Once she was a wild child, but now “I just save it for Brad,” says Angelina Jolie. | Jason Merritt~Getty Images
Updated: December 29, 2011 5:38PM


NEW YORK — There is a gender war going on today in the International House of Jolie-Pitt.
It turns out that Brad Pitt is an easy mark … for the little girls.
“In our house, we’re split 50-50,” gripes Angelina Jolie. “The girls know that Daddy is the biggest pushover. I will say, ‘Brad, you can’t just give the girls anything they want.’ He will look at me, smile, and say, ‘I have no choice. My girls are perfect.’ ”
Mama also has her kryptonite.
“Well,” she admits with a laugh. “Brad, has called me on things, too. He said, ‘Angie, you let the boys walk all over you.’ The truth is I do. Boys can push a mom. Girls can’t.
“Maybe that’s because women know women. We know little girls,” she muses. “I’ll say, ‘Girls, I know exactly what you’re doing. You’re working Daddy for that cookie.’ Men can never say no.”
Ask her what she loves the most about Pitt and she doesn’t hesitate. “Brad shows my girls how a woman should be treated by a man,” she says.
This woman is a screen icon, a global humanitarian, a busy partner and working mother. Now, she can add the word director to the mix.
She wrote and directed “In the Land of Blood and Honey,” opening Friday in Chicago. Her directorial debut recently earned her a Golden Globe nomination for Best Foreign Language film.
Jolie wrote and directed the story of Danijel (Goran Kostic), a soldier in the Bosnian War who is fighting for the Serbs. Danijel encounters Ajla (Zana Marjanovic), a Muslim, before the war at a local nightclub. Their attraction is strong, but they’re pulled apart by conflict.
She is taken prisoner at a camp where he is in charge. He puts out a strict order that she is not to be raped like the other women, but the conflict leads to a twisting path where both seek freedom and redemption.
“I never intended to direct,” Jolie says. “I never wanted to do it. I never thought I had the confidence to think I could write a script and direct it.
“But a few people who I allowed to read the script told me it was good,” she says. “There was a discussion of who should direct it and I felt linked with the project.”
She also sent the script to people involved in the conflict. “I thought if all sides agreed to participate in this film then I would direct it. If not, I would burn the script,” she says.
But starring in the film was not an option.
“I stepped back when I directed,” she says. “I thought, ‘You don’t need me here as an actress.’ ”
An avid humanitarian, Jolie has put thought into the Bosnian conflict. “It took too long for us to intervene, and the film in essence is about that time before we stepped in. I wanted an audience to sit in the theater and think, ‘Please stop this. Please.’ ”
She says her story focuses on the human side of war.
“It’s a story about the loss of humanity and the ugliness that takes over during a war,” she says. “It’s unbelievable how ugly people can be during war and how neighbors can kill neighbors. Friends kill friends. The violence in the film is a drop in the ocean to what’s happening today around the world.”
Her world began in Los Angeles as the daughter of Jon Voight and Marcheline Bertrand. She began her career as a model and went on to star in films including “Lara Croft: Tomb Raider” (2001) and “Mr. & Mrs. Smith” (2004), where she met her future mate. She won an Academy Award for “Girl, Interrupted” (1999).
Asked about lingering wildness from her impetuous past, Jolie is frank. “I just save it for Brad,” she says.
“I didn’t really know myself when I was younger,” she says. “I knew what I wasn’t. I knew that I was confused. I knew what hurt me. I knew what excited me.”
“What I didn’t know was how to be of use to other people. We don’t innately know how we can be of use and who we are inside when we’re young. We’re basically straddling fences when we’re young and searching.”
“I love aging because now I know where I stand. I’m defined. I stand taller,” she says. “It’s a beautiful thing to be able to stand taller.”
After divorces from actors Jonny Lee Miller and Billy Bob Thornton, Jolie is happily globe-trotting and raising kids with partner Pitt. Their brood includes Maddox, 10; Pax, 8; Zahara, 6; Shiloh, 5, and twins Knox and Vivienne, 3.
She aspires to be the kind of mother her mother was to her. “There are very few people in the world who just live for others from a place of pure generosity and sweetness.”
She adds, “Even though my mom has passed away, we keep finding boxes with little things she put aside for the kids including greeting cards. My mom would spend two hours writing a birthday card for someone.”
She says her mom taught her life’s most important lessons.
“She taught me to be strong, but she was actually very soft,” Jolie says. “She knew it was in my nature to be a little tougher. She recognized it and thought that was great. She always just encouraged me and talked to me.
“She was my best friend.
“I try to talk to my kids in the same way. I try to just listen,” Jolie says. “I know I could never be as good a mom as my own. I’ll be different, but good.”
She says the Pitt-Jolie brood makes life crazy fun.
“I have great kids and they make it easy,” she says. “They also have a great dad, which is nice. He shows a lot of respect to their mother.”
On the set of “Blood and Honey,” she says, “All the kids would visit Mom at work. They knew that it was important to be quiet. Then they would go off with Dad to spend the rest of the day.”
Jolie provides the same lifestyle when Pitt is working.
What would she like to teach her children?
“Staying silent is absolutely the worst thing you can do in life,” she says. “Even if it’s scary, you must do what you feel compelled to do in life.”
Big Picture News Inc.

Friday, December 23, 2011

IHT: NY Interrview

Leisure >>
Conquering a new frontier
Angelina Jolie shines a light on the horrors of war in her directional project debut ‘In the Land of Blood and Honey’, writes Cindy Pearlman

One of the biggest lessons I’ve learned in life is to be fearless,’’ Angelina Jolie says. ‘’When I was younger I would get very, very nervous. But I had a great mother who loved me for my flaws and my attempts.

‘’I know there is more danger in not speaking up in life, not being who you are and not standing up to injustice,’’ she continues. ‘’If you stay silent, it’s the absolute worst thing you could ever do. Even if it’s scary, you must do what you feel compelled to do in life.’’ Jolie is on the telephone, calling from the Waldorf Astoria Hotel in New York, where the mother of six is enjoying some rare time on her own: Their father, Brad Pitt, has taken the whole brood to the movies.

According to Jolie, this means that the kids, or at least the girls, will be getting anything they want all day.

‘’It’s funny in our house,’’ the 36-year-old Oscar winner says with a laugh. ‘’The asking for things is split 50-50. The girls know that Mommy might not be a pushover, but Daddy is the biggest pushover in the world. I’ll say to Brad, ‘Do you realise that you can’t say no to the girls?’ Brad will just smile at me and say, ‘How can I say no to any of the girls in our house? All of you are perfect.’

‘’He even calls us ‘his girls.’’’

On the other hand, she admits, the boys know that their best shot is with Mommy.

‘’OK, so Brad has called me on this too,’’ Jolie concedes, laughing harder. ‘’Brad goes, ‘You let the boys walk all over you.’ It’s true. Boys push their moms. Moms know how to say no to girls, because women know women and girls. I’m like, ‘I know what you’re doing, girls! I see you working Daddy for cookies. There isn’t a man alive who could say no.’’’

Like many a mom, Jolie seems as if she could talk about her kids all day. Officially, though, this call is to talk about In the Land of Blood and Honey, the Bosnian War drama that is her debut as a screenwriter and as a director.

It’s the story of a Serbian soldier, Danijel (Goran Kostic), who encounters a Bosnian woman, Ajla (Zana Marjanovic), before the war. Their attraction is strong, but they’re pulled apart by conflict. The war breaks out, and she ends up a captive at the camp that he oversees.

The film has not been without controversy. A Croatian journalist who writes under the name James J. Braddock has charged that Jolie stole parts of her plot from his 2007 book, ‘The Soul Shattering. She insists, however, that there’s nothing to the charge.

‘’I wrote this script,’’ she says, ‘’and I didn’t plan on writing a script. I just sat down one day, frustrated, after meeting so many people in post-trauma situations. I wrote this trying to reflect on what war does to fathers, sons, mothers, children and couples.

‘’I felt this was something that is not discussed enough,’’ she continues. ‘’This is a war that happened to our generation. It took too long for us to intervene, and the film in essence is about that time before we stepped in. I wanted an audience to sit in the theatre and think, ‘Please stop this. Please.’’’

That the film could be a love story amid the killings, rape and casual violence of war doesn’t seem implausible to Jolie, even when it’s a woman falling in love with her jailer.

‘’These were two regular, decent people,’’ she says. ‘’These are two people who would have had a real chance to be a great couple if it wasn’t for the war. They could have had a wonderful family together.

‘’It’s a story about the loss of humanity and the ugliness that takes over during a war,’’ Jolie says. ‘’It’s unbelievable how ugly people can be during war. The violence in the film is a drop in the ocean to what’s happening today around the world.’’

She herself had a hard time coming to terms with the theme, she admits.

‘’It’s hard on filmmakers to make sense of these things too,’’ Jolie says. ‘’There is no sense to be made of this violence of neighbours turning on each other. It just doesn’t make sense.’’

It didn’t help that initially she hadn’t conceived of herself as directing the film.

‘’I can’t even say the word ‘director,’’’ the actress insists. ‘’I never intended to direct. I never wanted to do it. I never thought I had the confidence to think I could write a script and direct it. But a few people whom I allowed to read the script told me it was good. There was a discussion of who should direct it, and I felt linked with the project.’’

It was important to her, she says, that the film be about the evil of war, not the evil of the Serbs or of any other group in the Bosnian conflict. Accordingly she sent the script to people who had been on all sides of the conflict, asking for their reaction and their help in making the film.

‘’I thought, if all sides agreed to participate in this film, then I would direct it,’’ she says. ‘’If not, I would burn the script.’’

Jolie ended up behind the camera – but not in front of it, though her presence on the screen would surely have helped the film find an audience.

‘’I stepped back when I directed,’’ she says. ‘’I thought, ‘You don’t need me here as an actress.’’’

Jolie’s detour into directing has nothing to do with her occasional past comments that she might retire from acting to raise her family and focus on her humanitarian work. That isn’t likely, she says.

‘’Look,’’ she says, ‘’I’ve had a great run. It’s not that I’ll never act again – I will always want to find projects that mean something to me – but it’s OK if other things in my life take over.

‘’Maybe I’ll just do more kids’ movies,’’ she jokes, ‘’so my children will be really proud of me.’’

It’s ironic that Jolie should draw away from acting at a point when her onscreen work has finally earned her the respect that her offscreen celebrity denied her for many years. Such films as Beyond Borders (2003), the smash hit Mr. & Mrs. Smith (2003), A Mighty Heart (2007) and Clint Eastwood’s Changeling (2008) have impressed many who previously saw her mainly as a flamboyant wild child, the reckless daughter of Oscar winner Jon Voight who went through quick marriages to Jonny Lee Miller and Billy Bob Thornton before hooking up with Pitt to form the tabloid catnip ‘’Brangelina.’’

In recent years, however, despite the tabloids’ reluctance to let go of the triangle between her, Pitt and his ex-wife, Jennifer Aniston, Jolie has earned kudos for her commitment to humanitarian work, especially as an advocate of refugees. She has been named an official goodwill ambassador for the United Nations High Commissioner for Refugees, and two of her children were adopted from refugee camps.

Though Jolie says that a bit of the bad girl still lurks within her – ‘’I just save it for Brad,’’ she says – she admits that family life and inevitable maturity have conspired to change her outlook on life.

‘’I didn’t really know myself when I was younger,’’ she says. ‘’I knew what I wasn’t. I knew that I was confused. I knew what hurt me, I knew what excited me. What I didn’t know was how to be of use to other people.

‘’We don’t innately know how we can be of use and who we are inside when we’re young,’’ the actress continues. ‘’We’re basically straddling fences. I love aging because now I know where I stand. I’m defined. I stand taller. It’s a beautiful thing to be able to stand taller.

‘’I’m more generous of spirit now,’’ Jolie says. ‘’I also appreciate people for their failings and attempts. I’ve become more selfless. In many ways, I find that I’ve just joined the human race.’’

IHT-NYT News Syndicate